## Posts Tagged ‘B’

Thursday, February 2nd, 2012

Medieval Perspective

Introduction

When we Look with our Eyes and not with our Mind we can See that Space looks very different from what we Think it is. In Our Space Parallel Lines meet at Infinity.

Around 1400 during the Renaissance Painters started to look at Space with their own Eyes and discovered the Rules of Perspective Drawing.

Between 1600-1800 Perspective Theory changed from a Theory of Art to a Theory of Mathematics called Projective Geometry.

It took 400 Years before a few Mathematicians realized that Projective Geometry was the Foundation of Mathematics and it took another 100 years before Projective Geometry started to influence Physics.

In 1908 Hermann Minkowski discovered that Einstein’s Theory of Special Relativity could be analysed using Projective Geometry. Minkowski created a 4D Space-Time Metric Geometry in which he added one Time Dimension.

Many experiments now show that 4D-Space-Time  is not sufficient to incorporate what Time Really is.

The essence of Our Universe is Movement, Expanding Space,  and Movement = Space/Time (Space Divided By Time).

Both Time and Space are 3-Dimensional and represent a Different,  Reciprocal, Complementary (Dual), View on Movement.

We can move independently in Time OR Space and in Time AND Space (The Chronotope).

The Future is Expanding Space with Infinite Potential.

Time moves behind Space and Scales Space.

A Mathematical Theory of Perspective Drawing could only be developed when the Renaissance freed painters to depict Nature in a way closer to what they Observed.

In the Middle Ages Social Status was very important. Important People or Buildings were always emphasized.

In the Renaissance the Artists started to look with their own Eyes and Created Pictures where the Viewer looked through the Eyes of the Painter.

The Florentine architect Filippo Brunelleschi (1337-1446) studied Greek Geometry, developed a theory of perspective and undertook painting just to apply his geometry.

The first treatise, Della pittura (1435) by Leone Battista Alberti (1404-72) furnished most of the rules.

Alberti regarded mathematics as the common ground of Art and the Sciences. “To make clear my exposition in writing this brief commentary on painting,” Alberti began his treatise Della pittura, “I will take first from the mathematicians those things which my subject is concerned”.

Alberti stressed that “all steps of learning should be sought from nature“. The ultimate aim of an artist is to imitate nature.

Perspective Machine designed by Albrecht Durer

Alberti did not mean that artists should imitate nature objectively, as it is, but the artist should be especially attentive to beauty, “for in painting beauty is as pleasing as it is necessary“.

The work of art is according to Alberti so constructed that it is impossible to take anything away from it or add anything to it, without impairing the beauty of the whole.

Beauty was for Alberti “the harmony of all parts in relation to one another,” and subsequently “this concord is realized in a particular number, proportion, and arrangement demanded by harmony“.

Alberti’s thoughts on harmony were not new – they could be traced back to Pythagoras – but he set them in a fresh context, which well fit in with the contemporary Aesthetic Discourse.

The Perspectograph of Leonardo Da Vinci

One of the earliest Artists to produce a book on how to draw in perspective was Albrecht Dürer. As well as discussing geometric methods, he also illustrated his book with a set of woodcuts showing practical tools for accurate perspective drawing. Other Artists like Leonardo Da Vinci developed comparable tools.

Projective Geometry formalizes one of the Central Principles of Perspective Drawing and of Human Perception: Parallel Lines Meet at Infinity.

In Euclidean geometry, constructions are made with Ruler (Line) and Compass (Circle). Projective Geometry only require a Ruler.

In Projective Geometry one Never Measures Any Thing, instead, one Relates one Set of Points to another by a Line.

Different Points of View

Alberti was the first to ask what two pictures have in common if two drawing screens are interposed between the viewer and the object, and the object is projected onto both resulting in two different pictures of the same scene.

The basic idea behind Linear Perspective is simple: in every painting an artist creates a “floor” or area of the painting where the figures and/or objects will be placed. The floor ends at a horizon line, and the horizon line has a Vanishing Point or Point of Convergence on it.

The artist then draws parallel lines radiating from the vanishing point outward. Images closest to the vanishing point should appear smaller and closer together, and images farthest from the vanishing point should appear larger and farther apart, giving the impression of depth and space in the painting.

Pappus of Alexandria ( 290 – 350), one of the last great Greek mathematicians of Antiquity, proved that that given one set of points A, B, C on a line, and another set of points a, b, c on another line, then the intersection points X, Y, Z of line pairs Ab and aB, Ac and aC, Bc and bC are also on a Line. This line originates at the Vanishing Point.

Pappus' Theorem

Later Desargues (1591-1661) proved Pappus Theorem for Triangels. He proved that the three vertices of one triangle a, b, and c, and those of the other A, B, and C meet in a third point, and that these three points all lie on a common line called the Axis of Perspectivity.

Desargues' theorem

Later Blaise Pascal (1623-1662) proved Pappus Theorem for Conics (Circles, Parabola, Hyperbola) in his  ”Essay on Conics” (1640) when he was 16 years of Age.

Pascals Theorem

About the Four Points of the Cross-Ratio

Finally 400 years later in 1803 Lazare Carnot found the answer to the Question of Leone Battista Alberti.

In his book “Géométrie de Position” he proved that the so called “Cross-Ratio” is always preserved in a Projection with One Point of View.

The Cross-Ratio

The Cross-Ratio is the Ratio of the Ratio of the Four Points A,B,C,D lying on a Line that intersects the Four Lines defined by a,b,c,d that orginate at the Vanishing Point O.  Carnot  proved that (AB)(CD)/(AC)(BD) = (A′B′)(C′D′)/(A′C′)(B′D′).

The Cross Ratio is not only the Cross-Ratio of the Four Points A,B,C,D. It is also the Cross-Ratio of the Four Lines  and the Three Angles that originate out of the Vanishing Point. In this case (AB)(CD)/(AC)(BD)=Sin(AB) x Sin(CD)/Sin (AC) x Sin (BD).

This principle is called Duality. In 2D-Projective Geometry Connected Points and Lines, called an Incidence, are interchangeable.

There is a corresponding Duality in three-dimensional Projective Geometry between Points and Planes. Here, the line is its own Duality, because it is determined by either two points or two planes.

The Cross-Ratio k is dependent on the Order of the Four Points. It converges to 0 and infinity when k=1 and to -1/2 and 2 when k= -1.

Two examples: 2D: Two distinct Points determine a unique Line and two distinct Lines determine a unique Point. 3-D:  Three distinct Points not all on the same Line determine a unique Plane and three distinct Planes not all containing the same Line determine (meet in) a unique Point.

The 24 Permutations of A,B,C and D produce 6 possible values of the Cross-Ratio, depending on the order in which the points are given. If k = 1, the other Cross-Ratio’s are 0 and infinity. This happens when point A = point D. In this case the Geometric Entity is an Equilateral Triangle.

If k = -1, the other Cross-Ratio’s are -1/2 and 2. This is called a Harmonic Cross-Ratio. This happens when the Internal Ratio of AC determinated by B is Equal to the External Ratio of AC determinated by D. When k=-1/2 and 2 the Geometric Entity is a Square.

If the Four Points of the Cross-Ratio are on a Line or a Circle, then the Cross Ratio is a Real Number, otherwise the Cross-Ratio is a Complex Number.

Ruler (Space) and Compass (Time): The Tools of the Geometer

About the Four Layers of Geometry and the Four Points of the Cross-Ratio

In 1872 Felix Klein, published a new Mathematical Research Program called the Erlangen Program under the title Vergleichende Betrachtungen über neuere geometrische Forschungen.

In this program Projective Geometry was emphasized as the Unifying Frame for all other Geometries.

Although lines in the Projective Plane meet in one point of Infinity Klein argued that there could be two points of Infinity if the Projective Plane was a Surface Closed in Itself.

When we look at the Origin of Projective Geometry, the Artist painting A Sphere, Earth, on a Flat Surface, it is not difficult to realize that this Closed Surface is a Sphere.

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Geometry is now divided into Four  Layers. Each Layer adds a set of Assumptions that creates certain Invariants for that Layer.

An invariant is a property of a configuration of Geometric Entities that is not altered by any transformation belonging to the specific layer.

A transformation is an operation applied to a Geometric Entity. The most common transformations are Translation, Rotation and their Combinations (Reflection).

What we will see is that the Four Points of the Cross-Ratio are highly related to the Four Layers. In Every Higher Layer One Point of the Cross-Ratio is moved to the Internal Landscape, the Mind, of the Observer. This principle is called “As Within so Without“.

The First and most fundamental Layer is the Layer of Projective Geometry. This is the Layer of Human Perception and is invariant under the Cross-Ratio also called a Moebius Transformation.

The Second Layer is called Affine Geometry. In this layer Parallel Lines are preserved and the Assumption of a Plane at Infinity, the Horizon,  is created.  This Plane generates Parallel and Orthogonal Relationships between Geometric Entities by placing One of the Four Points of the Cross-Ratio in the Plane at Infinity.

Affine Geometry is Euclidean Geometry with congruence (something is the same when Shape and Size are the Same) and a metric (a definition of a Distance) left out. An affine transformation preserves straight lines and ratios of distances between points lying on a straight line.

This the layer of  the Emotions, “the harmony of all parts in affinity to one another” of  Leone Batista Alberti.  In Affine Geometry the Frame of Reference of the Painter, the Floor,  is created. On this Floor,  the Horizon, the Plane at Infinity is drawn.  From the Point of View of the Observer, it is not possible  to Judge Distance or the-Sameness because a given Visual Object may be Large and Far away or Small and Close.

In Eucludian Geometry A Ruler contains a Fixed Scale

The Third Layer, Metric Geometry, adds the concept of Distance (Metric, Scale) to the Affine Layer. A Distance is a relation between Two Points of the Cross-Ratio. This is the Layer of the Painter, Creator, Observer, who creates his own Distance to the Distances he is Painting in the External Frame he is looking at.

Since Projective Space is the Space of Actual Perception, the true function of Metric Space is the Coordination of Various Perspectives. This is illustrated in Perspective Drawing, in which there are always Two Perspectives being Coordinated—the Vanishing Point and a Point just behind the Eyes of the Observer.  Each of these is an instance of the One Point at Infinity.

The Expectation looks through a Small Hole.

The last, Fourth,  Layer is the layer of Euclidian Geometry. In Euclidean Geometry Distance is Fixed (not Relative) and Scaled to a Unity (Meters). This leaves us with just One Point of the Cross-Ratio, the Unity, the One.

Between  1926 and  his death in 1983 Alfred Tarski worked on the Axiomatization of Euclidean Geometry. In Tarski’s system there is only one type of Object: the One, The Point.

There are just two Geometrical notions between Points: the Ternary Relation of “in-Betweenness” and the Quaternary Relation of “Equidistance” or Congruence.  Betweenness captures the Affine aspect of Euclidean Geometry; Equidistance/Congruence, its Metric aspect.

This is the Layer of the Human Expectation who has not Distanced Itself and is Looking Outside Through a Small Hole at the Future. The Expectation considers the Future as an Extension of the Past (Memory).

In Euclidian Geometry we have to Move Outside to the Objects to Measure their Distance and the Sameness with a Pre-Defined Unity.

If we don’t move to the Object we will measure an Illusion.

About Space measured by Time and Space measured by Space

The Ancient Sumerians  knew that the Length of one side of a Hexagon is the same length as is the Radius of the Circle that circumscribes this Hexagon (See Pascals Theorem).

They also knew that the Stars of the Constellations of the Zodiac shift Counterclockwise, at the rate of 72 years/degree, because of the Precession of the Earth’s axis. One Wobble takes 25.920 years.

The length of one side of the Earth Hexagon is therefore the Distance traveled by the Constellations of the Zodiac along the horizon during 25.920/6=4,320 years.

They then subdivided this distance by 7,200  which produced the Royal Mile that was subdivided into 1,760 Royal Cubits.

Before 3.117 BC the complete Earth was covered with a uniform Geodesic System that was based on the Rotation and Precession of the Constellations of the Zodiac. This System was implemented in the Megaliths.

At that Time Space was measured by Time.

The Physical System of the Megaliths was destroyed by the Great Flood of 3.117 BC but the Metric System survived thousands of years until the French Revolution.

On the 8th of May, 1790, Charles Maurice de Talleyrand at the end of the French Revolution, proposed before the National Assembly in Paris a Change to a Decimal Measurement System.

The Academy of Science recommended that the new definition for a Meter be equal to 1/10,000,000 of the distance between the North Pole and the Equator, and this was accepted by the National Assembly in 1791.

From that Time on Space was measured by Space.

Why the Future contains Infinite Possibilities

A Painter or a Human always looks Forwards in Space. If there are Parallel Lines visible they all Converge to a Vanishing Point at The  Horizon. The Horizon is a Parallel Line at Infinity.

We all know that the Parallel Line of the Horizon is caused by the fact that the Earth is a Moving Sphere. This Moving Sphere moves around other Spheres that move around other Spheres.

The Rotation of the Spheres in Space is used as a Clock. Every time when the Cycle of the Spheres repeats itself we add one unit to a standard Time-Measure. One Sun Cycle is named a Year. One Cycle of the Precession takes 25,920 Years.

We Measure our Time by the Cyclic Movement of Objects in Space. The Cyclic Movements caused by the Rotations of Objects around Objects (around Objects) is really a Rotating Rotating Rotation, a Spiraling Spiral.

We don’t live in the Sphere but we live and Move on the Surface of a  Moving Sphere. That is why our Geometry is an Elliptic Geometry (or Projective Geometry).

Euclides and Pythagoras were aware of Projective Geometry (See also Pappus) but the Scientists of the Enlightenmentstarted to interpret their Theory with a Different Eye. They saw Numbers in a completely different way the Greek did.

The Scientist disconnected Number from Magnitude (Form) and created an Abstract Static Number Theory and an Abstract  Static Theory of Physics. The Movement of our Universe, the Ether, came to a stilstand.

The Theory of Perspective Drawing, based on our Real Perception of Reality, is the same theory that generated Projective Geometry. We are now back to Normal again.

In the blog about Geometric Algebra I wrote about a very Independent Thinker called Dewey B. Larson.

He reinvented Physics and Projective Geometry in his own way, Calculated all the well known Physical Constants and based his Theory on a simple well know Assumption that Space and Time are Reciprocal (A Ratio of Ratio’s , the Cross-Ratio) because Velocity= dS(pace)/dT(ime).

Moving Movement is the Essence of our Reality.

What Larson calls “Motion” is the Ether Wind (or the Higgs Field) the Velocity which was measured in the North-South (Z) direction at 208 km/s in 1933 by Dayton C. Miller.

Einstein believed the results of the Michelson-Morley Experiments in 1887 that “proved” that the Moving Ether was non-existent. Now we know that the experiments were wrong.  Einstein also did not believe that Space was Expanding. At this moment the Expanding Universe is confirmed by many observations.

When Space Expands,  Time Compresses and fills up the Space to Keep Balance. Time Scales Space.

Space moves to Infinity. Time Moves to the Inverse of Infinity, Zero. Space is measured by the Linear Visible Scalar Number-System. Time is Measured with the Rotational Invisible Imaginary Number System.

Expanding Space is Linear Motion. Time is the Spiraling Motion of the Vortex.

The Spiraling Spiral of Time

Space is Yang and Time is Yin. Yin is feminine, Curved, Rotational, smooth or cold. Yang is masculine, Straight, Linear, rough or hot.

Space and Time are Complementary Duals that Move Around the Void.

If we look at the Human Perspective we now are able to understand what Time and Space Really are.

When we Look Forward we Experience Space. Time is always Behind our Back.

Human Senses and Conventional, Scientific Equipment can only Look Forward and therefore Measure Space (Distance) and the Change of Space (Velocity, Acceleration).

This is a Limitation of our Physical Sensory System, which evolved to measure Space, Scaled by Time, to produce what we Perceive as Causality–a Linear Ordering of Events.

Without the Cause-and-Effect System, the Sensory World of Space would just become Chaos.

Time, History, is Always Behind Us and Space, The Future, The Adjacent Possible, with Infinite Possibilities, is Always in Front of Us.

Let’s Move.

Paul Dirac: About Physics and Projective Geometry

About Expanding Space and Not-Euclidian Geometry

Pictures of the Projective Plane

About the Reciprocal Theory of Dewey B. Larson

About Projective Geometry and our Senses

About Projective Geometry and Geometric Algebra

About the Four Points of View

Why the Future is Open Space

About Alchemy and the Klein Bottle

Monday, January 9th, 2012

We have lost the relationship between Number and Form or Number and Magnitude as the Ancient Greeks called their Forms.

A few years ago a Revolution in Mathematics and Physics has started. This revolution is caused by Geometric Algebra.

In Geometric Algebra the Ancient Theories of Euclid and Pythagoras are reevaluated.

Numbers are Scalar (Quantum) Movements of Geometric Patterns and not Static Symbols of Abstractions that have nothing to do with our Reality.

Movements and not Forces are the Essence of Physics.

The basic rule Movement = Space/Time (v=s/t) shows that  Time and Space are two Reciprocal 3D-Spaces. Our Senses Experience Space and not Time.

The Simple Rule N/N=1/1=1 balances the Duals of Space and Time. One Unit Step in Space is always Compensated by One Unit Step in Time.

Geometric Algebra has a strange relationship with Pascals Triangle. This Triangle, also called the Binomial Expansion, contains all the Possible Combinations of two Independent Variables. Our Universe is a Combination of Combinations exploring Every Possibility.

The last and perhaps most important Discovery in Mathematics called Bott Periodicity shows itself in Pascals Triangle.

Bott Periodicity proves that we live in a Cyclic Fractal Universe, the Wheel of Fortune, that is Rotating around the Void, the Empty Set. The Empty Set contains Every Thing that is Impossible in our Universe.

This blog is not a Scientific Article. I have tried to connect the Old Sciences and the New Sciences in my own Way.

It contains many links to Scientific Articles and even Courses in Geometric Algebra.

So if you want to Dig Deeper Nothing will Stop You.

About the One and the Dirac Delta Function

Every Thing was created out of  No Thing, the Empty Set, ɸ, the Void, the Tao. The Empty Set contains 0 objects.

The Empty Set is not Empty. It contains Infinite (∞) Possibilities that are Impossible.

Every impossibility has a probability of 0 but the sum of all possibilities (1/∞=0) is always 1. In the beginning ∞/∞ =1  or ∞x0=1.

This relationship is represented by the Dirac Delta Function. It is used to simulate a Point Source of Energy (a Spike, an Explosion) in Physics.

The Delta is reprented by the Symbol Δ, a Triangle. The Delta is called Dalet in the Phoenican and Hebrew Alphabet. Daleth is the number 4 and means Door.

The original symbol of the Delta/Daleth contains two lines with a 90 Degree Angle. Two orthogonal lines create a Square or Plane.

The Dirac Delta Function is defined as a Square  with an Area of 1,  a Width of 1/n and a Height of n where n->∞.

The Dirac Delta Function is a Line with an Area of 1.

In the Beginning a Huge Explosion took place that created the Universe.

The Dirac Delta Function δ (x) has interesting properties: δ (x) = δ (-x), δ (x) = δ (1/x). It has two Symmetries related to the Negative Numbers and the Rational Numbers.

When we move from 2D to 1D, the Number Line, the Delta Function becomes the Set of the Numbers N/N =1.

The Tetraktys of Pythagoras

The Monad (1) of the Tetraktys of Pythagoras, the Top of the Triangle, was created by Dividing the One (1) by Itself without Diminishing itself. The Monad (1/1=1)  is part of  the 1D Delta Function.

Creation is an Expansion of the 1/1 into the N/N, adding 1/1 all the time,  until ∞/∞ is reached. At that moment every Impossibility has been realized.

The Dirac Delta Pulse

To move Back to the Void and restore the Eternal Balance of  the One,  Dividing (Compression) has to be compensated by Multiplication (Expansion).

At the End of Time N/M and M/N have to find Balance in the N/N,  move Back to  1/1, Unite in the 0 and become The Void (ɸ) again.

About the Strange Behavior of Numbers

The big problem of the Numbers is that they sometimes behave very differently from what we Expect them to do.

This Strange Behavior happens when we try to Reverse what we are doing.

It looks like the Expansion of the Universe of Numbers is Easy but the Contraction creates many Obstacles.

It all starts with the Natural Numbers (1,2,3,).

When we Reverse an Addition (Subtract) and move over the Line of the Void Negative Numbers appear. Together with the Natural Numbers they are called the Integers.

The same happens when we Reverse a Division and the Fractions (the Rational Numbers) (1/3, 7/9) suddenly pop up.

An Integer N is a Rational Number divided by 1 (N/1).

The Integers are the Multiples of 1, the Fractions are its Parts.

Numbers behave even stranger when we want to Reverse a Repeating Repeating Addition (Irrational Numbers) and want to calculate a Rational Power (2**1/2).

The Complex Numbers (or Imaginary Numbers), based on the Square Root of -1 called i, are a combination of the Negative Numbers and the Irrational Numbers.

Irrational Numbers ( the Pythagorean Theorem), Fractions (a Piece of the Cake) and Negative Numbers (a Debt) are part of our Reality but the Strange Number i represents something we cannot Imagine.

About the Duality and the Expansion of Space

In the beginning the only One who was in existence was the 1.

When the One divide itself again the number -1, the Complement of 1, came into existence.

1 and -1 are voided in the No Thing, the Empty Set, 0:  -1 + 1 = 0.

The Two, the Duality, both started to Expand in Two Opposite Directions (<– and +->) both meeting in the  ∞/∞. This expansion is what we call Space.

Space is a Combination of the Strings S(1,1,1,1,1,…) and -S = (-1,-,1,-,1,-1,…) where S+S=(0,0,0,0,0,0,…).

The Expansion pattern of Space is a Recursive Function S: S(N)=S(N-1)+1 in which + means concatenate (or add) the String “,1″.

An Addition X + Y is a concatenation of S(X) and S(Y). A Substraction X-Y is a concatenation of S(X) and -S(Y). In the last case all the corresponding combinations of 1 and -1 are voided. (1,1,1,1)-(1,1,1)=(0,0,0,1)=(1).

Multiplication XxY is Adding String S(Y) every time a “1″ of S(X ) is encountered: 111 x 11 = 11  11  11. Dividing X/Y is Subtracting S(X) every time a “1″ of S(Y) is encountered:.111  111  1/111=11 1/111. In the last example a Fraction 1/111 appears.

This Number System is called the Unary Number System.

About the Trinity and the Compression of Space called Time

The Strange Behavior of Numbers is caused by the Limitations of our Memory System. We are unable to remember long strings that contain the same Number.

To make things easy for us we Divide Space into small Parts so we were able to Re-Member (Re-Combine the Parts).

When we want to Re-member, Move Back in Time, we have to Compress Expanding Space.

Compressed Space is Time.

Time and Space have a Reciprocal Relationship called Movement (Velocity = Space/Time).

There are  many ways ( (1,1,1), (1,1,1),..) or ((1,1),(1,1))) to Compress a String in Repeating Sub-Patterns.

In the blog About the Trinity I showed that the most Efficient Way to group the One’s is to make use of a Fractal Pattern (a Self Reference) and Groups of Three Ones.

The Trinity applied to the Trinity ( A Fractal) is a Rotating Binary Tree. Binary Trees represent the Choices we make in Life.

The rotating Expanding Binary Trees generate the Platonic Solids (see linked video!) when the (number)-parts of the Binary Tree Connect.

The Ternairy Number System is represented by the Binary Tree

When we connect Three Ones (1,1,1) by Three Lines (1-1,1-1,1-1) a 2 Dimensional Triangle Δ is Created.

If we take the Δ as a new Unity we are able to rewrite the patterns of 1′s and -1′s into a much Shorter Pattern of Δ’s and 1′s: (1,1,1),(1,1,1),(1,1,1), 1,1 becomes Δ,Δ,Δ,1,1.

We can repeat this approach when there is still a Trinity left: Δ,Δ,Δ,1,1 becomes ΔxΔ,1,1.

This Number System is called the Ternary Number System.

According to EuclidA Ratio is a sort of relation in respect of size between two magnitudes of the same kind“.

A Magnitude is a Size: a property by which it can be compared as Larger or Smaller than other objects of the Same Kind. A Line has a Length, a Plane has an Area (Length x Width), a Solid a Volume (Length xWitdth x Height).

For the Greeks, the Numbers (Arithmoi) were the Positive Integers. The objects of Geometry: Points, Lines, Planes , were referred to as “Magnitudes” (Forms). They were not numbers, and had no numbers attached.

Ratio, was a Relationship between Forms and a Proportion was a relationship between the Part and the Whole (the Monad) of a Form.

Newton turned the Greek conception of Number completely on its head: “By Number we understand, not so much a Multitude of Unities, as the abstracted Ratio of any Quantity, to another Quantity of the same Kind, which we take for Unity”.

We now think of a Ratio as a Number obtained from other numbers by Division. A Proportion, for us, is a statement of equality between two “Ratio‐Numbers”.

This was not the thought pattern of the ancient Greeks. When Euclid states that the ratio of A to B is the same as the ratio of C to D, the letters A, B, C and D do not refer to numbers at all, but to segments or polygonal regions or some such magnitudes.

The Ratio of two geometric structures  was determinated  by fitting the Unit Parts of the first geometric Stucture into the Other.

The Perfect Triangle of the Tetraktys contains 9 = 3x3 Triangels. A Triangle contains 3 Lines and 3 Points.

An Example:  The Tetraktys is a Triangle (A Monad) and contains 9 Triangles (a Monad). The 1x1x1-Triangle Δ, a Part of the Tetraktys,  is Proportional to the Whole of the Tetraktys (T) and has a Ratio T/Δ = 3= Δ -> T = Δ (3)  x Δ (3) = 9.

The Mathematics of Euclid is not a Mathematics of Numbers, but a Mathematics of Forms.

The symbols, relationships and manipulations have Physical or Geometric Objects as their referents.

You cannot work on this Mathematics without Knowing (and Seeing) the Objects that you are Working with.

About Hermann Grassman, David Hestenes and the Moving Line called Vector

Hermann Grasmann lived between 1809 and and 1877 in Stettin (Germany). Grassmann was a genius and invented Geometric Algebra a 100 years before it was invented.

In his time the most important mathematicians did not understand what he was talking about although many of them copied parts of his ideas and created their own restricted version. None of them saw the whole Grassmann was seeing.

When he was convinced nobody would believe him he became a linguist. He wrote books on German grammar, collected folk songs, and learned Sanskrit. His dictionary and his translation of the Rigveda were recognized among philologists.

Grassmann took over the heritage of Euclid and added, Motion, something Euclid was aware of but could not handle properly.

A Displacement or Bivector

Grassmann became aware of the fact your hand is moving when you draw a 2D Geometric Structure. He called the Moving Lines, that connect the Points, Displacements (“Strecke”).

A Displacement and a Rotation of a Vector

In our current terminology we would call the Displacements “Vectors”.

Vector algebra is simpler, but specific to Euclidean 3-space, while Geometric Algebra works in all dimensions. In this case Vectors become Bi/Tri or Multi-Vectors (Blades).

The Trick of Grassmann was that he could transform every transformation on any geometrical structure into a very simple Algebra. Multi-Dimensional Geometric Structures could be Added, Multiplied and Divided.

The Greek Theory of Ratio and Proportion is now incorporated in the properties of Scalar and Vector multiplication.

Combining (Adding) Bivectors creates a Trivector

About a 100 years later David Hestenes improved the Theory of Grassmann by incorporating the Imaginary Numbers. In this way he united many until now highly disconnected fields of Mathematics that were created by the many mathematicians who copied parts of Grassmanns Heritage.

About Complex Numbers, Octions, Quaternions, Clifford Algebra and Rotations in Infinite Space

Grassmann did not pay much attention to the Complex Numbers until he heard of a young mathematician called William Kingdon Clifford (1845-1879).

Complex numbers are ,just like the Rationals (a/b), 2D-Numbers. A Complex number Z = a  + ib where  i**2=-1. Complex Numbers can be represented in Polar Coordinates: Z = R (cos(x) + i sin(x)) where R = SQRT(a**2 + b**2).  R is the Radius, the Distance to the Center (0,0).

When you have defined a 2D-complex Number it is easy to define a 4-D-Complex Number called a Quaternion:  Z = a + ib + jc + kd or a 8-D Complex Number called an Octonion.

William Rowan Hamilton, the inventor of the Quaternions, had big problems to find an interpretation of all the combinations i, j and k until he realized that i**2 =j**2 = k**2 = ijk=-1.

What Hamilton did not realize at that time was that he just like Grassmann had invented Vector Algebra and Geometric Algebra.

Quaternions are rotations in 4D-space

This all changed when William Kingdon Clifford united everything in his new Algebra.  Clifford’s algebra is composed of elements which are Combinations of Grassman’s Multivectors.

The Clifford Algebra that represents 3D Euclidean Geometry has 8 = 2**3 components instead of 3: 1 number (Point), 3 vectors (Length), 3 bivectors (Area) and 1 trivector (Volume).

It turns out if you use combinations of these elements to describe your geometric objects you can do the same things you did before (you still have 3 vector components).

In addition, you can have additional data in those other components that let you find distances and intersections (and a lot of other useful information) using simple and (computationally) cheap numerical operations.

The most important Insight of William Kingdom Clifford was that the Complex Numbers are not Numbers all.

They are Rotations in higher Dimensional Spaces.

About Pascal’s Triangle and Mount Meru

The String 1,3,3,1 of Clifford’s 3D Geometry is related to the 4th Level of Pascal’s Triangle. Level N of Pascal’s Triangle represents N-1-Dimensional Geometries.

The Sum of every level N of the Triangle is 2**N. This Number expresses the Number of Directions of the Geometric Structure of a Space with Dimension N.

A Point has 0 Direction, while a Line has 2 Directions, relative to its Center point, a Plane has 4 Directions, relative to its Center Point, and a Cube has 8 directions, relative to its Center point.

Mount Meru (Pascal's Triangle in Vedic Mathematics)

Pascal’s Triangle is also called the Binomial Expansion. This Expansion shows all the Combinations of two letters A and B in the function (A+B)**N. Level 1 of the Triangle is (A+B)**0 = 1  and level 2 is A x A + 2 A x B + B x B -> 1,2,1.

The Binomial Expansion converges to the Bell-Shaped Normal Distribution when N-> ∞.

The Diagonals of Pascal’s Triangle contain the Geometric Number Systems (Triangular Numbers, Pyramid Numbers, Pentatonal Numbers, ..) and the Golden Spiral of the Fibonacci Numbers.

Pascal’s Triangle is a Repository of all the Possible Magnitudes and their Components.

The Normal Distribution shows that the first level of the Triangle (the Tetraktys) is much more probable than the last levels.

The first four Levels of the Triangle of Pascal contain the Tetraktys of Pythagoras.

The Tetraktys  is an Ancient Vedic Mathematical Structure called the  Sri Yantra, Meru Prastara or Mount Meru.

About Numbers, Operations and the Klein Bottle

The Complex Numbers are not “Numbers” (Scalars) at all.

They are “Operations” (Movements) that can be applied to Magnitudes (Geometries) and Magnitudes are Combinations of the Simple Building Blocks of the Tetraktys, Points and Lines.

The Tao of Ancient China was not for nothing represented by a Flow of Water. According to the Ancient Chinese Mathematicians Every Thing Moves.  In the Beginning there was only Movement.

In the Beginning only the One was Moved but when the Duality was created the Two moved around each other never getting into contact to Avoid the Void.

When we look at the Numbers we now can see that they are the result of the Movements of  the first Diagonal of Pascals Triangle,  the 1′s (Points) or better the Powers of  the One: 1 **N (where N is a Dimension).

Even in the most simple Number System, the Unary Number System, Concatenation is an Operation, An Algorithm.

The Mathematician John Conway recently invented a new Number System called the Surreal Numbers that contains Every Number you can Imagine.

The Surreal Numbers are created out of the Void (ɸ)  by a simple Algorithm (Conway calls an Algorithm a Game) that describes Movements (Choices of Direction: Up, Down, Left, Right, ..)  that help you to Navigate in the N-Dimensional Number Space.

The Ancient Chinese Mathematicians played the same Game with the Numbers.

Algorithms were already known for a very long time by the Ancient Vedic Mathematicians. They called them Yantra’s.

Sri Yantra

Geometry is concerned with the Static Forms of Lines and Points but there are many other more “Curved” forms that are the result of  Rotating Expansion and Compression. These forms are researched by the modern version of Geometry called Topology.

The most interesting 4D Topological Structure is the Klein Bottle.  The Klein Bottle is  a combination of two Moebius Rings. It represents a Structure that is Closed in Itself.

It can be constructed by gluing both pairs of opposite edges of a Rectangle together giving one pair a Half-Twist. The Klein Bottle is highly related to the Ancient Art of Alchemy.

The movement of the Duality around the Void can be represented by a Moebius Ring the Symbol of Infinity ∞.

Later in this Blog we will see why the Number 8 is a Rotation of ∞ and the symbol of Number 8 is a combination of the symbol of the number 3 and its mirror.

First we will have a look at the Reciprocal Relation between Space and Time.

The Klein Bottle, The Universe Closed in Itself, the Basic Structure behind Alchemy.

About Dewey B. Larson, Velocity and Time

Dewey B. Larson (1898 – 1990) was an American Engineer who developed the Reciprocal System of Physical Theory (RST).

Larson believed that the failure to recognize that Motion is the most basic physical constituent of the universe has handicapped the progress of the traditional study of physics, which focuses on Forces.

The definition of Motion stems from the Equation of Velocity, v = ds/dt.

Instead of depending upon the change of the location of an object to define an arbitrary “quantum” of space per “quantum” of time, such as miles per hour, or meters per second, the RST assumes that the observed universal passage, or progression, of time is one aspect of a universal motion that necessarily must be accompanied by a universal “passage,” or progression, of space.

The Units of Time fill up the Units of Space. Space and Time are Duals.

Space is not-Time and Time is not-Space. Time is Non-Local, Cyclic and represented by the Rotating Imaginary Numbers. Space is Local, Linear and Represented by the Scalar Numbers. Space is the Vacuum and the Nothing and Time is the non-vacuum, the Every Thing, the Solids represented by the Cube of Space.

The Cube of Space is the structure behind the Tetraktys but also behind the Book of Genesis.

Our Reality contains two Reciprocal 3D-structures related to Space and Time. Space and Time are related by the Simple Formula N/N=1/1=1, the Formula of Diracs Delta Function.

We are able to perceive the Real 3D-Structure of Space. The 3D-Structure of Time is Imaginary. It is situated in the Imaginary Number Space of i.

Larson’s Cube, the Geometric Representation of the Octonion.

Larson, a Self Thought Genius like Grassmann, developed Geometric Algebra without knowing anything about Geometric Algebra but he also invented String Theory long before String Theory was invented.  The Mathematics of Larson is also the Mathematics of the Tetraktys of Pythagoras without even knowing anything about it.

The Periodic System of Larson

Larson was able to Calculate all the important Physical Numbers without any problem and was also able to Calculate Chemical Structures and Reactions.

The fourth line of Pascals Triangle and the Tetraktys contains 8 Directions in the Four Geometric Dimensions: 0, 1, 2, and 3.

Mathematicians are intrigued with this number 8, because they find it popping up unexpectedly in advanced mathematics.

In fact, expanding the Binomial Expansion to 8 dimensions just creates an inverse copy of these first Four Dimensions, and then the pattern just repeats itself with a half-twist and back from there, ad infinitum.

This is called Bott Periodicity discovered by the mathematician Raoul Bott (1923-2005).

The mathematician John Baez wrote an article in which he relates this 8-fold Periodicity to the Scalars (1), the Complex Numbers (2), the Quaternions (2×2), and the Octonions (2x2x2 = 2**3).

Bott Periodicity

The Universe of Numbers and Magnitudes  is Cyclic and Fractal.

Our own Reality, symbolized by the Tetraktys,  repeats itself in Higher Dimensions until Infinity.

The Tetrad, represents Completion, because it contains all its Previous Numbers, the 1, 2, 3, and itself, 4, in One Number, 10 = (The One) +  9 (= 3 (Trinity)x 3 (Trinity) = Tetraktys).

As you can see in the Picture above the Fractal Pattern of 8 contains two kinds of Trinities/Triangles, an Upside and a Downside (Rotated by 180 Degrees) Triangle. When you Rotate by 180 Degrees the 1 becomes -1 and 1 + -1 =0 is the Void.

The Star of David, the Symbol of Human Center, the Heart Chakra.

The Multi Dimensional Rotations of the Octonions always Come Back to Square 1/1=1, the One and keep Rotating around the Center, the Nothing,   Until Infinity.

About Triangular Numbers and Pascal’s Triangle

About the Relationship Between Geometry and Music

About the Game of the Surreal Numbers

About Larson and the Unification of Mathematics

The Collected Works of Dewey B Larson

About Ratio and Proportion by Euclid

A book of Augustus deMorgan about “The Connection between Number and Magnitude”

The text of the Fifth Book of Euclid

An Educational You Tube Channel called Insights in Mathematics

About the History of Geometric Algebra

Free Software to use Geometric Algebra

A Video that shows how the Platonic Solids are created out of the Trinity Numbers

All you want to know about Geometric Patterns

### About the Law of KLeiber

Friday, October 29th, 2010

A power law relates one variable to another raised to a constant power. The general form takes y = xa, where y and x are variables, and a is a constant exponent.

A power law exhibits the property of scale invariance. When you multiply the Scale (x) with a factor b the function (y =  baxa) does not change its Shape.

In 1817 Goethe wrote his book ”Zur Morphologie“. This book was the start of a new science called Morphology, the Science of the Shapes.

In his book Goethe describes the so called Uhrplant, the Primal Plant, which is based on the shape of the Leaf. Goethe believed that every Plant was a Leaf within a Leaf within a Leaf.

At the time of Goethe the concept of the fractal was not known. It was developed in 1975 by Benois Mandelbrot (“The Fractal Geometry of Nature”).

A fractal is a self-similar structure. It’s shape repeats itself on every level of expansion.  Some fractals are scale-invariant.

The scale invariant fractal structure of the Leaf

Metabolism is the process by which your body converts what you eat and drink into energy. During this complex biochemical process, calories in food and beverages are combined with oxygen to release the energy your body needs to function.

The oldest and best known Power Law is Kleiber’s law devised by the Swiss-American zoologist Max Kleiber in 1932.

Kleiber’s Law, MR = W3/4, describes the relationship of the metabolic rate (MR) to the biomass W, raised to an exponent.

Kleiber’s law means that a cat’s metabolic rate is not a hundred or 21.5 times greater than a mouse’s, but about 31.6 — 100 to the three-quarter power.

This relationship seems to hold across the animal kingdom  and it has since been extended all the way down to single-celled organisms, and possibly within the cells themselves to the internal structures called mitochondria, the cellular powerplants, that turn nutrients into energy. Mitochondria have many features in common with bacteria.

The law of Kleiber is  also applicable to super-organisms” like ant colonies, Cities and Eco-Systems.

Because of Economies of Scale, larger and more complex forms of organisms need less energy for each individual cell. They grow and reproduce more slowly and they live longer.

Kleiber's law

Kleiber’s law can be explained from a general model that describes how essentialmaterials are transported through Space-Filling Fractal Networks of Branching Tubes.

Goethe was right. The leaf is a one of the fundamental structures of Nature.

The factor 3/4 (3/3+1)  is a consequence of the fact that a Fractal Structure has to incorporate a not-Fractal Structure, 3-Dimensional Space.

One of our fellow Bilaterians: The Octopus

About 590 million years ago, the Central Nervous System (CNS), the Brain, appeared.

The organisms with a CNS (including the Humans), the Bilateria, are able to Act and React to a Possible Harmful Stimulus.

The CNS of the Bilateria is  a result of  an Increase in Competition between the Life Forms that came out of the Continuing Fusion of  the Cooperative Life Forms, the Bacteria. The first step in this proces was the Tube of the Sponge.

The fundamental Bilaterian Body Shape is a Tube running from Mouth to Anus, and a second Tube called the Notochord, with an especially large Sphere at the front, called the “Brain“.

The Bilateria have Five Body Spheres (1) the Brain; (2) the Spinal Cord; (3) the Heart and Lungs; (4) the Digestive Organs and Kidneys; (5) the Bladder and Reproductive organs.

About the Tiny Spheres of the Lungs

When we look at the Lungs, one of the Fractal Tube-like branching-structures of the human organism, we can see that the Branches end in Nodes called the alveoli (“little cavities“). The end-nodes of the branching system are tiny Spheres.

The Alveoli use another basic structure of Nature: The Sphere

In the tiny Spheres the Exchange takes place of Carbon Dioxide and Oxygen between the Lungs and the Blood-Vessels. Each human lung contains about 600 million alveoli.

Water diffuses from the alveoli cells into the alveoli so that they are constantly moist.  Oxygen dissolves in this water before diffusing through the cells into the blood.

The Oxygen-rich blood returns to the Heart via the pulmonary veins to be pumped back into circulation. The Carbon Dioxide is pumped out by the Lungs.

In the many million Small Spherical End-Nodes Two Circulatory Systems, the Cardiovascular System (Heart) and Pulmonary System (Lungs), are Connected.

The Big Structures of Nature are able to Scale because the Connection-Points of the Networks are Very Small.

They are reusable on Every Scale that is Bigger than the Scale of the Connection Points.

We will see that all the other Fractal Systems in our Body are based on the Same Principle.

Villi

About the Tube of the Digestive System

The Tube contains the Digestive System. It breaks-down larger food molecules into smaller ones that can be absorbed into the blood stream. This happens in the Small Intestine in the vili and microvilli.

The villi (“shaggy hair“)  are tiny, finger-like projections that are approximately 0.5-1mm in length. The microvilli are mechanosensors and have a lot in common with the flagellum (“the roter“) of a bacterium. Microvilli appear in many places in the body. They are also of importance on the cell surface of white blood cells, as they aid in the migration of white blood cells.

The Tube of our Digestive System is highly similar to the Tube of the Sponge, the first fusion of the Bacteria in a  more efficient metabolic structure.

The Output part of the Tube is called the Large Intestine (Colon). Its function is to absorb water from the remaining indigestible food matter, and then to pass Useless Waste Material from the body. The large intestine houses over 700 species of bacteria that perform a variety of functions.

The Liver Fractal

About the Chemical Factory of the Liver Cell.

The Liver is  a Fractal Branching System that detoxifies harmful substances absorbed via the Small Intestines.  It’s basic structure is the Liver Cell.

The Chemical reactions in the liver cells produces a lot of waste heat. This is carried round the body in the blood and warms less active regions.

The Liver regulates the amount of Blood Sugar, Lipids, Amino Acids.  The Liver is the Storage House of  Blood, Iron, Vitamine A, D, B12  and Clycogen, the Source of Energy of the Body.

The Liver produces Bile that is stored in the Gall Bladder. Bile is used to dissolve fat.

The White Blood Cell

About the Spleen and the Immune System

Another Fractal Branching System, the Lymphatic System ( “The Immune System“, Spleen),  maintains the health of the body by protecting it from invasions by harmful pathogens, such as bacteria, viruses, fungi, and parasites. These pathogens are the cause of many diseases, so it is necessary to detect and eliminate them rapidly.

The Lymphatic System is connected to the Blood System and produces the White Blood Cells (Lymphocites).  The Lymphocites are the Basic Unit of the Human Defense System. They look like Bacteria.

A lymphocite fits with a pathogen

The surface of a lymphocyte is covered with a large number of identical receptors. Recognition and destruction occurs when the receptors of the lymphocyte fit like a key into the surface of the pathogen.

The Immune System is a Highly Adaptive System. It is able to generate new types of Lymphocites out of a Library of DNA-components.

Nephron

The Kidneys serve the body as a natural filter of the blood, and remove wastes which are diverted to the urinary bladder. The Nephron is the basic structural and functional unit of the kidney. In humans, a normal kidney contains 800,000 to 1.5 million nephrons. Nephrons are wave-like structures. Its chief function is to regulate the concentration of water and soluble substances like sodium salts by filtering the blood.

The last  Fractal Branching System, the Meridians, is a Fast Electro-Magnetic Channel that connects to Organs to the Spine and the CNS.

The Ancient Chinese Scientists believed that this System pumps its Energy, the Chi Force, out of the Earth Magnetic Field.

The Ancient Egyptian Scientists believed the same thing. They named  the Four Cavities the Four Suns of Horus and the Spine, the Djed Pillar (Dj means “Snake”).

The Five Systems of Acupuncture

The number Five (4 +1 ) plays an important role in Ancient Chinese Medicine.

The Central Fractal System, the One (1), the Fire System, the Blood System, with its Center the Heart,  contains Four (4) Links to the Other Systems.

The Four Systems are combinations of Two Forces, Expansion and Compression.

The Two Forces came out of One Force (“The Void“).

Two Systems contain the same combination (Expansion x Expansion (Wood, Gall Bladder, Liver, Three Heater), Compression x Compression (Metal, Lungs)).

Two Systems combine Expansion and Compression in a different order (Expansion x Compression, Compression x Expansion). They create a Wave (Water, Bladder, Kidney) or Spiral -like (Earth, Immune System) structures.

The Five Spheres of the Body are incorporated in one Super Protective Sphere, the Coelum, the Skin.

In the Human Embryo the First step of Division of the Cells is between the Coelum,the Multi-Cellar Body, and the Brain, the CNS. In the first step the One was divided into the Two, the Actor and the Monitor.

The CNS  “mirrors” the activities of  the Body and acts as a “predictive simulator”.

The Shape of the CNS is a mirror (Up-Side-Down) of the Shape of the Multic-Cellular Body.

The Bilateria are a Fuse of two Organisms in which one organism changed into the Body and the other changed into the Brain.

These two structures are always competing in the Human Being.

The Brain is Looking Up at the Sky. The Body is Looking Down at Mother Earth, it’s Creator.

The Brain and the Body are United in  the Heart, the Balancer of Body and Soul and the Keeper of the Rhythm (The Pericardium).

Sponge, The Tube

The Body Shape of the Tube was inherited from the first Multi-Cellular Organism, the Sponge. The Sponge is a  Static Cluster of Amoeba, free moving bacteria, that are propelled by their flagellum (a Roter).

The Basic Building Block of the Body, the Bacterium

Bacteria are small chemical factories that are able to share and combine their production processes by exchanging DNA.

With their flagellum the Bacteria Explore the environment to find the chemical food they need. When they have found food the Circulation of the Flagellum moves into the Opposite Direction.

The bacterium integrates incoming chemical signals during a few-second period of its travels, and adjusts its direction of advance accordingly.

The integration is achieved through temporary chemical modifications to molecules located in the bounding membrane, which transfer nutrients to the cytoplasm, and also through changes to certain other molecules in the interior of the cell. Such integration is essentially a short-term memory mechanism.

Bacteria exchange their DNA

At a certain moment the Bacteria got together because the Sponge is a much more Efficient Metabolic Structure than a group of Free Moving Bacteria.

Strangely enough the DNA of the Sponge already contains the complete Bleuprint of the Humans.

Scientists now believe that most species on earth are a result of a loss of DNA from the original Bleuprint that was created when the Bacteria finally fused into one Organism.

Recently scientists have found Electric Fields as strong as 15 million volts per meter in the Nano-Parts of the Cells. These fields are as strong as those produced in lightning bolts.

It’s not clear what causes these strong fields or what they might mean but they could account for a until now unknown (by Science) or well-known (by the Old Scientists, Chi) Source of  Bodily Energy.

The nano-parts of the Cell could be the very very very small universal building blocks of Nature.

What has Happened?

In the beginning the Chemical Soup generated Self-Reproducing Chemical Factories.

These Factories combined into bigger Factories by exchanging and combining their factory-designs.

Every time when the Factories fused they became more Efficient, Bigger, Stronger, Older and therefore more Competitive.

When the Factories became more competitive they had to Protect themselves against the other Factories.

To Protect themselves the Multi-Cellular Systems started to Sense in Many Directions.

In the first step a Nerve-Net was created.

In the second step one part of the Organism turned Upside-Down and became a Specialized Predictive System (the CNS).

This part fused with the Bodily Part creating one Organism that contained Two Organisms.

The Bilateria, the Organisms with Two Complementary Parts, Body and Mind, were born.

Some of the Bilateria called Humans fused in Social Structures and the Social Structures fused and fused and became more efficient, bigger, stronger, older and therefore more competitive.

In due time they will Rule the Earth and will start to create bigger and bigger systems until they will rule the complete Universe.

To make this possible the Humans need every other part of Nature to Sustain their Growth. This will certainly result in a huge Collapse of their own Eco-System.

The main reason this is happening is that the Humans forgot to Copy the Designs of Mother Nature.

The Brain (Thinking and Sensing, Left Brain), Looking Up at the Sky,  believed it could do a much Better Job than it’s counterpart the Multi-Cellular Body (Emotions and Imagination, Right Brain), Looking Down at the Earth, the Source of All Creation.

Kleiber’s Law shows that we are now using 122 times more Energy per Person than we really would need if we would Scale in the right way.

What can we learn from Kleiber’s Law?

All organisms including the humans depend for their maintenance and reproduction on the close integration of numerous subunits.

These components need to be serviced in a relatively `democratic’ and efficient fashionto supply energy, remove waste  and regulate activity.

Natural Selection solved this problem byevolving hierarchical fractal-like branching networks, whichdistribute Energy, Information and Materials between Big Reservoirs (“Lungs”) and Small Connection Points (“Alveoli”) of other Circulatory Systems (“Blood”).

This Fractal Bottum-Up approach is highly effective and efficient.

The not-fractal, Top-Down,  machinery designed by the Humans is Scaled with a factor 1 so we can improve a lot by copying Mother Nature.

About the Heart Chakra or Why the Heart connects the Brain and the Body

How to use the Heart to find Balance

Why Humans look a lot like Bacteria

About Kleibers Law and the Rain Forest

A movie about Fractal Structures in Nature

About the Fusion of Water in the Cell

About the Number Five in Chinese Medicine

Why Humans are part of Super Organisms

How the Humans evolved out of the Bacteria

About the Left and the Right Brain

How the Heart synchronizes the Body

About the Fast Transmisson Channel in the Body

A general model to explain Kleiber’s Law

About Kleiber’s Law and the Growth of Cities

About the Law of Kleiber and Ant Colonies

The terrestrial evolution of metabolism and life

A movie about the origin of vertebrates

### About Morphology or How Alan Turing Made the Dream of Goethe Come True

Tuesday, November 17th, 2009

The Ancient Greeks believed that the images of waking life and dreams came from the same source, Morpheus (Μορφέας, Μορφεύς), “He who Shapes“.

The Science of the Shapes, Morphology, was created and named by Goethe in his botanical writings (“Zur Morphologie“, 1817).

Goethe used comparative anatomical methods, to discover a primal plant form that would contain all the others-the Urpflanze. Goethe being a Romantic Idealist hoped that Morphology would Unify Science and Art.

The Uhrplant shows itself also in the Lungs and Riversystems

“The Primal Plant is going to be the strangest creature in the world, which Nature herself shall envy me. With this model and the key to it, it will be possible to go on forever inventing plants and know that their existence is logical”. Nature always plays, and from which she produces her great variety. Had I the time in this brief span of life I am confident I could extend it to all the realms of Nature – the whole realm“.

Goethe (wikipedia)

Hundred years later in the 1920s Goethe’s dream came true. Morphology moved outside Biology to other parts of Science due to the works of D’Arcy Thompson’s On Growth and Form, Oswald Spengler Morphology of History, Carol O. Sauer Morphology of Landscape, Vladimir Propp, Morphology of the Folktale and Alfred North Whitehead Process and Reality.

Goethe observed nature and reflected on similar structures. He believed that there was something behind this similarity, an archetypal plant.

According to Goethe the archetypal plant was the leaf (“While walking in the Public Gardens of Palermo it came to me in a flash that in the organ of the plant which we are accustomed to call the leaf lies the true Proteus who can hide or reveal himself in all vegetal forms. From first to last the plant is nothing but leaf“).

At this moment scientists know the reason why the leaf is the most important structure of the plant. It is a solar collector full of photosynthetic cells.

The energy of the sun provides the energy to transform water from the roots gathered by the leafs and carbon dioxide out of the air also gathered by the leafs, into sugar and oxygen. Plants are structures with many leaves. These leafs shield other leafs from collecting sunlight and water.

To solve this problem a plant has to optimize its structure to collect enough Sunlight and Water. The process of Optimization is not a Central Coordinated action. Every leaf tries to find the best place in the Sun on its own. This place determinates the growth of the next level of branches and leafs.

Goethe observed a pattern and deduced a structure, the leaf, the Uhrplanze. What Goethe really observed was not a Static Uhrplant but the Dynamic Process of the Branching of all kinds of leaves in all kinds of plants (Morpho-Genesis).

The leafs of the plants are not the main target of the morphogenesis of the plant. The visible External and the invisible Internal Forms or Organs are one of the many solutions of an equation with many variables and constraints. The optimal solution is reached by experimenting (“Nature always plays”).

Many solutions fail but some survive (Evolution of the Fittest). When a solution survives it is used as a Foundation to find new rules for more specific problems (Specialization). When the environment, the context, changes old rules have to be replaced by new rules (a Paradigm Shift).

The Fractal Geometry of Nature

New mathematical paradigms in the field of the Machines and Languages (Alan Turing, The Chemical Basis of Morphogenesis) and the Self-Referencial Geometry of Nature (Benoît Mandelbrot, The Fractal Geometry of Nature) have stimulated further investigation in the Field of Morphology.

In 1931, in a monograph entitled On Formally Undecidable Propositions of Principia Mathematica and Related Systems Gödel proved that it is impossible to define a theory that is both Self-Consistent and Complete. The paper of Gödel destroyed the ambitions of the Mathematicians at that time to define one theory that explains everything.

In 1936 Alan Turing produced a paper entitled On Computable Numbers. In this paper Alan Turing defined a Universal Machine now called a Turing Machine. A Turing machine contains an infinite tape that can move backwards and forwards and a reading/writing device that changes the tape. The Turing Machine represents every Theory we can Imagine.

Turing proved that the kinds of questions the machine can not solve are about its own Performance. The machine is Unable to Reflect about Itself. It needs another independent machine, an Observer or Monitor to do this.

It can be proved that Turing proved the so called Incompleteness Theorem and the Undecidability Theorem of Gödel in a very simple way.

The Eniac

In 1943 Turing helped to Crack the Codes of the Germans in the Second World War. At that time the first computers were build (Eniac, Collossus).

It was very difficult to Program a Computer. This problem was solved when Noam Chomsky defined the Theory of Formal Grammars in 1955 (The Logical Structure of Linguistic Theory).

When you want to define a Language you need two things, an Alphabet of symbols and Rules. The symbols are the End-Nodes (Terminals) of the Network of Possibilities that is produced when the Rules (Non-Terminals) are Applied. The Alphabet and the (Production- or Rewriting) rules are called a Formal Grammar.

If the Alphabet contains an “a” and a “p” the rules S→AAP, A→”a” and P→”p” produce the result “aap”. Of course this system can be replaced by the simple rule S→”aap”. The output becomes an infinite string when one of the rules contains a Self-Reference. The rules A→a and S→AS produce an Infinity String of “a’-s (“aaaaaaaaaaaaaaaaaa….”).

The system becomes more complicated when we put terminals and rules (non-terminals) on the Left Side. The System S→aBSc, S→abc, Ba→aB and Bb→bb produces strings like, “abc”, “aabbcc” and “aaabbbccc”. In fact it produces all the strings a**n/b**n/c**n with n>0.

The inventor of the theory of Formal Grammar, Chomsky, defined a Hierarchy of Languages. The most complex languages in his hierarchy are called Context-Dependent and Unrestricted. They represent complex networks of nodes.

A language where the left-hand side of each production rule consists of only a single nonterminal symbol is called a Context Free language. Context Free Languages are used to define Computer Languages. Context Free Languages are defined by a hierarchical structure of nodes. Human Languages are dependent on the context of the words that are spoken.

It is therefore impossible to describe a Human Language, Organisms, Organisations and Life Itself with a Context Free Computer Language.

Context Free Systems with very simple rule-systems produce natural and mathematical structures. The System A → AB, B → A models the Growth of Algae and the Fibonacci Numbers.

A Recognizer or Parser determinates if the output of a formal grammar is produced by the grammar. Parsers are used to check and translate a Program written in a Formal (Context Free) Language to the level of the Operating System of the Computer.

Regular and Context Free Grammars are easily recognized because the process of parsing is linear (causal, step by step). The stucture of the language is a hierarchy.

The recognizer (now called a Push-Down Machine) needs a small memory to keep the books.

Context Dependent (L-systems) and Unrestricted Grammars are difficult to recognize or are not recognizable in practice because the parser needs a huge sometimes Infinite Memory or Infinite Time to complete its task.

To find the Context the Recognizer has to jump backwards and forwards through the infinite string to detect the pattern.

If the network loops the recognizer will Never Stop (“The Halting Problem“).

Turing proved that the Halting Problem is Undecidable. We will Never Know for Sure if an Unrestricted Grammar contains Loops.

The Rules and the Output of Unrestricted Grammars Change and never stop Changing. Our Reality is certainly Context Dependent and perhaps Unrestricted.

Parsing or Recognizing looks like (is similar with) the process of Scientific Discovery. A theory, a Grammar of a Context-Free Systems (“aaaaaaaaaaa…”) is recognizable (testable) in Finite Time with a Finite Memory. Theories that are Context Dependent or Unrestricted cannot be proved although the Output of the Theory generates Our Observation of Nature. In this case we have to trust Practice and not Theory.

A 3D Cellular Automaton

In 2002 the Mathematician Stephen Wolfram wrote the book A New Kind of Science.

In this book he tells about his long term Experiments with his own Mathematical Program Mathematica. Wolfram defined a System to Generate and Experiment with Cellular Automata.

Wolfram believes that the Science of the Future will be based on Trial and Error using Theory Generators (Genetic Algorithms). The big problem with Genetic Algorithms is that they generate patterns we are unable to understand. We cannot  find Metaphors and Words to describe the Patterns in our Language System.

This problem was adressed by the famous Mathematician Leibniz who called this the Principle of Sufficient Reason.

Leibniz believed that our Universe was based on Simple Understandable Rules that are capable of generating Highly Complex Systems.

It is now very clear that the Self-Referencial Structures, the Fractals, of Mandelbrot are the solution of this problem.

The Scientific Quest at this moment is to find the most simple Fractal Structure that is capable of explaining the Complexity of our Universe. It looks like this fractal has a lot to do with the Number 3.

It is sometimes impossible to define a structured process to recognize (to prove) a Grammar. Therefore it is impossible to detect the rules of Mother Nature by a Structured process. The rules of Mother Nature are detected by Chance just like Goethe discovered the Uhrplanze. Science looks a lot like (is similar with) Mother Nature Herself.

When a Grammar is detected it is possible to use this grammar as a Foundation to find new solutions for more specific problems (Specialization, Add More Rules) or when the system is not able to respond to its environment it has to Change the Rules (a Paradigm Shift). All the time the result of the System has to be compared with Mother Nature herself (Recognizing, Testing, Verification).

Turing proved that if Nature is equivalent to a Turing machine we, as parts of this machine, can not generate a complete description of its functioning.

In other words, a Turing machine, A Scientific Theory, can be a very useful tool to help humans design another, improved Turing Machine, A new Theory, but it is not capable of doing so on its own – A Scientific Theory, A System, can not answer Questions about Itself.

The solution to this problem is to Cooperate. Two or more (Human) Machines, A Group, are able to Reflect on the Other. When the new solution is found the members of the Group have to Adopt to the new solution to move on to a New Level of Understanding and drop their own Egoistic Theory.

Each of the individuals has to alter its Own Self and Adapt it to that of the Group. It is proved that Bacteria use this Strategy and are therefore unbeatable by our tactics to destroy them.

Turing proved that Intelligence requires Learning, which in turn requires the Human Machine to have sufficient Flexibility, including Self Alteration capabilities. It is further implied that the (Human) Machine should have the Freedom to make Mistakes.

Perfect Human Machines will never Detect the Patterns of Nature because they get Stuck in their Own Theory of Life.

The Patterns of Turing

The Only ONE who is able to Reflect on the Morphogenesis of Mother Nature is the Creator of the Creator of Mother Nature, The Void.

Gregory Chaitin used the theory of Chomsky and proved that we will never be able to understand  The Void.

The Void is beyond our Limits of Reason. Therefore the first step in Creation will always be  a Mystery.

At the end of his life (he commited suicide) Alan Turing started to investigate Morphology.

As you can see the Patterns of Alan Turing are created by combining many Triangels. The Triangel is called the Trinity in Ancient Sciences.

According to the Tao Tse King, “The Tao produced One; One produced Two; Two produced Three; Three produced All things”, which means that the Trinity is the Basic Fractal Pattern of the Universe.

In modern Science this pattern is called the Bronze Mean.

It generates so called Quasi Crystals and the Famous Penrose Tilings.

The Bronze Mean is represented by the Ancient Structure of the Sri Yantra (“Devine Machine”).

Goethe was not the real discoverer of Morphology. The knowledge was already there 8000 years ago.

About the Observer and Second Order Cybernetics

A PDF About the Morphology of Music.

The origins of life and context-dependent languages

A Website About the Morphology of Botanic Systems

A Website About the Morphology of Architectural Systems

A Plant Simulator using Morphology