Archive for the ‘Completed’ Category

Over Veerkracht (Resilience) (in Dutch)

Monday, April 2nd, 2012

De leer van de thermodynamica is in de 19e eeuw ontstaan uit natuurkundig onderzoek dat werd uitgevoerd om de efficiëntie van de stoommachine te verbeteren. Inmiddels heeft deze wetenschap belangrijke wetten over het Universum ontdekt.

Volgens de thermodynamica beweegt de energie in het Universum op de lange termijn zich van een onmogelijke extreem hete situatie, de Big Bang, naar een toestand van extreme kou en een hoge waarschijnlijkheid, de Big Freeze, waarin alles netjes uniform verdeeld is. Het universum beweegt van extreme chaos naar extreme ordening.

Energie stroomt daarom altijd van hoge (chaos) naar lage temperatuur (orde). Vrijwel alle energie op aarde komt van de zon in de vorm van electro-magnetische straling. Met behulp van deze zonnestraling transformeren planten, algen en bacteriën simpele chemische structuren in complexe biomassa (chemische energie). Bacteriën en schimmels breken deze structuren weer af waardoor de cyclus wordt gesloten.

Biomassa wordt door de rest van de organismen op aarde direct of soms veel later (olie/gas/steenkool) geconsumeerd. Het consumeren van de primaire zonne-energie vindt plaats in voedselketens waarin de organismen ook zelf weer worden geconsumeerd.

Vanuit ons menselijk perspectief interpreteren wij het consumeren van de participanten in een voedselketen als een competitie (“survival of the fittest”) maar we kunnen het ook zien als een uiterst flexibele keten van chemische reacties die worden uitgevoerd in bewegende zichzelf reproducerende chemische fabrieken.

 Energie is de mogelijkheid om iets in beweging te krijgen of te houden. De opgeslagen (potentiële) energie in de aarde wordt soms in meerdere stappen omgezet in beweging (kinetische energie). Tijdens deze omzetting gaat er altijd warmte verloren (dissipatie, wrijving, weerstand, erosie).

De energiestroom van de zon wekt door de rotatie van de aarde stroom-systemen (flow-systems) op. Stroom-systemen hebben een boom-structuur als de stroom van een punt naar een oppervlak of een volume gaat. Een voorbeeld zijn het weersysteem en een meanderende rivier-delta. De longen en de bloedvaten in ons lichaam hebben precies dezelfde opbouw omdat hetzelfde proces ook in ons lichaam optreedt.

Volgens de Constructal Theory van Adrian Bejan verbeteren de stroomsystemen zich steeds opnieuw en dat doen ze door gebruik te maken van de permanente slijtage (dissipatie, wrijving, weerstand, erosie) die de stroombeweging veroorzaakt.  Uiteindelijk vindt er altijd weer ergens een doorbraak plaats in de meander.

Adrian Bejan heeft de Constructal Theory volledig analytisch afgeleid uit de wetten van de Thermodynamica. Hij  beschouwt het principe van de verbeterende stroomsystemen (“construction”)  als een Hoofdwet van de Thermodynamica. Volgens hem is ontwerpen niet een intelligente actie maar een volstrekt logisch gevolg van de werking van ons Universum.

De stroom van onmogelijkheid naar uniformiteit, van hoge onwaarschijnlijkheid naar hoge waarschijnlijkheid gaat gepaard met allerlei tussenstadia waarin de bestaande structuren de nieuwe structuren de weg wijzen.

De doorbraken in de meanderende stroompatronen maken beter gebruik van de huidige mogelijkheden maar de oude paden behouden lange tijd hun functie. Hierdoor is een stroomsysteem niet afhankelijk van één pad en is daardoor ook bestand tegen calamiteiten (bijv. een sterk verhoogde regenval in het stroomgebied van de rivier).

Het systeem waar de stroomsystemen onderdeel van uitmaken bestaat uit Machines (Constructal Engines) en Barrières (Brakes).

De machines en de barrieres zorgen ervoor dat de aarde niet te warm of te koud wordt.

De machines zoeken de weg van de minste weerstand, optimaliseren de stroom, bouwen structuren op, slopen de barrieres, produceren kinetische energie en minimaliseren de slijtage. De machines slechten het pad naar de Big Freeze waarin alles gelijk zal zijn en alles stil zal staan.

De barrières bevatten potentiële energie, leveren de weerstand om de minste weerstand te vinden, slopen de machines, optimaliseren daardoor de dissipatie en produceren een maximale hoeveelheid straling met een hogere golflengte als de binnenkomende zonnestraling die de aarde weer verlaat.

Produceren (Machines) en Consumeren (Vernietigen, Slijten) houden het wankele evenwicht van Moeder Aarde in stand.

De evolutie van ecologieën, steden, organismen (wet van Kleiber), talen (wet van Zipf), organen (de longen, bloedvaten), sporten en technologieclusters voldoen aan de Constructal Theory.

In 2002 hebben Holling en Gunderson het boek Panarchy: Understanding Transformations in Human and Natural Systems gepubliceerd.

Panarchy bevat een integrale visie op de evolutie en de adaptieve cyclus van  de constructal engines die men ecosystemen noemt.

Panarchy is ontstaan door het combineren van ogenschijnlijk conflicterende theorieën. Die theorieën leken conflicterend omdat ze betrekking hadden op de verschillende fasen (Zie Plaatje Phase Space hieronder) van de adaptieve cyclus die een ecologie doorloopt.

De combinatie van de vier mogelijke fasenruimten levert een op-en neergaande cyclus op waarin op een zeker moment een sprong (bifurcatie) wordt gemaakt naar een compleet nieuwe ruimte. Nadat deze sprong heeft plaatsvonden stopt de dynamiek van de oude ecologie.

De meest herkenbare fase is de Exploitatie-fase (B).  Dit is de opgaande lijn waarin de ecologie een hoge mate van orde bereikt en overschotten (Potential) produceert.

De vier fasen van de Panarchy Cyclus voorgesteld als een landschap met een rollende bal

Aan het eind van deze fase neemt de potentie af en wordt er van alles gedaan om de levensduur van de ecologie zo lang mogelijk te rekken (C -Conservation). In deze fase zijn de structuren verouderd geraakt en zijn er op allerlei plaatsen reeds alternatieven (bypass) ontstaan die beter passen op de huidige vraag naar beweging.

De ecologie is in de conservatie-fase vrijwel tot stilstand gekomen en besteed al zijn energie aan het onderhouden  van zijn eigen structuur.

Tijdens de langzaam opgaande lijn van de Exploitatie-fase neemt de verbondenheid en vooral de afhankelijkheid (Connectedness) tussen de participanten onderling enorm toe waardoor de ecologie steeds kwetsbaarder wordt voor verstoringen.

De constructal engines in de ecologie gaan steeds efficienter samenwerken wat ten koste gaat van de diversiteit en de variatie in de ecologie.

De ecologie kan verstoringen opvangen totdat de  verschillende paden nog niet zijn dichtgeslibd maar een verstoring die alle paden tegelijkertijd raakt is dodelijk.

Op het laatst wordt de Veerkracht (Resilience) enorm op de proef gesteld en kan het gebeuren dat de Ecologie volledig ten onder gaat (Release) of na een grondige Reorganisatie weer aan een nieuwe levensloop kan beginnen.

De resilience van een ecologie wordt gemeten door de snelheid te meten waarmee een ecologie zich weer herstelt van een verstoring.

Volgens Panarchy beweegt een Ecologie zich op verschillende schalen en plaatsen en kan op die plaatsen in verschillende fasen verkeren waardoor er allerlei soorten van interactie mogelijk zijn. Hoe hoger de schaal hoe langzamer de cyclus verloopt. Hoge schalen dempen de fluctuaties van de lagere schalen.

Een snelle lokale reorganisatie kan zich plotseling heel snel verspreiden (een lopend vuur (Revolt)) terwijl een langzame geleidelijke ontwikkeling (een organisatie) een snelle ontwikkeling weer kan dempen of tot stilstand kan brengen (de organisatie van de Brandweer (Remember)).

Panarchy is een Zelf-Refererend Cyclus-Model dat bestaat uit Vier Fasen en (minstens) drie Schaalniveaus.  De panarchische golfbeweging bestaat uit twee stappen n.l. de  positieve weg Omhoog naar de Top (exploitation, conservation)  en de negatieve weg Omlaag naar het Dal (depressie, reorganization).

Op een bepaald moment kan de golfbeweging zich splitsen waardoor een nieuw (ander) niveau van organisatie optreedt. Deze sprongen doen zich volgens een vaste regelmaat voor.

Als we kijken naar terminologie en inhoud valt het op dat er een groot verband bestaat tussen Ecologische-, Economische- en Persoonlijkheidstheorien. De natuur, de economie en de mens lijken onderhevig te zijn aan dezelfde wetten.

De theorie over de Menselijke Natuur heeft erg veel weg van de Theorie die wij over de Natuur zelf hebben ontwikkeld. De mens is een zelfstandig bewegende ecologie, een stromend stroomsysteem waaraan een groot aantal participanten deelnemen.

Bacteria wisselen DNA uit

Die participanten hebben zich in de loop der tijd verenigd omdat een samenwerkingsverband veel efficienter bleek te zijn dan een solitaire ontwikkeling.

In het begin bestond het samenwerkingsverband uitsluitend uit simpele chemische fabriekjes, bacteriën, die genetische ontwerpinformatie (DNA) van hun fabriekjes uitwisselenden. De eerste fundamentele stap in de samenwerking van de bacterien was de statische spons. De mens heeft erg veel ontwerp-informatie gemeen met de spons.

Spons

Later gingen de organismen bewegen en waarnemen. Hierdoor gingen ze als individuen samenwerken met andere organismen die genetisch op hen leken (zie Genetic Similarity Theory).  Het uitwisselen en combineren van ontwerp-informatie ging gewoon door (sex).

In volgende fasen ontstonden er hogere ordeningen, zoals lichamen die lichamen konden bevatten (huizen, steden, vliegtuigen, onderzeeboten en auto’s).

Op dit moment is de (grote) stad het hoogste niveau van koppeling maar niets houdt de “Constructal Law” (of de Entropie) tegen om een ordening te gaan scheppen op  het niveau land of aarde.

Dat betekent dat er nieuwe slagaderen moeten komen om de ontwerp-informatie en de energie die tussen de grote steden gaat stromen te faciliteren. Overduidelijk is dat het Internet de basis vormt van het zenuwstelsel van de aardse informatievoorziening.

De thermodynamica is een statistische theorie. De kansverdeling van een Systeem wordt de Entropie van het Systeem genoemd.

Om een kans te kunnen berekenen moet je de kansruimte (de Phase Space) bepalen. Die bestaat uit alle mogelijkheden.

Het aardige is dat je niet hoeft te beschikken over kennis van alle combinaties van alle componenten van een specifiek systeem om erg veel te weten te komen over een kansruimte.

Je kunt gaan spelen met willekeurige componenten (a,b,c,d,e,….), de combinaties in een matrix stoppen, gaan tellen en patronen zoeken in de getallen die er dan worden gevonden. Je bent dan bezig met de statistiek van de statistiek of beter de waarschijnlijkheid van de waarschijnlijkheid. De mogelijke patronen worden beschreven in de Driehoek van Pascal.

Wat dan blijkt is dat er achter het patroon van Pascal weer een patroon zit (zie plaatje).  Dat patroon bevat wederom driehoeken en het is zeer waarschjinlijk dat er achter de driehoeken weer driehoeken zitten. Driehoeken in driehoeken in driehoeken in…. noemt men een fractal, een zelf-herhaling.

De  (on)waarschijnlijkheid is eigenlijk heel mooi en vooral ook simpel geordend en komt voort uit een zichzelf herhalend patroon, de Drie-Eenheid, dat in iedere godsdienst op aarde voorkomt.

Wetenschap en Godsdienst gaan uiteindelijk over hetzelfde.

LINKS

Over de Big Bang

Over Thermodynamica

Over Constructal Theory

Waarom een stad een organisme is

Waarom de genen bepalen wie we aardig vinden 

Over Pan en Anarchie

Over de Wet van Kleiber

Over de orde achter de wanorde (Over de Driehoek van Pascal)

Over de Uitgebreide Driehoek van Pascal

Over de drie-eenheid.

About Perspective

Thursday, February 2nd, 2012

Effective Ways To Improve Production Efficiency For Your Manufacturing Business

While all business owners should be taking measures to enhance efficiency, as this aspect of business growth is of extreme importance regardless of the industry, manufacturing businesses should take measures to boost production efficiency for several other reasons. These reasons range from improving workplace safety to saving on costs and everything in between. Manufacturing businesses that claim the lion’s share of the market are always searching for new ways to improve production efficiency with the intention of ultimately improving their bottom line.

So, to ensure your manufacturing business is constantly making notable strides towards improving production efficiency, we have rounded up five practical ways for you to achieve this. With that said, these five solutions break down the five fundamental focus points of manufacturing efficiency. Therefore, you can use these practices for years to come.

Waste in the manufacturing industry is a cost that should be avoided. And waste is also a broad term in this industry as it refers to employee hours, energy consumption, materials, and a few others. However, material waste is usually the biggest concern in the manufacturing industry. When searching for ways to reduce waste, you will need to utilize your conclusions from evaluating your production line, learn more detailed information from this top tier short cut fibers manufacturer.

When identifying waste, each of your production line processes will create some waste; identifying the processes responsible for making the most waste is the best way to reduce overall waste. However, you can also reduce waste by recycling or reusing waste instead of dumping it. You could also consider selling your waste to a business that can properly use it if you cannot eliminate the bulk of your waste.

The production line in your manufacturing business is the core of your business functions. When evaluating the production line, you should assess all the details as well, including the commonly overlooked details, such as loading dock bumper and other essential loading dock equipment your business needs. When it comes to sourcing and maintaining loading dock bumpers, you can consider Miner Corp or other leading industry service and equipment providers to ensure your production line has everything it needs to function as it should.

Throughput is another primary focal point to consider; you need this metric to measure the number of units being produced in a certain period on average. While quality equipment is crucial in ensuring your production line can run smoothly, evaluating your throughput will help you identify issues in your production line on occasions when the throughput is not entirely up to par. Capacity utilization is another element of your production line to evaluate, and this refers to calculating your factory’s total output capacity. This will allow you to determine your production line’s performance at all times.

While you are evaluating your production line, you will probably discover the most significant breakdowns in production. These are otherwise referred to as bottlenecks. Because having to shut down operations even for half a day can have a massive impact on your business’s reputation and overall profits, identifying sources of breakdowns and taking measures to prevent them from reoccurring is vital to all companies operating in the manufacturing industry.

About Number and Magnitude

Monday, January 9th, 2012

We have lost the relationship between Number and Form or Number and Magnitude as the Ancient Greeks called their Forms.

A few years ago a Revolution in Mathematics and Physics has started. This revolution is caused by Geometric Algebra.

In Geometric Algebra the Ancient Theories of Euclid and Pythagoras are reevaluated.

Numbers are Scalar (Quantum) Movements of Geometric Patterns and not Static Symbols of Abstractions that have nothing to do with our Reality.

Movements and not Forces are the Essence of Physics.

The basic rule Movement = Space/Time (v=s/t) shows that  Time and Space are two Reciprocal 3D-Spaces. Our Senses Experience Space and not Time.

The Simple Rule N/N=1/1=1 balances the Duals of Space and Time. One Unit Step in Space is always Compensated by One Unit Step in Time.

Geometric Algebra has a strange relationship with Pascals Triangle. This Triangle, also called the Binomial Expansion, contains all the Possible Combinations of two Independent Variables. Our Universe is a Combination of Combinations exploring Every Possibility.

The last and perhaps most important Discovery in Mathematics called Bott Periodicity shows itself in Pascals Triangle.

Bott Periodicity proves that we live in a Cyclic Fractal Universe, the Wheel of Fortune, that is Rotating around the Void, the Empty Set. The Empty Set contains Every Thing that is Impossible in our Universe.

This blog is not a Scientific Article. I have tried to connect the Old Sciences and the New Sciences in my own Way.

It contains many links to Scientific Articles and even Courses in Geometric Algebra.

So if you want to Dig Deeper Nothing will Stop You.

About the One and the Dirac Delta Function

Every Thing was created out of  No Thing, the Empty Set, ɸ, the Void, the Tao. The Empty Set contains 0 objects.

The Empty Set is not Empty. It contains Infinite (∞) Possibilities that are Impossible.

Every impossibility has a probability of 0 but the sum of all possibilities (1/∞=0) is always 1. In the beginning ∞/∞ =1  or ∞x0=1.

This relationship is represented by the Dirac Delta Function. It is used to simulate a Point Source of Energy (a Spike, an Explosion) in Physics.

The Delta is reprented by the Symbol Δ, a Triangle. The Delta is called Dalet in the Phoenican and Hebrew Alphabet. Daleth is the number 4 and means Door.

The original symbol of the Delta/Daleth contains two lines with a 90 Degree Angle. Two orthogonal lines create a Square or Plane.

The Dirac Delta Function is defined as a Square  with an Area of 1,  a Width of 1/n and a Height of n where n->∞.

The Dirac Delta Function is a Line with an Area of 1.

In the Beginning a Huge Explosion took place that created the Universe.

The Dirac Delta Function δ (x) has interesting properties: δ (x) = δ (-x), δ (x) = δ (1/x). It has two Symmetries related to the Negative Numbers and the Rational Numbers.

When we move from 2D to 1D, the Number Line, the Delta Function becomes the Set of the Numbers N/N =1.

The Tetraktys of Pythagoras

The Monad (1) of the Tetraktys of Pythagoras, the Top of the Triangle, was created by Dividing the One (1) by Itself without Diminishing itself. The Monad (1/1=1)  is part of  the 1D Delta Function.

Creation is an Expansion of the 1/1 into the N/N, adding 1/1 all the time,  until ∞/∞ is reached. At that moment every Impossibility has been realized.

File:Dirac function approximation.gif

The Dirac Delta Pulse

 

To move Back to the Void and restore the Eternal Balance of  the One,  Dividing (Compression) has to be compensated by Multiplication (Expansion).

At the End of Time N/M and M/N have to find Balance in the N/N,  move Back to  1/1, Unite in the 0 and become The Void (ɸ) again.

About the Strange Behavior of Numbers

The big problem of the Numbers is that they sometimes behave very differently from what we Expect them to do.

This Strange Behavior happens when we try to Reverse what we are doing.

It looks like the Expansion of the Universe of Numbers is Easy but the Contraction creates many Obstacles.

It all starts with the Natural Numbers (1,2,3,).

When we Reverse an Addition (Subtract) and move over the Line of the Void Negative Numbers appear. Together with the Natural Numbers they are called the Integers.

The same happens when we Reverse a Division and the Fractions (the Rational Numbers) (1/3, 7/9) suddenly pop up.

An Integer N is a Rational Number divided by 1 (N/1).

The Integers are the Multiples of 1, the Fractions are its Parts.

Numbers behave even stranger when we want to Reverse a Repeating Repeating Addition (Irrational Numbers) and want to calculate a Rational Power (2**1/2).

The Complex Numbers (or Imaginary Numbers), based on the Square Root of -1 called i, are a combination of the Negative Numbers and the Irrational Numbers.

Irrational Numbers ( the Pythagorean Theorem), Fractions (a Piece of the Cake) and Negative Numbers (a Debt) are part of our Reality but the Strange Number i represents something we cannot Imagine.

About the Duality and the Expansion of Space

In the beginning the only One who was in existence was the 1.

When the One divide itself again the number -1, the Complement of 1, came into existence.

1 and -1 are voided in the No Thing, the Empty Set, 0:  -1 + 1 = 0.

The Two, the Duality, both started to Expand in Two Opposite Directions (<– and +->) both meeting in the  ∞/∞. This expansion is what we call Space.

Space is a Combination of the Strings S(1,1,1,1,1,…) and -S = (-1,-,1,-,1,-1,…) where S+S=(0,0,0,0,0,0,…).

The Expansion pattern of Space is a Recursive Function S: S(N)=S(N-1)+1 in which + means concatenate (or add) the String “,1″.

An Addition X + Y is a concatenation of S(X) and S(Y). A Substraction X-Y is a concatenation of S(X) and -S(Y). In the last case all the corresponding combinations of 1 and -1 are voided. (1,1,1,1)-(1,1,1)=(0,0,0,1)=(1).

Multiplication XxY is Adding String S(Y) every time a “1″ of S(X ) is encountered: 111 x 11 = 11  11  11. Dividing X/Y is Subtracting S(X) every time a “1″ of S(Y) is encountered:.111  111  1/111=11 1/111. In the last example a Fraction 1/111 appears.

This Number System is called the Unary Number System.

About the Trinity and the Compression of Space called Time

The Strange Behavior of Numbers is caused by the Limitations of our Memory System. We are unable to remember long strings that contain the same Number.

To make things easy for us we Divide Space into small Parts so we were able to Re-Member (Re-Combine the Parts).

When we want to Re-member, Move Back in Time, we have to Compress Expanding Space.

Compressed Space is Time.

Time and Space have a Reciprocal Relationship called Movement (Velocity = Space/Time).

There are  many ways ( (1,1,1), (1,1,1),..) or ((1,1),(1,1))) to Compress a String in Repeating Sub-Patterns.

In the blog About the Trinity I showed that the most Efficient Way to group the One’s is to make use of a Fractal Pattern (a Self Reference) and Groups of Three Ones.

The Trinity applied to the Trinity ( A Fractal) is a Rotating Binary Tree. Binary Trees represent the Choices we make in Life.

The rotating Expanding Binary Trees generate the Platonic Solids (see linked video!) when the (number)-parts of the Binary Tree Connect.

The Ternairy Number System is represented by the Binary Tree

When we connect Three Ones (1,1,1) by Three Lines (1-1,1-1,1-1) a 2 Dimensional Triangle Δ is Created.

If we take the Δ as a new Unity we are able to rewrite the patterns of 1′s and -1′s into a much Shorter Pattern of Δ’s and 1′s: (1,1,1),(1,1,1),(1,1,1), 1,1 becomes Δ,Δ,Δ,1,1.

We can repeat this approach when there is still a Trinity left: Δ,Δ,Δ,1,1 becomes ΔxΔ,1,1.

This Number System is called the Ternary Number System.

About Ratio’s and Magnitudes

According to EuclidA Ratio is a sort of relation in respect of size between two magnitudes of the same kind“.

A Magnitude is a Size: a property by which it can be compared as Larger or Smaller than other objects of the Same Kind. A Line has a Length, a Plane has an Area (Length x Width), a Solid a Volume (Length xWitdth x Height).

For the Greeks, the Numbers (Arithmoi) were the Positive Integers. The objects of Geometry: Points, Lines, Planes , were referred to as “Magnitudes” (Forms). They were not numbers, and had no numbers attached.

Ratio, was a Relationship between Forms and a Proportion was a relationship between the Part and the Whole (the Monad) of a Form.

Newton turned the Greek conception of Number completely on its head: “By Number we understand, not so much a Multitude of Unities, as the abstracted Ratio of any Quantity, to another Quantity of the same Kind, which we take for Unity”.

We now think of a Ratio as a Number obtained from other numbers by Division. A Proportion, for us, is a statement of equality between two “Ratio‐Numbers”.

This was not the thought pattern of the ancient Greeks. When Euclid states that the ratio of A to B is the same as the ratio of C to D, the letters A, B, C and D do not refer to numbers at all, but to segments or polygonal regions or some such magnitudes.

The Ratio of two geometric structures  was determinated  by fitting the Unit Parts of the first geometric Stucture into the Other.

The Perfect Triangle of the Tetraktys contains 9 = 3x3 Triangels. A Triangle contains 3 Lines and 3 Points.

An Example:  The Tetraktys is a Triangle (A Monad) and contains 9 Triangles (a Monad). The 1x1x1-Triangle Δ, a Part of the Tetraktys,  is Proportional to the Whole of the Tetraktys (T) and has a Ratio T/Δ = 3= Δ -> T = Δ (3)  x Δ (3) = 9.

The Mathematics of Euclid is not a Mathematics of Numbers, but a Mathematics of Forms.

The symbols, relationships and manipulations have Physical or Geometric Objects as their referents.

You cannot work on this Mathematics without Knowing (and Seeing) the Objects that you are Working with.

About Hermann Grassman, David Hestenes and the Moving Line called Vector

Hermann Grasmann lived between 1809 and and 1877 in Stettin (Germany). Grassmann was a genius and invented Geometric Algebra a 100 years before it was invented.

In his time the most important mathematicians did not understand what he was talking about although many of them copied parts of his ideas and created their own restricted version. None of them saw the whole Grassmann was seeing.

When he was convinced nobody would believe him he became a linguist. He wrote books on German grammar, collected folk songs, and learned Sanskrit. His dictionary and his translation of the Rigveda were recognized among philologists.

Grassmann took over the heritage of Euclid and added, Motion, something Euclid was aware of but could not handle properly.

angle between vectors in 2 dimentions

A Displacement or Bivector

Grassmann became aware of the fact your hand is moving when you draw a 2D Geometric Structure. He called the Moving Lines, that connect the Points, Displacements (“Strecke”).

screw theory 2

A Displacement and a Rotation of a Vector

In our current terminology we would call the Displacements “Vectors”.

blades

Vector algebra is simpler, but specific to Euclidean 3-space, while Geometric Algebra works in all dimensions. In this case Vectors become Bi/Tri or Multi-Vectors (Blades).

The Trick of Grassmann was that he could transform every transformation on any geometrical structure into a very simple Algebra. Multi-Dimensional Geometric Structures could be Added, Multiplied and Divided.

The Greek Theory of Ratio and Proportion is now incorporated in the properties of Scalar and Vector multiplication.

add-bivectors

Combining (Adding) Bivectors creates a Trivector

About a 100 years later David Hestenes improved the Theory of Grassmann by incorporating the Imaginary Numbers. In this way he united many until now highly disconnected fields of Mathematics that were created by the many mathematicians who copied parts of Grassmanns Heritage.

About Complex Numbers, Octions, Quaternions, Clifford Algebra and Rotations in Infinite Space

Grassmann did not pay much attention to the Complex Numbers until he heard of a young mathematician called William Kingdon Clifford (1845-1879).

Complex numbers are ,just like the Rationals (a/b), 2D-Numbers. A Complex number Z = a  + ib where  i**2=-1. Complex Numbers can be represented in Polar Coordinates: Z = R (cos(x) + i sin(x)) where R = SQRT(a**2 + b**2).  R is the Radius, the Distance to the Center (0,0).

When you have defined a 2D-complex Number it is easy to define a 4-D-Complex Number called a Quaternion:  Z = a + ib + jc + kd or a 8-D Complex Number called an Octonion.

William Rowan Hamilton, the inventor of the Quaternions, had big problems to find an interpretation of all the combinations i, j and k until he realized that i**2 =j**2 = k**2 = ijk=-1.

What Hamilton did not realize at that time was that he just like Grassmann had invented Vector Algebra and Geometric Algebra.

Quaternions are rotations in 4D-space

This all changed when William Kingdon Clifford united everything in his new Algebra.  Clifford’s algebra is composed of elements which are Combinations of Grassman’s Multivectors.

The Clifford Algebra that represents 3D Euclidean Geometry has 8 = 2**3 components instead of 3: 1 number (Point), 3 vectors (Length), 3 bivectors (Area) and 1 trivector (Volume).

It turns out if you use combinations of these elements to describe your geometric objects you can do the same things you did before (you still have 3 vector components).

In addition, you can have additional data in those other components that let you find distances and intersections (and a lot of other useful information) using simple and (computationally) cheap numerical operations.

The most important Insight of William Kingdom Clifford was that the Complex Numbers are not Numbers all.

They are Rotations in higher Dimensional Spaces.

About Pascal’s Triangle and Mount Meru

The String 1,3,3,1 of Clifford’s 3D Geometry is related to the 4th Level of Pascal’s Triangle. Level N of Pascal’s Triangle represents N-1-Dimensional Geometries.

The Sum of every level N of the Triangle is 2**N. This Number expresses the Number of Directions of the Geometric Structure of a Space with Dimension N.

A Point has 0 Direction, while a Line has 2 Directions, relative to its Center point, a Plane has 4 Directions, relative to its Center Point, and a Cube has 8 directions, relative to its Center point.

Mount Meru (Pascal's Triangle in Vedic Mathematics)

Pascal’s Triangle is also called the Binomial Expansion. This Expansion shows all the Combinations of two letters A and B in the function (A+B)**N. Level 1 of the Triangle is (A+B)**0 = 1  and level 2 is A x A + 2 A x B + B x B -> 1,2,1.

The Binomial Expansion converges to the Bell-Shaped Normal Distribution when N-> ∞.

The Diagonals of Pascal’s Triangle contain the Geometric Number Systems (Triangular Numbers, Pyramid Numbers, Pentatonal Numbers, ..) and the Golden Spiral of the Fibonacci Numbers.

Pascal’s Triangle is a Repository of all the Possible Magnitudes and their Components.

The Normal Distribution shows that the first level of the Triangle (the Tetraktys) is much more probable than the last levels.

The first four Levels of the Triangle of Pascal contain the Tetraktys of Pythagoras.

 

The Tetraktys  is an Ancient Vedic Mathematical Structure called the  Sri Yantra, Meru Prastara or Mount Meru.

About Numbers, Operations and the Klein Bottle

The Complex Numbers are not “Numbers” (Scalars) at all.

They are “Operations” (Movements) that can be applied to Magnitudes (Geometries) and Magnitudes are Combinations of the Simple Building Blocks of the Tetraktys, Points and Lines.

The Tao of Ancient China was not for nothing represented by a Flow of Water. According to the Ancient Chinese Mathematicians Every Thing Moves.  In the Beginning there was only Movement.

In the Beginning only the One was Moved but when the Duality was created the Two moved around each other never getting into contact to Avoid the Void.

When we look at the Numbers we now can see that they are the result of the Movements of  the first Diagonal of Pascals Triangle,  the 1′s (Points) or better the Powers of  the One: 1 **N (where N is a Dimension).

Even in the most simple Number System, the Unary Number System, Concatenation is an Operation, An Algorithm.

The Mathematician John Conway recently invented a new Number System called the Surreal Numbers that contains Every Number you can Imagine.

The Surreal Numbers are created out of the Void (ɸ)  by a simple Algorithm (Conway calls an Algorithm a Game) that describes Movements (Choices of Direction: Up, Down, Left, Right, ..)  that help you to Navigate in the N-Dimensional Number Space.

The Ancient Chinese Mathematicians played the same Game with the Numbers.

Algorithms were already known for a very long time by the Ancient Vedic Mathematicians. They called them Yantra’s.

SriYantra

Sri Yantra

Geometry is concerned with the Static Forms of Lines and Points but there are many other more “Curved” forms that are the result of  Rotating Expansion and Compression. These forms are researched by the modern version of Geometry called Topology.

The most interesting 4D Topological Structure is the Klein Bottle.  The Klein Bottle is  a combination of two Moebius Rings. It represents a Structure that is Closed in Itself.

It can be constructed by gluing both pairs of opposite edges of a Rectangle together giving one pair a Half-Twist. The Klein Bottle is highly related to the Ancient Art of Alchemy.

The movement of the Duality around the Void can be represented by a Moebius Ring the Symbol of Infinity ∞.

Later in this Blog we will see why the Number 8 is a Rotation of ∞ and the symbol of Number 8 is a combination of the symbol of the number 3 and its mirror.

First we will have a look at the Reciprocal Relation between Space and Time.

The Klein Bottle, The Universe Closed in Itself, the Basic Structure behind Alchemy.

The Klein Bottle, The Universe Closed in Itself, the Basic Structure behind Alchemy.

About Dewey B. Larson, Velocity and Time

Dewey B. Larson (1898 – 1990) was an American Engineer who developed the Reciprocal System of Physical Theory (RST).

Larson believed that the failure to recognize that Motion is the most basic physical constituent of the universe has handicapped the progress of the traditional study of physics, which focuses on Forces.

The definition of Motion stems from the Equation of Velocity, v = ds/dt.

Instead of depending upon the change of the location of an object to define an arbitrary “quantum” of space per “quantum” of time, such as miles per hour, or meters per second, the RST assumes that the observed universal passage, or progression, of time is one aspect of a universal motion that necessarily must be accompanied by a universal “passage,” or progression, of space.

The Units of Time fill up the Units of Space. Space and Time are Duals.

Space is not-Time and Time is not-Space. Time is Non-Local, Cyclic and represented by the Rotating Imaginary Numbers. Space is Local, Linear and Represented by the Scalar Numbers. Space is the Vacuum and the Nothing and Time is the non-vacuum, the Every Thing, the Solids represented by the Cube of Space.

The Cube of Space is the structure behind the Tetraktys but also behind the Book of Genesis.

Our Reality contains two Reciprocal 3D-structures related to Space and Time. Space and Time are related by the Simple Formula N/N=1/1=1, the Formula of Diracs Delta Function.

We are able to perceive the Real 3D-Structure of Space. The 3D-Structure of Time is Imaginary. It is situated in the Imaginary Number Space of i.

LarsonsScalarCube.jpg

Larson’s Cube, the Geometric Representation of the Octonion.

Larson, a Self Thought Genius like Grassmann, developed Geometric Algebra without knowing anything about Geometric Algebra but he also invented String Theory long before String Theory was invented.  The Mathematics of Larson is also the Mathematics of the Tetraktys of Pythagoras without even knowing anything about it.

wom_image3.jpg

The Periodic System of Larson

Larson was able to Calculate all the important Physical Numbers without any problem and was also able to Calculate Chemical Structures and Reactions.

About the Bott Periodicity

The fourth line of Pascals Triangle and the Tetraktys contains 8 Directions in the Four Geometric Dimensions: 0, 1, 2, and 3.

Mathematicians are intrigued with this number 8, because they find it popping up unexpectedly in advanced mathematics.

In fact, expanding the Binomial Expansion to 8 dimensions just creates an inverse copy of these first Four Dimensions, and then the pattern just repeats itself with a half-twist and back from there, ad infinitum.

This is called Bott Periodicity discovered by the mathematician Raoul Bott (1923-2005).

The mathematician John Baez wrote an article in which he relates this 8-fold Periodicity to the Scalars (1), the Complex Numbers (2), the Quaternions (2×2), and the Octonions (2x2x2 = 2**3).

Bott Periodicity

The Universe of Numbers and Magnitudes  is Cyclic and Fractal.

Our own Reality, symbolized by the Tetraktys,  repeats itself in Higher Dimensions until Infinity.

The Tetrad, represents Completion, because it contains all its Previous Numbers, the 1, 2, 3, and itself, 4, in One Number, 10 = (The One) +  9 (= 3 (Trinity)x 3 (Trinity) = Tetraktys).

As you can see in the Picture above the Fractal Pattern of 8 contains two kinds of Trinities/Triangles, an Upside and a Downside (Rotated by 180 Degrees) Triangle. When you Rotate by 180 Degrees the 1 becomes -1 and 1 + -1 =0 is the Void.

The Square is a combination of two Triangels. It is represented by the Of Star of David, the Symbol of the Heart Chakra.

The Star of David, the Symbol of Human Center, the Heart Chakra.

The Multi Dimensional Rotations of the Octonions always Come Back to Square 1/1=1, the One and keep Rotating around the Center, the Nothing,   Until Infinity.

LINKS

About the Tetraktys (1)

About the Tetraktys (2)

About Triangular Numbers and Pascal’s Triangle

About the Empty Set

About the Relationship Between Geometry and Music

About the Trinity

About the Game of the Surreal Numbers

About Larson and the Unification of Mathematics

The Collected Works of Dewey B Larson

About Number and Magnitude

About Ratio and Proportion

About Ratio and Proportion by Euclid

A book of Augustus deMorgan about “The Connection between Number and Magnitude”

The text of the Fifth Book of Euclid

An Educational You Tube Channel called Insights in Mathematics

About the History of Geometric Algebra

About the Sri Yantra

About Geometric Algebra

Free Software to use Geometric Algebra

About Clifford Algebra

About Yantra’s

About Movement

About Topology

About the Digital Root Patterns

About the Heart Chakra

A Video that shows how the Platonic Solids are created out of the Trinity Numbers

All you want to know about Geometric Patterns

About the Vedic Square

Monday, December 19th, 2011

This blog is about the Cycle of Nine implemented in the Digital Root or Modulus 9-Function. The Digital Root generates many Patterns that were used in Ancient Architectures.

One of the most important Digital Root Patterns is the Vedic Square. It is the Digital Root of the Multiplication Table of the numbers 1 to 9.

This Table contains the Harmonics of the Numbers 1 to 9. These Harmonics are highly related to the Harmonic Pattern behind the Cycles in our Universe.

The first part of this Blog is about the Digital Root. It contains the patterns that are behind the Cycle of Nine.

This part is very technical but it makes it possible to show that there is a deep structure  behind the Modulus-9.

This pattern has to do with just two numbers, 2 and 3. They generate the Spirals of Expansion and Compression of our Universe.

2 and 3 and their Sum 5  are also the Numbers behind the Harmonics of our Universe.

The Second Part is about the Vedic Square. It is called the Vedic Square because this Square is one of the most important tools in Ancient Vedic Mathematics.

Vedic Mathematics was used in many Ancient Cultures (China, Egypt, Greece) with different names. The Chinese art of Feng Shui was called Vaastu Shastra in India.

Pythagoras, trained in Egypt (Heliopolis),  used the same principles and used the same  Patterns the Ancient Vedic Scientists were using.

The last part is about the Game of Chess. This game is  just like many other Ancient Games a Simulator of the Game of the Universe.

This blog contains many links to other Blogs and Resources on the Internet. These references make it possible to dig deeper into this fascinating subject.

About the Digital Root

When  you divide a number X by a number N the Remainder of the division is called X Modulus N.  22 mod 7 = 1 because 22 = 3×7 + 1.

The Modulus-function N maps the Set of the Natural Numbers to the Numbers 0, 1, 2, ….,N-1.

One of the most famous and ancient Modulus-functions is called the Digital Root. The Digital Root is the Modulus 9 function.

Because 10 mod 9 = 1 every Power of 10 has a Modulus 9 of 1. Therefore (a10**X+ b10**Y+…) mod 9 = a + b, the Sum of the Digits of the Number. 62 mod 9 = 6+2 = 8.

Digital Roots have been recorded for thousands of years, formalized by Pythagoras in 530BC and even earlier in Indian Vedic Mathematics (Vaastu Shastra).

Digital Roots are used in Numerology. In Numerology Numbers have a Meaning.

In Gematria Letters and Words are transformed into Numbers which have a meaning.

In Ancient Languages like Hebrew Letters are also Numbers. Numerologists believe that Words with the same Digital Root have the same Meaning.

The numbers 0 to 9 of the Digital Root are the Points of the Tetraktys of Pythagoras.

The Tetraktys of Pythagoras

The Modulus 9 pattern contains 2 number groups (3,6, 9) and (1,2,4, 5,7,8).

Later we will see that the last group contains 2 subgroups (1,4,7) and (2,5,8).  Together with (3,6,9) we can map these 3 Triangels on the Modulus 9 Circle.

4 is the Middle of 1+7=8, 5 is the Middle of  2+8=10 =1 and 6 is the Middle of 3+9=12=3. 5 is also the Middle of the Middle.

The group (1,2,4,5,7,8 ) is called the Ring Z/9 in Mathematics. Z/9 is isomorphic with the Sequence 2**N mod 9 where N is positive and negative. The sequence 1,2,4,8,16(7),32(5),64(1),128 (2),256 (4),… repeats itself until infinity.

This Sequence is the Expansion and Compression Pattern of the Number 2.

The Ring Z/9 is part of the Tetraktys and forms a Hexagram. This Hexagram is a 2D-projection of the Cube of Space. When we combine the (3,6,9)-pattern with the Hexagon a (4×4) Triangle is created.

The number 2 is the Container, the Cube, inside the Tetraktys. That is the Reason why the Second letter in the Hebrew Alphabet Beth means Vessel or Container.

(3,6,9) is a Triangular Cycle that repeats itself until Infinity.  The Number 3, the Trinity, is the Mover of the Container of 2. This Rotation moves With and Against the Clock.

This is the reason why the 3th Letter of the Hebrew Alphabet, Gimel, means Camel. The Camel of Gimel carries the Water into the  2 Containers of Beth.

The Number-2-pattern contains 3 Binary Groups (called Polar Pairs) with a Sum of Nine (1,8), (2,7), (4,5). The Number-3-Pattern contains 2 Polar Pairs (3,6) and (0,9). The Polar Pairs represent the Lines of the Tetraktys.

(0,9) maps unto Itself and represents The Beginning and The End, The Now. (0,9) is a Point and a Line.

The Polar Pairs of the Z/9 create a Cyclic Pattern that contains two Squares, (1,2,4,0) and (5,7,8,0). Both of them Share the Zero, The Void.

The Sum of the Opposite Numbers of the Z/9, (4,8 = 12=3), (1,5 =6 ), (2,7=9) of the Tetraktys shows the 3,6,9-pattern again.

There are 8 Ternary Groups ((1,5,9), (1,6,8), (2,6,7), (2,5,8),(2,4,9),(3,4,8),(3,5,7),(4,5,6)) with a Sum of 15. This Ternary Group represents Triangels. All of them are part of the famous Lo Shu 3×3 Magic Square.

The 3 Triangles of (1,4,7), (2,5,8) and (3,6,9) copied from the linked Website.

When we use the number 3 as a generator 3 Triangles are created (1,4,7), (2,5,8) and (3,6,9).

The 3 Triangles move With and Against the Clock ((1,4,7) and (7,4,1)).

It takes 3 rotations to get every Triangle back to its original position. (1,4,7) becomes (7,1,4) and (4,7,1). This means that there are 6 permutations of every Triangle.

Every addition of two Triangels produces another Triangle.   An Example:  (1,4,7) + (2,5,8) = (3,9,6).

When we create a Matrix to find all the combinations a new group of 9 transformations ((1,1,1),(2,2,2),(3,3,3),(4,4,4),(5,5,5),(6,6,6),(7,7,7),(8,8,8),(9,9,9)) appears. They are the Triangels that are a Line and a Point. An Example:  (1,4,7) + (1,1,1)=(2,5,8).

There are now (18 +9=27) x27 = 729=3**6 = 9**3 possibilities.

The same 27×27 Matrix appears when we Multiply the 3 Triangels. An Example:  (5,8,2)x(5,8,2)= (25,64,4)= (7,1,4) and (3,6,9)x(5,8,2)=(15,48,18)= (6,3,9).

Another interesting patterns  becomes visible when we look at the Opposite Numbers of 3 Triangels (1,5), (2,6), (3,7),(4,9) en (5,9) in the Picture above.  They recreate the Triangels. An Example: (5+9=5, 2+6=8 ,8+3=11=2).

About the Digital Root of the Golden Mean

The 27×27 Matrix pattern also emerges out of 24 repeating numbers (1 1 2 3 5 8 4 3 7 1 8 9 8 8 7 6 4 1 5 6 2 8 1 9) of the Digital Root of the Fibonacci Sequence (The Golden Ratio).

this solution gives the densest
lattice packing of spheres in 24 dimensio

When we group the Golden Ratio pattern in 2′s (2×12) the Polar Pairs appear. The 12 pattern has  a Sum of 108 = 0 Modulus 9. 108 and 24 are related to the Gayatri Mantra.

1 1 2 3 5 8 4 3 7 1 8 9

8 8 7 6 4 1 5 6 2 8 1 9

When we  group the pattern of 24 numbers (3×8) of the Golden Ration into Trinities the Triangle Pattern appears again.

1   2  3  4                  -3 -2 -1 -4 (Pattern-number)

1   1  2  3  (7)           5   8   4   3   (2)

7   1  8  9  (7)          8   8   7   6   (2)

4   1  5  6  (7)          2   8   1    9   (2)

The Pattern of the Pattern is (1,2,3,4,-3,-2,-1,-4). The last part of the Pattern (-3,-2,-1,-4) can be transformed into the first part (1,2,3,4) by adding 4.

The Digital Sum of the first 3×4 numbers is 7 and the Digital Sum of the last 3×4 numbers is 2.

When we rearange the 24 cycle in 6 groups of 4 digits another pattern shows itself: (1,4,8,5), (1,3,8,6), (2,7,2,7),(3,1,6,8), (5,8,4,1), (8,9,1,9).

The pattern of the Golden Mean copied from the Linked Website

When we combine all the different rotations of the 3 Triangels a Cyclic Flow Pattern appears that looks like the Jitterbug of  Buckminster Fuller.

The Jitterbug is a 3D projection of the 4D 24-Cell (again 24!) also called the Hyperdiamond.

The 24-cell is self-dual and is the regular polytope with no analogue among the five Platonic solids of 3-space.

The 24-cell also called the Hyperdiamond

About the Vedic Square

One of the Simple Structures of Numbers that contains a lot of patterns is the Vedic Square. The Vedic Square was called the Eight Mansions in China. The Vedic Square is the Digital Root of the Multiplication Table of the numbers 1 to 9.

The Multiplication Table is a subset of the 27×27 Matrix of the 3 Triangels.

The Multiplication Table contains the Harmonics of the Numbers 1 to 9.The Vedic Square was used to build the Pyramids, create the Chinese I Ching, the Game of Chess, Dante Alighieri used it to structure his trilogy La Divina Commedia, the Sistine Chapel was build and the frescoes and symbols were arranged according to its concepts and the first chapter of Genesis was written and imbued with its numerous concepts graphic images.

File:Michelino DanteAndHisPoem.jpg

La Divina Comedia of Dante with the Tower of Babel on the background. This Ziggurat is a Geometric Structure highly related to the Vedic Square.

Scholars and Artists discovered that the various lines of the Vedic Square could be used to direct a design. By selecting a line of numbers, and using a constant angle of rotation, various designs could be produced. These designs are visible in abstract Islamic Art.

The Vedic Square is a Symmetrical Structure because AxB=BxA. This is called the Associative Property of Multiplication.  The Square is a combination of Two Triangels and contains 45 distinctive numbers.

The Vedic Square repeats itself until infinity when you extend the Square to a NxN Square.

The number pattern of the diagonal of the Vedic Square, 1,4,9,7,7,9,4,1,9,  is the Digital Root Pattern of the Square Roots. This patterns repeats itself until Infinity.

The Vedic Square contains the 5 Polar Pairs, the 8 Lo Shu Ternary Groups and the 3 Trinity Patterns ((1,4,7), (2,5,8), (3,6,9). It also contains the Star of David, The Zodiac, the Tree of Life and many other Mystic Patterns.

It is possible to transform the Vedic Square to the Lo Shu Magic Square.

The patterns of the Vedic Square Rotate. The End of a Horizontal and a Vertical Pattern connects with the Beginning of the Pattern. This means that the Vedic Square is a Torus.

This Torus is called the Rodin Torus. The Rodin Torus is a Coil that produces a Uniform Electro-Magnetic Field.

The 3-6-9 and 6-3-9 Cycle in the Vedic Square can be thought of as Clockwise and Counter-Clockwise, or as Electricity and Magnetism. They are transport-channels.

The ((3,6,9),(6,3,9)-Matrix divides the Vedic Square in 9 2×2 Squares.

The 9 2×2 Squares have a Sum of 9,18 and 27 which is 1×9,2×9 and 3×9. If we leave out the (3,6,9)-Matrix and divide by 9,  a 3×3 matrix results with 1,2,3 on the Outside  and a Cross of 2′s in the middle. This 3×3 matrix shows the Expansion of the 2 into the (1,2,3).

Patterns in the Vedic Square

The Rows and Colums of Ring Z/9 add up to 45. The Rows and Colums of the Number 3-Pattern add up to 54 which is a Mirror of 45. The (4,5)-pattern generates the Star of David and the Zodiac.

About Indian Vastu Science

The Game of Chess originated in India. It was passed on to the medieval West through the intermediary of the Persians and the Arabs.

The form of the Chess-Board corresponds to the Vastu-Mandala, the 9×9  diagram which also constitutes the basic lay-out of a temple or a city.

Hindu mythology has it that Vaastu Purusha was born of Lord Shiva’s sweat when he fought the deadly demon Andhakasura.

Vaastu Purusha himself became uncontrollable and destructive and the heavenly gods finally subjugated him and brought him down on earth with face down, with his face in the Northeast and his feet in the Southwest.

45 deities stayed there, 32 of them in the outer enclosure and 13 of them in the inner enclosure holding him in place at various points or locations on his body.

32 =64/2 and the Number of the 32 Paths of Wisdom of the oldest book of Hebrew Mysticms the Sepher Yesirah (the Book of Formation or Book of Creation, ספר יצירה).

64 is the Number of the I Tjing. 45 (5×9) is the Sum of the Lo Shu Magic Square and the Number of the Vedic Square.

All these Mystic Structures come from the same Source and are different Views on the same Pattern, the Tetraktys, the Triangular Numbers created by the Meru Prastara or Sri Yantra also known as the Pascal Triangle.

The Vastu Jain Symbol is a version of the Tetraktys

The Vastu Mandala is an expansion of  a Point (the Bindu) into the Line(2), The Trinity (3) and the Rotating (With the Clock and Against the Clock) and Expanding Square (4), represented by the Symbol of the Swastika. The Swastika is a Fractal Generating Pattern.

Every Point is a generator from which the Swastika-pattern generates a new Swastika. The 2×2 Square is transformed by the Swastika Pattern into the 4×4 and the 8×8 Square.

As you can see the Vastu Jain Symbol is an Indian Version of the Tetraktys of Pythagoras.

The Swastika contains the Four Points of the last line of the Tetraktys that are related to the Tethahedron.

About the Game of Chess

The Chess-Board symbolizes the Unfolding of Space by the Number-2-pattern and it synthesizes the Complementary Cycles of Sun and Moon.

The number 64, the sum of the Black & White (Yin/Yang) Squares on the Chess-board, is a divisor of the number 25920 (25920/64=405, 25920/9= 2880/9=320/5=72), which measures the Precession of the Equinoxes.

The Polar Pairs in the Modulo 9 Pattern are expressions of the Planets.

(1,8), the Castles, relates to the Planet Mars.

(2,7), the Bishops, relates to the Planet Venus. Venus is the Ruler of the Heart and the (2,7) is situated in the Middle of the Vedic Square.

When viewed from the Earth, the Planet Venus inscribes a near perfect five-pointed star (pentagram) around the sun every eight years. The points of a five-pointed star (pentagram) touch the circle of a pentacle every 72 degrees.  Likewise, many in Islam expect 72 virgins in heaven.

A full 360 degrees of procession takes 25,920 years, which is also seventy-two (72) 360-year cycles.

(3,6), the Knights relates to the Planet of the Messenger, Mercury. Mercury is Hermes, the Messenger God, with winged sandals. The moves of the Knights create a pattern that looks like the Swastika.

The (3,6)-number-lines are Transport-Channels (Gimel) as you can see in the Vedic Square and the Rodin Torus. The planet Mercury traces a Hexagram during its movement around the Zodiac.

(0,9) is the Planet Jupiter,  the Ruler of Modulus 9 who determinates the Rules of the Game. (0,9) is the Beginning and the End of the Game and is the cause of the Rotation of the Swastika related to the (3,6.9)-pattern.

The numbers 4 and 5 are the Moon (Queen) and the Sun (King). The Moon moves the quickest of all the planets, so does the Queen on the chessboard.

The Number 5 of the King is the Center of the 3×3 Lo Shu Magic Square and the Center of the Tetraktys.

The 8 Pawns represent  the number 2 and are connected to the Planet Saturn, the 2nd Son of the Central Sun and the Trinity (1+ 2 = 3). The Pawns start to move with 2 steps and later move 1 step. The 2 is the Center (The Son of the Sun) of the Trinity.

The 2 is also the Generator of the Expansion Pattern and the Polar Companion of the 7, the Center of the 3D-version of the Square, the Cube of Space.

The Pawn (2, Saturn) promotes into a Queen (Moon, 2×2) when he has reached the Other Side.

LINKS

About the Multiplication Table of 9

About the Tetraktys

About the Trinity

About the Vedic Square

About the Tetraktys and the Lo Shu

About the Lo Shu

About the Harmonics of the Universe

About the Hyperdiamond

About the Void

About Harmonics and Entrainment

About Good and Bad Vibrations

About the number 24

About the Jitterbug of Buckminster Fuller

A Simulation of the Jitterbug Pattern (CUBIC WONDER)

About the Game of Chess

About Plato and the Sri Yantra

About the Rodin Torus

About Vastu Science

About Gematria

About Vastu Science and the Borobudur

About the Sum of Things

Thursday, September 22nd, 2011

The Lo Shu is a Chinese Model for Time and was used to design Cities, Temples, Cycles and Calendars.

lo-shu-color

The Lo Shu is a 3×3 Magic Square created by Fu Xi, the Founder of Chinese Civilization. Fu Xi lived around the time of the Great Flood.

The Magic Square was carried by a Turtle. The Turtle is the symbol of the Constellation Orion. Many Ancient Cultures claim that our Ancestors came from this constellation. The Square of Lo Shu is also referred to as the Magic Square of Saturn or Chronos (Time).

The Chinese Pollen Path

The Duality of Fu Xi and his Sister, The Snake of the Kundalini contains 3.5 (7/2) Twists. 2x3.5 = 7. 7 = (-1,-2,-3,0,1,2,3).

According to Chinese Creation Myth  the world started with 無極 (wuji: nothingness), the Tao. Out of the Tao, the Egg of the Zero (0) and the Supreme Pure One (1) emerged. In the next step the Trinity (3), the Three Pure Ones, was created.

The Tao produced One; One produced Two; Two produced Three; Three produced All things (Lao Tsu, Tao Te Ching, 42).

SriYantra

The Sri Yantra contains 43 Triangels and is generated by the Bronze Mean.

The Trinity is represented by a Triangle. A combination of Two Triangels is a Square. The combination of Two (2) Triangels is also the Symbol of the Heart Chakra, the merge of Heaven, the Upper Triangel and Earth, the Lower Triangel.

The most complex Yantra (“machine”), the Sri Yantra, contains 43 Triangels. The Sri Yantra is determinated by the Bronze Mean. The Bronze Mean is a generalization of the Sequence of Fibonacci based on the Trinity. The Bronze Mean generates Quasi-Crystals and Penrose Tilings.

The Square is a combination of two Triangels. It is represented by the Of Star of David, the Symbol of the Heart Chakra.

The Square is a combination of two Triangels. It is represented by the Star of David, the Symbol of the Heart Chakra.

The Lo Shu Magic Square not only shows the Connection between the Four Forces that came out of the Two Forces, Expansion and Compression, it also shows the connection between Heaven and Earth.

In the Magic Square of Lu Shu the Even Numbers (2,4,6,8 = 2 x (1,2,3,4 = 2×2)) are Black(Yang, Male). The Odd Numbers (1,3,5,7,9 = 3×3) are White (Yin, Female). The Sum of all the Numbers is 15 (3×5).

The Even Numbers are situated at the Corners of the Square.

When the numbers of each row are multiplied (8x1x6; 3x5x7; 4x9x2) they together total to 225 ((3×5)x(3×5)) — as do those of the columns (8x3x4; 1x5x9; 6x7x2).

The Magic Square is dominated by two numbers (2**1, 2**2, 2**3)  and (3, 2×3, 3**2), It contains four Prime Numbers (1,3,5,7). It also contains the first Perfect Number 6 (1+2+3 =1x2x3). 6 is also a Harmonic Divisor Number and has a Harmonic Divisor 2. The Sixth Day in the week is the day of Saturn, the God of Time.

The sequence 1,2,4,8, 1, 3,6,9, 27 is called the Tetrad of the Pythagorians and was, according to Plato, used by the Demiurg, the Creator of our Universe, to create the Soul. The Soul is a mixture of the Same (1), the Different (2), and Existence (3). The Tetrad was used to define the Harmony of the Spheres.

When you connect the numbers of the Lo Shu a pattern appears that is called the Seal of Saturn or the Dance of Yu.

The Seal of Saturn or the Dance of Yu

The Sum of Magic Squares is a Magic Square and the product of a Magic Square M with a number a is again a Magic Square aM. Both Rules can be used to construct a Magic Square out of simple Binary Squares called Magic Carpets. One of these Magic Carpets is the Identity Matrix with One on the Diagonal.

Every Magic Square is related by Rotation and Mirroring to Eight other Magic Squares. This means that the central Lo Shu Magic Square with the Five in the Middle is related to Eight other Magic Squares with the other Numbers in the Middle. One of them contains the Nine and is called the Well.

The Lo Shu and the Well

The Sum of numbers of the Well is 18 (2×9) and the sum of all opposites across the 8 Spoke Wheel = 9 (9+0, 8+1, 7+2, 6+3, 5+4). 2×9 means that there are Two Complementary Magic Squares. One Magic Square is Rotating with the Clock and the other Against the Clock.

The Well is an Expansion and Contraction Cycle based on Powers of 2.

The Nine is the most important Number in the Magic Square. The Nine comes back in many ancient mythologies like the Egyptian Pesedjet and the Greek Ennead.

When you add the separate numbers of a number (54 = 5+ 4 = 9) the result is the Remainder when you divide the number by 9.  This number is called the Modulo 9 number.

The Powers of 2 (= Expansion) Mod 9 creates a pattern (1,2,4,8,(16)7,(32)5,(64)1,(128)2,…). This pattern is reversed when we divide by 2 (=Compression) (1/2 (0,5 =5), 1/4 (0,25 = 7), 1/8 (0,125 =8), 1/16 (0,625 = 4), 2,1).

The Expansion and Compression Pattern shows that the same pattern repeats itself when the Magic Square is expanded or compressed Six (6) Times. The 7th Step is the Same as the First Step.

After 2**6=64 (8×8) divisons of the cell a Specialized Cell is created, the stem cell. The same happens in Music.  The Game of Chess (Chiu King in China) with its 8×8 = 64 = 2**6 Playing Board contains every possible situation of the Game of Life.

The Two-Pattern does not contain the numbers 3,6 and 9. The number 9 is repeated every time when the pattern is expanded and compressed which means that Nine is the same as the Identity, the One (1+9 = 1). 3 and 6 Oscillate (1x2x3=6 and 1+2+3 =6) and  therefore represent the Duality (3+6 = 9, = the One).

If we combine the Expansion and Compression patterns a Torus (a Rotating Circle, The Wheel of Time) appears. The Zero (the Void) is in the Center and Contains the Vortex. The Vortex represents another Cycle (Black/White Hole, 3,6,9, the Wheel of Order) in which every structure/pattern is destroyed to start All Over Again.

Lo Shu Torus

If we subtract the numbers in the Square by the number of the Center, 5, a highly Symmetric Pattern emerges. This pattern shows that there are Two Mirror Universes both containing four Forces.

When we transform this pattern from Modulus 9 to Modulus 3 (the Trinity) we see that the number 4 equals 1 and represents a new beginning of the Cycle.

4

9

2

-5

-1

4

-3

3

5

7

-5

-2

0

2

8

1

6

-5

3

-4

1

The Magic Square with the Zero in the Middle is surrounded by two Sequences of 123(4) with different Signs. The Signs are arranged in a Cyclic Pattern (- -, + -, + +, – +) that contains the Four Permutations of – and +. The Sum of the ++ and the — is -3 and +3, the Trinity. The Sum of +- en -+ is the One.

The Cyclic Pattern of + and – represents the Prisoners Dilemma that is solved by the Strategy of Tit for Tat. This strategy is applied by the Trickster, the God of Paradox, a concept of God in which God creates games that create games.

When you use the basic Addition and Multiplcation Rules of the Magic Square many important numbers and patterns  appear that are related to Ancient CalendersSymbols and Cycles.

About the Sum of Things

The Lo Shu Magic Square appeared a few years ago when I wanted to know more about Acupuncture.  Acupuncture is related to the Sheng Cycle and the Sheng Cycle is related to the Lo Shu. A Magic Square is the perfect way to visualize the Constraints that control the Four Forces in our Universe.

Soon after this discovery I found out the Lo Shu is related to the Trinity and the Bronze Mean which is an abstraction of the Fibonacci Sequence. The Bronze Mean generates the Sri Yantra and so called Quasi Crystals. Quasi Crystals explain Acupuncture.

A few weeks ago I started a discussion with Kim Veltman. Kim Veltman is the director of the Maastricht McLuhan Institute. He is researching Ancient Architecture and wrote a very interesting document called “Alphabets, Elements and Cosmologies”.

Ancient Alphabets are related to Numbers and Tones so Ancient Texts also represent Numerical Patterns and Music. You want be surprised to read that the Lo Shu showed itself in every Text Kim Veltman has analysed.

His document started a new inquiry into the pattern of the Lo Shu. During this research I detected the book “the Sum of Things” by Paul Martyn-Smith. Paul Martin-Smith worked together with Lee Burton.

This blog contains just a litte bit of the tremendous amount of information Paul Martin-Smith & Lee Burton have found about the essence of the I Tjing which is contained in just one simple 3×3 Magic Square.

If you want to know more the only thing you can do is to buy this book and start reading.

LINKS

About the Book “the Sum of Things” (Free Download)

About the I Tjing

The Calculations  behind the Number of Things

The Relationship between the Lo Shu and the I Tjing

About the Lo Shu Torus

About Saturn, the Son of the Sun

About the Trickster

How to construct Magic Squares out of Binary Squares (Magic Carpets)

The Sistine Chapel (Rome) and the Seal of Saturn

About the Relationship between the Lo Shu and Music

About the History of the Lo Shu

About the Wheel of Eternal Order and the Wheel of Time

About the Relationship between the Lo Shu and Chinese Alchemy

About the Great Flood

About the Orion Myth

About Plato, Pythagoras and the Lo Shu

About the Nothingness

About the Trinity

About the Heart Chakra

About the Sri Yantra

About the Lo Shu Magic Square and the Chinese Domino Game

About the Mirror Universe

About Acupuncture

About Tit for Tat

About the Prisoners Dilemma

About the Bronze Mean

About the Sheng Cycle

Everything You want to Know about Sacred Geometry

About the Influence of the Lo Shu on Recent Art

The Lo Shu Square with Imaginary Numbers

A City is an Organism

Saturday, February 12th, 2011

The System of Life is growing in size and in complexity, and so do the infrastructures sustaining it.

In the age of social media and online marketing, it’s become increasingly difficult to discern the truth from the hype when it comes to weight loss supplements. LivPure, a product that claims to help individuals shed excess pounds, has generated a significant amount of attention and discussion. However, many consumers have raised concerns about the authenticity of LivPure reviews and the safety of this weight loss solution. In this article, we’ll delve into the LivPure reviews, the science behind it, and whether it’s a safe option for those seeking to lose weight.

Understanding LivPure

LivPure is marketed as a natural weight loss supplement designed to support fat burning, appetite suppression, and increased energy levels. It has gained notoriety through aggressive online advertising and a presence on various social media platforms. While it may seem like a promising solution, it’s essential to evaluate its claims and consider the science behind it.

Fake Hype or Real Results?

One of the primary concerns surrounding LivPure is the authenticity of the reviews and testimonials shared by supposed users. Many individuals have accused the brand of employing deceptive marketing tactics to create a false sense of credibility and success. Some common red flags include:

An abundance of overly positive reviews: LivPure seems to have an unusually high number of glowing reviews and testimonials, which can be indicative of fake accounts or incentivized reviews.

Unrealistic before-and-after photos: Some before-and-after photos associated with LivPure reviews appear to be manipulated or fabricated, further raising doubts about the product’s authenticity.

Lack of scientific evidence: LivPure often makes bold claims about its effectiveness without providing scientific studies or credible sources to support these claims.

Consumer Reports Investigation

Consumer Reports, a trusted and reputable source for unbiased product reviews, has conducted an investigation into LivPure. Their findings reveal that LivPure has failed to provide adequate scientific evidence to support its weight loss claims. Additionally, there have been numerous complaints from consumers who experienced adverse side effects, such as digestive issues and jitters, after using the product.

Is LivPure Weight Loss Safe?

When it comes to the safety of LivPure for weight loss, it’s crucial to exercise caution. While some of the ingredients used in the product, such as green tea extract and caffeine, have shown potential benefits for weight management, LivPure’s specific formulation may not be safe for everyone.

Potential side effects of LivPure may include:

Increased heart rate and blood pressure due to caffeine content.
Digestive issues, including nausea and diarrhea.
Anxiety, restlessness, and jitteriness.
Insomnia or disrupted sleep patterns.
Moreover, the lack of transparency regarding LivPure’s ingredients and potential allergens can pose a risk to individuals with allergies or sensitivities.

Conclusion

In the world of weight loss supplements, it’s essential to approach products like LivPure with skepticism and critical thinking. The excessive hype and lack of concrete scientific evidence, combined with numerous reports of adverse side effects, should raise serious concerns among consumers. It is advisable to consult with a healthcare professional before using LivPure or any similar product, especially if you have underlying health conditions or are taking medications.

Ultimately, the safety and efficacy of LivPure for weight loss remain questionable, and consumers should prioritize well-established, evidence-based methods for achieving their weight loss goals, such as a balanced diet and regular exercise. Always be wary of products that seem too good to be true, and rely on reputable sources like Consumer Reports for unbiased product evaluations. Your health and well-being should be your top priority.

In 2008 the point was reached where more than 50% of the world population lives in cities. That percentage is growing. By 2030, over 60% of the world’s population – nearly five billion people – will be living in urban area.

The System of Life is generating Super Organisms and the City is one of them.

Urbanization is only a relatively recent phenomenon. As far as we now know urbanization started in Mesopotamia around 4000 – 3500 BC.

For the Ancient Mesopotamians, the cities were the centers of life. Their beginning of time was not a Garden of Eden, but rather an ancient site called Eridu, which they believed was the first city ever to be created.  The creator of Eridu was Enki, the God who came out of the Deep Waters of the Ocean  (the Abzu). The city of Eridu was destroyed by the Great Flood in 3117 BC.

Every time one of the Rulers of a City took control over many Cities and a State was created with a new Center, the Capital. In the Center of the Capital the Palace of the Ruler was situated. What we see is an Expanding Pattern in which the same Structure repeats itself all the Time.

Initially the two life-essential resources for cities were Water and Food.

As Cities grew and as technology evolved, the supply of these resources became dependent on energy for processing, for pumps and for transportation. In the process, cities and their resources evolved into a system of life energized by the individuals that populate cities, and fuel its dynamics.

mexico-city

Mexico-City

Kleiber's law

Kleiber's law

About the Law of Kleiber

The Law of Kleiber shows that Bottum-Up Structures are more efficient than Top-Down Structures.

It also shows that Big Structures are more efficient than Small Structures. The Law is applicable from the level of the Bacteria to the Level of the City and higher.

These two statements are a contradiction until we realize that there are two ways of looking at the same structure. One view is the Top-Down View. The other is the Bottom Up View. When we look Down we see a huge Hierarchy and start to believe that Big is Beautiful.

When we look Up we see that all the work is done by Small Cooperative Components starting at the Bottom with the Bacteria.

The Law of Kleiber is explained by the fact that all the organisms (including the Cities) contain the Same Fractal Structure.

Bacteria exchange their DNA

Bacteria exchange their DNA

About DNA

In the Beginning the Chemical Soup generated Self-Reproducing Chemical Factories. These Factories combined into bigger Factories by exchanging and combining their Factory-Designs (DNA-parts).

Every time when the Factories fused they became more Efficient, Bigger, Stronger, Older and therefore more Competitive. When the Factories became more Competitive they started to Protect themselves against the other Factories.

To Protect themselves the Multi-Cellular Systems began to Sense in Many Directions and became better and better in Predicting the Future.

One of our Ancient Ancestors is the Sponge which is a static Cluster of Bacteria. Scientist have detected that the DNA of the Sponge has a lot in common with the Human DNA. The Sponge contains the Basic Fractal Structure, the Tube.

In a later stage our Ancestors developed something we call a Brain. The Brain is used to Sense the Now and Predict the Future.

The Human is a Moving Sponge who is able to Imagine. With his Imagination the Human is capable to Change the Future (and the Past).

Sponge

The Sponge, the Tube, is the Basic Structure

One of the Bilateria: The Octopus

The Octopus is a Sponge with a Brain.

About Innovation

The Law of Kleiber can be explained by the principle of Self-Reference (Similarity,  Fractals).

The Small Structures at the Bottum combine into comparable structures on a higher level.

What we don’t see is that the structures on every level can be decomposed in the Same (DNA-)Components with a different Scale and a different Name.

Innovation is nothing but a  Combination of  the Components in many different ways until all the combinations are made.

At that moment One of the Combinations becomes the new DNA and a new Level is explored.

Life explores every possible path.

About Cities

A City is a Combination of Houses.

A City protects a Cluster of Houses. A House protects a Cluster of Humans and a Human protects a Cluster of Organs.

All the way down to the Bacteria,  Cooperative Clusters are formed that give the participants a more Secure Way to Live.

A House is a Body. It supports the Body but it also contains all the Bodily Functions.

If we provide the House with these Bodily Functions the House becomes more Sustainable. It is possible to regenerate the Waste that the Humans produce into Energy just as the Liver is doing in our Body.

If we Cluster the Bodily Houses into a City and we provide the City with the same functions of the Body we are able to create structures that are independent of the input of external Top-Down Sources of Energy and Food.

If we are able to detect the DNA of the House and the DNA of the City we are able to Compose new Types of Houses and Cities that are Adaptable, Scalable,  highly Sustainable and are also in Balance with Nature.

It will also be  much more easy to Destroy or Move buildings and cities to another Place without the production of Waste.

looking-to-toledo1

Toledo (Spain)

About Synchronization

In the Miedeval City the Major Cycle was the Cycle of the Seasons. In the Modern City we have become almost independent of the Cycles. We import Food and Energy out of every place in the World.

It takes a Lot of Energy to transport the Food and Energy and Many Places on Earth are dependent on a small amount of other Places that contain the Sources of our always increasing Need to Survive the Effects of our Environment.

When a lot of People (The Slaves) are dependent on a small amount of people (The Masters), the Masters start to dominate the others and increase their Power until Eternity. Power is the most important Addiction of the Humans.

The problem becomes bigger when we realize that many people are producing Food and Energy but are themselves not able to use the Food and the Energy they are producing.

The independence of the Cycles has created a huge unbalance. This unbalance is not only visible in the City but in every place on Earth that is providing Energy and Food to sustain the Modern City.

The only solution to this problem is to create self-sustaining (autarkic) Cities that are able to supply their own food, water  and energy.

Paris

The kernels of Paris

When we want to restore Balance we have to Synchronize the Cycles in the City.  This can be done with the help of Smart Technology (Sensors, Actuators, Analytics) but we can also make use of very old fashioned techniques that were used in the Middle Ages.

When Humans communicate from the Heart and focus on the same subject, the Humans start to Synchronize. They become a  Group.

The most important structure in the Miedeval City to Synchronize its inhabitants was the Building of the Heart, the Church.   The Church was always situated in the Center and was visible from a long distance. The Church was also the only place where people were always Protected.

The Human Heart is doing the same thing as the Church is doing in the City. It connects the Mind with the Organs of  the Body and the Pericardium provides one of the major Rythms of the Human Body.

If we want to Synchronize the City we have to create a Center where People are able to Commun(e)nicate about the Shared Goals of the City. The most important way to share can be found in the Human Culture. The Centres have to contain all the ways Human Culture is performed.

chartres4

The Spiraling Spiral in the Memory Palace of Chartres, the Symbol of the Fractal Universe

About the Memory Palace

Art, Music and Singing were United in the Medieval Cathedrals. The Medieval Cathedrals also contained all the Knowledge (The Memory Palace)  that was needed to understand the Universe.

If we want to Synchronize the Modern City we have to build Modern Cathedrals in the Center of the Center and use them as Places to Commune, to Educate, to Make Music, to Dance and to Sing.

We have to design them as Modern Memory Palaces (Simulators) to teach the Masses about the Fractal Universe and give them Feedback about the State of their own Environment.

sagrada-familia-barcelona-projection

The Sagrada Familia in Barcelona (Antoni Gaudi)

LINKS

This is a  presentation about The City as an Organism

Why the Tube is such an Important Structure

About The Law of Kleiber

Why Innovation is a Combination of Combinations

An Interview with Geoffrey West of the Santa Fe Institute about the Law of Kleiber

About Thermo-Economics

About the Autarkic City

About Cybernetics

About Synchronization

How Gaudi used a Machine to design the Sagrada Familia

About Machines that generate Architectures

How the Heart Synchronizes the Body

About Super Organisms

About Smart Technology

About Addiction

About the Master/Slave-relationship

About the Heart

Why the Cathedral contained all the Knowledge that was Needed

About the start of Civilization

About the Law of KLeiber

Friday, October 29th, 2010

A power law relates one variable to another raised to a constant power. The general form takes y = xa, where y and x are variables, and a is a constant exponent.

A power law exhibits the property of scale invariance. When you multiply the Scale (x) with a factor b the function (y =  baxa) does not change its Shape.

In 1817 Goethe wrote his book ”Zur Morphologie“. This book was the start of a new science called Morphology, the Science of the Shapes.

In his book Goethe describes the so called Uhrplant, the Primal Plant, which is based on the shape of the Leaf. Goethe believed that every Plant was a Leaf within a Leaf within a Leaf.

At the time of Goethe the concept of the fractal was not known. It was developed in 1975 by Benois Mandelbrot (“The Fractal Geometry of Nature”).

A fractal is a self-similar structure. It’s shape repeats itself on every level of expansion.  Some fractals are scale-invariant.

Scale Invariance in the Leaf

The scale invariant fractal structure of the Leaf

About Kleiber’s Law

Metabolism is the process by which your body converts what you eat and drink into energy. During this complex biochemical process, calories in food and beverages are combined with oxygen to release the energy your body needs to function.

The oldest and best known Power Law is Kleiber’s law devised by the Swiss-American zoologist Max Kleiber in 1932.

Kleiber’s Law, MR = W3/4, describes the relationship of the metabolic rate (MR) to the biomass W, raised to an exponent.

Kleiber’s law means that a cat’s metabolic rate is not a hundred or 21.5 times greater than a mouse’s, but about 31.6 — 100 to the three-quarter power.

This relationship seems to hold across the animal kingdom  and it has since been extended all the way down to single-celled organisms, and possibly within the cells themselves to the internal structures called mitochondria, the cellular powerplants, that turn nutrients into energy. Mitochondria have many features in common with bacteria.

The law of Kleiber is  also applicable to super-organisms” like ant colonies, Cities and Eco-Systems.

Because of Economies of Scale, larger and more complex forms of organisms need less energy for each individual cell. They grow and reproduce more slowly and they live longer.

Kleiber's law

Kleiber's law

About Fractals and Kleiber’s Law

Kleiber’s law can be explained from a general model that describes how essentialmaterials are transported through Space-Filling Fractal Networks of Branching Tubes.

Goethe was right. The leaf is a one of the fundamental structures of Nature.

The factor 3/4 (3/3+1)  is a consequence of the fact that a Fractal Structure has to incorporate a not-Fractal Structure, 3-Dimensional Space.

One of the Bilateria: The Octopus

One of our fellow Bilaterians: The Octopus

About Bilateria

About 590 million years ago, the Central Nervous System (CNS), the Brain, appeared.

The organisms with a CNS (including the Humans), the Bilateria, are able to Act and React to a Possible Harmful Stimulus.

The CNS of the Bilateria is  a result of  an Increase in Competition between the Life Forms that came out of the Continuing Fusion of  the Cooperative Life Forms, the Bacteria. The first step in this proces was the Tube of the Sponge.

The fundamental Bilaterian Body Shape is a Tube running from Mouth to Anus, and a second Tube called the Notochord, with an especially large Sphere at the front, called the “Brain“.

The Bilateria have Five Body Spheres (1) the Brain; (2) the Spinal Cord; (3) the Heart and Lungs; (4) the Digestive Organs and Kidneys; (5) the Bladder and Reproductive organs.

Lung

About the Tiny Spheres of the Lungs

When we look at the Lungs, one of the Fractal Tube-like branching-structures of the human organism, we can see that the Branches end in Nodes called the alveoli (“little cavities“). The end-nodes of the branching system are tiny Spheres.

Alveoli

The Alveoli use another basic structure of Nature: The Sphere

In the tiny Spheres the Exchange takes place of Carbon Dioxide and Oxygen between the Lungs and the Blood-Vessels. Each human lung contains about 600 million alveoli.

Water diffuses from the alveoli cells into the alveoli so that they are constantly moist.  Oxygen dissolves in this water before diffusing through the cells into the blood.

The Oxygen-rich blood returns to the Heart via the pulmonary veins to be pumped back into circulation. The Carbon Dioxide is pumped out by the Lungs.

In the many million Small Spherical End-Nodes Two Circulatory Systems, the Cardiovascular System (Heart) and Pulmonary System (Lungs), are Connected.

The Big Structures of Nature are able to Scale because the Connection-Points of the Networks are Very Small.

They are reusable on Every Scale that is Bigger than the Scale of the Connection Points.

We will see that all the other Fractal Systems in our Body are based on the Same Principle.

Villi

Villi

About the Tube of the Digestive System

The Tube contains the Digestive System. It breaks-down larger food molecules into smaller ones that can be absorbed into the blood stream. This happens in the Small Intestine in the vili and microvilli.

The villi (“shaggy hair“)  are tiny, finger-like projections that are approximately 0.5-1mm in length. The microvilli are mechanosensors and have a lot in common with the flagellum (“the roter“) of a bacterium. Microvilli appear in many places in the body. They are also of importance on the cell surface of white blood cells, as they aid in the migration of white blood cells.

The Tube of our Digestive System is highly similar to the Tube of the Sponge, the first fusion of the Bacteria in a  more efficient metabolic structure.

The Output part of the Tube is called the Large Intestine (Colon). Its function is to absorb water from the remaining indigestible food matter, and then to pass Useless Waste Material from the body. The large intestine houses over 700 species of bacteria that perform a variety of functions.

Liver

The Liver Fractal

About the Chemical Factory of the Liver Cell.

The Liver is  a Fractal Branching System that detoxifies harmful substances absorbed via the Small Intestines.  It’s basic structure is the Liver Cell.

The Chemical reactions in the liver cells produces a lot of waste heat. This is carried round the body in the blood and warms less active regions.

The Liver regulates the amount of Blood Sugar, Lipids, Amino Acids.  The Liver is the Storage House of  Blood, Iron, Vitamine A, D, B12  and Clycogen, the Source of Energy of the Body.

The Liver produces Bile that is stored in the Gall Bladder. Bile is used to dissolve fat.

White Blood Cell

The White Blood Cell

About the Spleen and the Immune System

Another Fractal Branching System, the Lymphatic System ( “The Immune System“, Spleen),  maintains the health of the body by protecting it from invasions by harmful pathogens, such as bacteria, viruses, fungi, and parasites. These pathogens are the cause of many diseases, so it is necessary to detect and eliminate them rapidly.

The Lymphatic System is connected to the Blood System and produces the White Blood Cells (Lymphocites).  The Lymphocites are the Basic Unit of the Human Defense System. They look like Bacteria.

A lymphocite fits with a pathogen

A lymphocite fits with a pathogen

The surface of a lymphocyte is covered with a large number of identical receptors. Recognition and destruction occurs when the receptors of the lymphocyte fit like a key into the surface of the pathogen.

The Immune System is a Highly Adaptive System. It is able to generate new types of Lymphocites out of a Library of DNA-components.

Nephron

Nephron

About the Kidneys and the Bladder

The Kidneys serve the body as a natural filter of the blood, and remove wastes which are diverted to the urinary bladder. The Nephron is the basic structural and functional unit of the kidney. In humans, a normal kidney contains 800,000 to 1.5 million nephrons. Nephrons are wave-like structures. Its chief function is to regulate the concentration of water and soluble substances like sodium salts by filtering the blood.

About the Electro Magnetic System

The last  Fractal Branching System, the Meridians, is a Fast Electro-Magnetic Channel that connects to Organs to the Spine and the CNS.

The Ancient Chinese Scientists believed that this System pumps its Energy, the Chi Force, out of the Earth Magnetic Field.

The Ancient Egyptian Scientists believed the same thing. They named  the Four Cavities the Four Suns of Horus and the Spine, the Djed Pillar (Dj means “Snake”).

The Five Organs of Acupuncture

The Five Systems of Acupuncture

About the number Five

The number Five (4 +1 ) plays an important role in Ancient Chinese Medicine.

The Central Fractal System, the One (1), the Fire System, the Blood System, with its Center the Heart,  contains Four (4) Links to the Other Systems.

The Four Systems are combinations of Two Forces, Expansion and Compression.

The Two Forces came out of One Force (“The Void“).

Two Systems contain the same combination (Expansion x Expansion (Wood, Gall Bladder, Liver, Three Heater), Compression x Compression (Metal, Lungs)).

Two Systems combine Expansion and Compression in a different order (Expansion x Compression, Compression x Expansion). They create a Wave (Water, Bladder, Kidney) or Spiral -like (Earth, Immune System) structures.

The Five Spheres of the Body are incorporated in one Super Protective Sphere, the Coelum, the Skin.

In the Human Embryo the First step of Division of the Cells is between the Coelum,the Multi-Cellar Body, and the Brain, the CNS. In the first step the One was divided into the Two, the Actor and the Monitor.

The CNS  “mirrors” the activities of  the Body and acts as a “predictive simulator”.

The Shape of the CNS is a mirror (Up-Side-Down) of the Shape of the Multic-Cellular Body.

The Bilateria are a Fuse of two Organisms in which one organism changed into the Body and the other changed into the Brain.

These two structures are always competing in the Human Being.

The Brain is Looking Up at the Sky. The Body is Looking Down at Mother Earth, it’s Creator.

The Brain and the Body are United in  the Heart, the Balancer of Body and Soul and the Keeper of the Rhythm (The Pericardium).

Sponge

Sponge, The Tube

About Bacteria

The Body Shape of the Tube was inherited from the first Multi-Cellular Organism, the Sponge. The Sponge is a  Static Cluster of Amoeba, free moving bacteria, that are propelled by their flagellum (a Roter).

Bacterium

The Basic Building Block of the Body, the Bacterium

Bacteria are small chemical factories that are able to share and combine their production processes by exchanging DNA.

With their flagellum the Bacteria Explore the environment to find the chemical food they need. When they have found food the Circulation of the Flagellum moves into the Opposite Direction.

The bacterium integrates incoming chemical signals during a few-second period of its travels, and adjusts its direction of advance accordingly.

The integration is achieved through temporary chemical modifications to molecules located in the bounding membrane, which transfer nutrients to the cytoplasm, and also through changes to certain other molecules in the interior of the cell. Such integration is essentially a short-term memory mechanism.

Bacteria exchange their DNA

Bacteria exchange their DNA

At a certain moment the Bacteria got together because the Sponge is a much more Efficient Metabolic Structure than a group of Free Moving Bacteria.

Strangely enough the DNA of the Sponge already contains the complete Bleuprint of the Humans.

Scientists now believe that most species on earth are a result of a loss of DNA from the original Bleuprint that was created when the Bacteria finally fused into one Organism.

About the Nano-Level

Recently scientists have found Electric Fields as strong as 15 million volts per meter in the Nano-Parts of the Cells. These fields are as strong as those produced in lightning bolts.

It’s not clear what causes these strong fields or what they might mean but they could account for a until now unknown (by Science) or well-known (by the Old Scientists, Chi) Source of  Bodily Energy.

The nano-parts of the Cell could be the very very very small universal building blocks of Nature.

What has Happened?

In the beginning the Chemical Soup generated Self-Reproducing Chemical Factories.

These Factories combined into bigger Factories by exchanging and combining their factory-designs.

Every time when the Factories fused they became more Efficient, Bigger, Stronger, Older and therefore more Competitive.

When the Factories became more competitive they had to Protect themselves against the other Factories.

To Protect themselves the Multi-Cellular Systems started to Sense in Many Directions.

In the first step a Nerve-Net was created.

In the second step one part of the Organism turned Upside-Down and became a Specialized Predictive System (the CNS).

This part fused with the Bodily Part creating one Organism that contained Two Organisms.

The Bilateria, the Organisms with Two Complementary Parts, Body and Mind, were born.

Some of the Bilateria called Humans fused in Social Structures and the Social Structures fused and fused and became more efficient, bigger, stronger, older and therefore more competitive.

In due time they will Rule the Earth and will start to create bigger and bigger systems until they will rule the complete Universe.

To make this possible the Humans need every other part of Nature to Sustain their Growth. This will certainly result in a huge Collapse of their own Eco-System.

The main reason this is happening is that the Humans forgot to Copy the Designs of Mother Nature.

The Brain (Thinking and Sensing, Left Brain), Looking Up at the Sky,  believed it could do a much Better Job than it’s counterpart the Multi-Cellular Body (Emotions and Imagination, Right Brain), Looking Down at the Earth, the Source of All Creation.

Kleiber’s Law shows that we are now using 122 times more Energy per Person than we really would need if we would Scale in the right way.

What can we learn from Kleiber’s Law?

All organisms including the humans depend for their maintenance and reproduction on the close integration of numerous subunits.

These components need to be serviced in a relatively `democratic’ and efficient fashionto supply energy, remove waste  and regulate activity.

Natural Selection solved this problem byevolving hierarchical fractal-like branching networks, whichdistribute Energy, Information and Materials between Big Reservoirs (“Lungs”) and Small Connection Points (“Alveoli”) of other Circulatory Systems (“Blood”).

This Fractal Bottum-Up approach is highly effective and efficient.

The not-fractal, Top-Down,  machinery designed by the Humans is Scaled with a factor 1 so we can improve a lot by copying Mother Nature.

LINKS

About Goethe and Morphology

About the Heart Chakra or Why the Heart connects the Brain and the Body

How to use the Heart to find Balance

About the Heart and Ethics

Why Humans look a lot like Bacteria

About Kleibers Law and the Rain Forest

About the Five Worldviews

A movie about Fractal Structures in Nature

About the Fusion of Water in the Cell

About the Number Five in Chinese Medicine

Why Humans are part of Super Organisms

How the Humans evolved out of the Bacteria

About the Left and the Right Brain

About the Void

How the Heart synchronizes the Body

About the Fast Transmisson Channel in the Body

About Kleiber’s Law

A general model to explain Kleiber’s Law

About Kleiber’s Law and the Growth of Cities

About the Immune System

About Bacteria

About the Law of Kleiber and Ant Colonies

The terrestrial evolution of metabolism and life

A movie about the origin of vertebrates

There is only the Dance

Saturday, October 23rd, 2010
shivadance

Nataraja

Shiva the Hindu god of destruction is also known as Nataraja, the Lord of the Dance. Like yoga, dance induces trance, ecstasy and the experience of the divine.

The most common figures depict a four-armed Nataraja. These multiple arms represent the four cardinal directions. Each hand either holds an object or makes a specific mudra (gesture).

The upper right hand holds a hour-glass drum which is a symbol of creation. It is beating the pulse of the universe. The drum also provides the music that accompanies Nataraja’s dance.

The opposite hand, the upper left, bears on its palm a tongue of flames. Fire is the element of destruction of the world. It is also the symbol of passion.

The second right hand is held in the abhaya pose (without fear) and so a gesture of protection. It depicts the god as a protector.

The left leg is raised towards the right leg and reaches across it; the lower left hand is stretched across the body and points to the upraised left foot which represents release from the cycle of birth and death.

The hand pointing to the uplifted foot is held in a pose imitative of the outstretched trunk of an elephant. In Sanskrit this is known as the ’gaja-hasta-mudra’ (the posture of the elephant trunk), and is symbolic of Ganesha, Shiva’s son, the Remover of Obstacles.

Nataraja dances on the body of a dwarf apasmara-purusha, the man of forgetfulness, who embodies indifference, ignorance and laziness.

Creation is possible only when the weight of inertia is overcome and suppressed. The Nataraja image thus addresses each individual to overcome complacency and get his or her own act together.

The ring of fire and light, which circumscribes the entire image, identifies the field of the dance with the entire universe. The lotus pedestal on which the image rests locates this universe in the heart or consciousness of each person.

The hands of Shiva represent the Human Faculties of the Imagination (Creation, Spirit, Vishnu), Control (Destruction, Thinking, Compression, Shiva), Desire (Agni, Fire, Sensing &Acting, Expansion) and the Emotions (Soul, Ganesha, Motivation, Removing Obstacles).

Vishnu, the Holy Spirit

Vishnu

Imagination

Humans need the “Illusion of Control” to sustain their Identity. Deep within they don’t want to believe that Other Human Beings or the Forces of Nature (“the Acts of God“) are also Active Agents.

The Imagination creates the Identity, the believe that I Am What I Am.

When we are in Deep Meditation, the Observer, the Consciousness, is able to watch the constant popping up of  Images (Ideas) out of the Nothing. 

If we are not able to keep the Observer-state, we move into the Sleep of the Darkness or our Senses are attracted by one of the Images  and move into the Dream State.

According to Buddist belief the Dream State, (Maya, Not-That) is Not the Real Word.  This world is hidden behind a veil. Behind the veil lies the Void.

The Void is not empty. It is comparable to the Zero-Point-Field, the state of the Universe before the Big Bang. In this state everything,  even the impossible,  is possible.

In the Void, Ideas of the First Creator (Brahman) Pop-Up, Move into Existence for a while and finally disappear. 

For a very long time Brahman was in deep meditation until one of the Ideas of Brahman created a Huge Excitement. This was the Idea to become Aware of Itself.

To make this happen Brahman had to spit itself into two parts, the Observer (Being, Consciousness) and the Actor (Becoming, Desire, Acting).  

Maya, the Material World,  the Expanding Universe, was created when the Desire to become Aware generated the first Split of the Universe, the split between the Void and the Not-Void, the Whole.

At this moment the Left Brain and the Right Brain of Brahman are fusing and soon we all will experience the Whole which is not the Void. The Void will stay a Mystery for Ever and Ever.

Ganesha

Ganesha

Motivation

Ganesha rides a mouse, the symbol of mankind’s ignorance, his hidden fears and insecurities and his deep attachment to petty worldly objects.

By riding on the mouse, Ganesha shows that one can and must control and overcome all negative feelings. One can be the master of oneself and need not be a slave.

The head of Ganesha, the Elephant,  symbolizes the Atman, the Soul  and his human body signifies Maya.

Our “Head” or better our Soul is connected to the Void,  but our Body is an Expression of the Non-Void.

Our Body is part of the Material World and has to obey the Rules of the Material World.

Ganesha represents the Emotions, the Motivation, the Rotation, that started when Maya started to expand. When an Elephant is In Motion it is able to remove all obstacles.  

An Elephant is Part of a Herd that needs a Shephard (Vishnu, the Imagination) to find Its Way.

When an Idea pops up in the Imagination it moves the Wheel of the Emotions and the Body want to realize the Idea in the Material World.

Agni, the God of Fire

Agni

Desire

Agni brings about growth, expansion, ascension, and transformation. It is the fire hidden in earthly things which rises out of them to heaven beyond.

Fire is the symbol of agni. The quality of fire is to spread itself. Because it spreads itself in every direction, it is present everywhere. Even though it spreads in all directions its motion is always upwards. It carries everything that it consumes and purifies, upwards.

If the motivation to realize the idea is there,  the Fire of Agni is lighted and the Human becomes passionated.

If you are  not able to control your passions you will become Addicted to the idea and the idea will never be realized.

Shiva, the Destroyer

Shiva

Control

Shiva is the Destroyer. He wants to bring everything back to the void.  The Fire of Agni is able to expand the orginal idea to exceptional proportions.

At a certain moment Shiva stops the Fire and takes over Control. The idea is simplified,  put into a plan and is finally on its way to the Material World.

The Cycle Moves On

But the Creative Energy is already busy to generate new Ideas. If this happens,  the orginal plan is adapted and adapted (“scope creap“) and will never be realized.

LINKS

About Emptyness

About the Fusion of the two Minds of Brahman

About Ma’át, the Egyptian Shiva

About Good and Evil

About the Illusion of Control

About Addiction

Why you need an Obstacle to become Excited

About Scope Creap