Posts Tagged ‘geometry’

About Intelligent Design

Tuesday, April 17th, 2012

Thermodynamics, the Science of Heat, became an important science in the 19th century when physicists started to improve the Steam-Machine. This blog is about a recently discovered law of Thermodynamics called the Constructal Law.

The Constructal Law describes How Intelligent Systems emerge out of the Laws of Thermodynamics.

Heat is Random Motion

According to Thermodynamics the evolution of the universe has been characterized by an on-going transformation from a simple, restricted, highly condensed, homogeneous state (the Big Bang) to an increasingly complex, widely dispersed, dynamic, multipotent, granular diversity.

Energy always moves from High to Low Temperature. This is the main reason why most of the energy of Earth comes from our Sun.

With help of the Electro-Magnetic radiation of the Sun we call Light, plants, algae and bacteria transform simple molecules into complex organic structures (Biomass = Potential Chemical Energy) and store the energy of the Sun. Bacteria and Fungi brake up these structures, produce heat, reduce the complexity, and close the Cycle.

The Input of the Heat of the Sun has to be compensated by a comparable Output of Radiation otherwise Earth would be burned instantly. The difference between the Input and Output of Energy is transformed into Movements on Earth.

The Earth’s climate is a huge flow system. It circulates air and water from the tropics to the poles and back. These flows develop as air and water move from hot to cold regions, a result of variation in the heating of the Earth’s surface by the sun.

The Earth is not only heated by the Sun. The hot kernel of the Earth is surrounded by a small crust. At certain places on Earth and the Sea the rotating pool of the magma-ocean produces a lot of energy.

The Earth with its solar heat input, heat rejection, and wheels of atmospheric and oceanic circulation, is a heat engine without shaft. Its maximized mechanical power cannot be delivered, but is instead destined to dissipate through air and water friction and other forms of heat loss. It produces maximum power, which it then dissipates at a maximum rate.

The earth is wasting a lot of energy because the transmission of  most of its energy is not contained in a Tube-like-system.

The system maximizes the sum of the work done driving the planetary circulation, and the heat rejected back to space at the cold end of the heat engine.

When the speed of the planetary circulation is low, so are the turbulent losses. As speed increases, up to a certain point the sum of work done (circulation speed) and heat rejected also increasing until the turbulence starts to interfere with the circulation and  actually decrease the total of work done and heat rejected. That is the point, “the edge of turbulence”,  at which the system will naturally run.

Every flow system tries to find the perfect balance between movement and friction.

The interesting point is that friction is movement in opposition to itself.

Clouds on the Edge of Turbulence

The biomass on Earth is direct or later (Oil, Gaz, Coal) consumed by all kinds of organisms. In Food-Webs Organisms are consumed by other organisms.

We, the Humans, describe the interaction of the organisms in the Food-Webs as a Struggle for Live, a Survival of the Fittest, but the flow of energy in the food webs could also be seen as an adaptive chain of chemical reactions that are performed in self-moving, self-reproducing chemical factories.

Energy is Potential Movement. The potential energy stored in the biomass on Earth is transformed into circular movement (kinetic energy). During this transformation Heat is produced. Heat is the waste produced by a restrained non-effective movement.

The energy of the Sun produces all kinds of movements on Earth. Examples are river-delta’s, our respiratory system and the weather-system.

Flow Systems that move from one  to many always look like a leaf or a tree

Flow Systems that move from One to Many always look like a Leaf or a Tree. Left a River Delta is shown. Right a picture of the Lungs is displayed.

According to Constructal Theory the generation of design (configuration, patterns, geometry, shape, structure, rhythm) in nature is a physical phenomenon that unites all animate and inanimate systems. Design in Nature always shows itself as systems that flow and improve themselves.  Systems improve themselves because the movement from chaos to order takes many discrete steps.

Biological organisms are flow systems. River basins are flow systems. A Tree is a flow system. The Traffic System is a flow system. The City of Paris is a flow system. The Financial Market is a flow system. The Internet is a flow system. A Proces-Manager is a flow system.

Flow Systems

All these flow systems must be structured (architecturally designed) in such a way that the currents that flow (Life Energy, Water, Air, Electricity, Gaz, People, Cars, Trains, Airplanes, Content, Money) increasingly get to where they need to go. This gives shape and structure to everything that evolves over time.

Flow Systems always remove the Resistance to the Flow themselves.

Constructal Law is formulated as follows: “For a finite-size system to persist in time (to live), it must evolve in such a way that it provides easier access to the imposed currents that flow through it.”.

Nature always provides Resistance to Change (Heat, Erosion, Friction) and this resistance is provided by the Systems of the Past. The current Order resists the potential Chaos of Free Moving Energy.

The Paths of Change of our Universe always move in the same way. The pattern looks like a Moebius Ring, the number 8, because this is the only way to cope with the polarity of the movements. In a Moebius Ring two Opposite Cyclic Movements are perfectly United.

A Moebius Ring is a 2D-structure that operates in 3D because it needs a Twist to operate.

According to Constructal Theory the Energy of the Sun creates two types of Systems called Engines and Brakes.

Engines are the most effective and efficient states in the evolution of our Universe. They have found the best way to cope with the resistance that is provided by the Brakes. Brakes are the old systems like trees, forests and natural or constructed dams that slow down the movement so the potential energy can be stored.

If the Energy of the Sun is not stored,  the Self-Reproducing Systems are unable to evolve to a higher level of organization.  If every Resistance would be gone the Flow-Systems would Flow in a Radial Pattern to every Direction possible.

If we remove the Natural Brakes (Forests, River-delta’s) the Expansive Flow-systems will take over control and the Smart Highly Improbable Next Generation Brake Systems, the Organisms would die.

We, the Humans, are here to Resist the Engines that give the Flow-Systems the opportunity to make Everything the Same. Every Thing has to become the Same because the Universe does not discriminate. Every configuration has the same chance to be alive.

Dependent on the type of flow there are standard solutions to the dualities that are provided by the eternal battle between engine (movement) and brake (not-movement).

Paris is a Flow System

The standard solution can be calculated using the Laws of Thermodynamics. Tree (or Leaf)-shaped fractal systems are for example the best solution for a One-to-Many (or Many-to-One) Flow. The Flow Systems always converge to these Shapes.

Our Earth is rotating, spinning and moving around our moving Sun. The influx of Energy on every area on Earth is changing all the time.

This means that every Flow-System on Earth has to adapt to the short term and long term changing Energy Input of the Sun.

The stability of a Flow-System, the Resistance to Change, is highly dependent on the Resilience of the System.

According to the theory of Panarchy the Resilience of a System is dependent on the Potential and the Connectedness of a System.

In  the Exploitation/Conservation phase of the Adaptive Panarchy-Cycle the Constructal Engines become more efficient (producing more Potential) and Connected. This means that the amount of possible paths in the River-delta of the System is reduced. This amount determinates the resilience of the system.

At the state of maximum production and maximum connection (conservation) the system is spending all its potential at self-reproduction and is highly vulnerable to external disturbances. At a certain moment when a disturbance destroys the majority of the paths the system collapses (release).

Revolt: A small Wildfire can destroy a complete Ecology

The bits and pieces, the components, of the scattered ecology are reassembled sometimes in a different way (reorganization) and the system starts again most of the time on a higher level of organization.

Kleiber's law

Kleiber’s Law is an example of the Constructal Law. It shows the many levels of organization that have occured since the chemical factories of the bacteria started to work together. Kleiber’s Law can be extented to the level of the Community and the City.

The Panarchy Cycle is Self-Similar. It repeats itself on many Scales. The higher the scale the bigger the impact and the slower change takes place.

The Scales are interconnected. A huge disturbance on a lower scale (Revolt) can have an huge impact on a higher scale when both cycles are moving into the Release State.

A Slow moving High Level Cycle can help to restructure a fast moving cycle by providing the template of the way the components were originally assembled (its CommunityDNA) (Remember).

Constructal Law is a Law of Thermodynamics. Thermodynamics has evolved into a Statistical Theory called Statistical Mechanics. To calculate a probability you have to define the Space of all Possibilities of a System, the Phase Space.

When you don’t know what a system will look like it is impossible to calculate the Phase Space. To calculate the possibilities of Constructal Law you have to imagine the possible constructions of Mother Nature.

It is possible to play with Probability Theory without knowing the exact Phase Space. In this case you have to look at the probabilities of the probabilities. These probabilities are described by the Triangle of Pascal. Behind the Triangle of Pascal a new Triangular Structure shows itself. This pattern goes on and on until the primary Triangle of Creation, the Holy Trinity, is reached.

The Trinity is a combination of Desire (Mother, Female, Expansion, FLOW), Control (Father, Male, Compression, BRAKE) and the combination of both Expansion AND Compression also called the Void or the Tao. In Physics the Void is called the Vacuum or the Zero-Point-Field.

The Triangular Pattern behind the Triangle of Pascal

When we have moved back in time and have reached the state of the Trinity we are very close to the Big Bang. The Big Bang is a result of the Union of the Opposites (Yin/Yang, Male/Female, Matter/Anti-Matter, Expansion/Compression) that both came out of the Void.

The Vacuum is the Eternal Flow System of Creation. It contains everything that is possible even the impossible, the Empty Set.

The Tao is like a well: 

used but never used up.

It is like the eternal void:

filled with infinite possibilities.

It is hidden but always present.

I don’t know who gave birth to it.

It is older than God.

(Tao Te Ching 4)

According to Constructal Law every finite-size system must evolve in such a way that it provides easier access to the imposed currents that flow through it.

The Tao is the Channel of the Energy of Life. If Constructal Law is Right we have to give easier access to this Flow. We have to become the River to move to our final destination, the Sea of the Nothing.


A video about Constructal Theory

About the Higgs Field and the Big Bang

Why the Objects in the Universe are of Different Size

About Innovation and Thermodynamics 

About the Big Bang

About Friction

About the Big Freeze

About the Constructal Theory of David Deutsch

The Website about Constructal Theory

An Introduction into Constructal Theory

About Morphology

About Panarchy

About Kleiber’s Law

About Genetic Similarity Theory

Why a City is an Organism

About the Triangle of Pascal and the Holy Trinity

About the Holy Trinity

About Constructal Law and the Trinity

Attraction + Obstacles = Excitement 

About the Law of three & Gurdjieff



About Perspective

Thursday, February 2nd, 2012
File:Reconstruction of the temple of Jerusalem.jpg

Medieval Perspective

When we Look with our Eyes and not with our Mind we can See that Space looks very different from what we Think it is. In Our Space Parallel Lines meet at Infinity.

Around 1400 during the Renaissance Painters started to look at Space with their own Eyes and discovered the Rules of Perspective Drawing.

Between 1600-1800 Perspective Theory changed from a Theory of Art to a Theory of Mathematics called Projective Geometry.

It took 400 Years before a few Mathematicians realized that Projective Geometry was the Foundation of Mathematics and it took another 100 years before Projective Geometry started to influence Physics.

In 1908 Hermann Minkowski discovered that Einstein’s Theory of Special Relativity could be analysed using Projective Geometry. Minkowski created a 4D Space-Time Metric Geometry in which he added one Time Dimension.

Many experiments now show that 4D-Space-Time  is not sufficient to incorporate what Time Really is.

The essence of Our Universe is Movement, Expanding Space,  and Movement = Space/Time (Space Divided By Time).

Both Time and Space are 3-Dimensional and represent a Different,  Reciprocal, Complementary (Dual), View on Movement.

We can move independently in Time OR Space and in Time AND Space (The Chronotope).

The Future is Expanding Space with Infinite Potential.

Time moves behind Space and Scales Space.

About Perspective Drawing

A Mathematical Theory of Perspective Drawing could only be developed when the Renaissance freed painters to depict Nature in a way closer to what they Observed.

In the Middle Ages Social Status was very important. Important People or Buildings were always emphasized.

In the Renaissance the Artists started to look with their own Eyes and Created Pictures where the Viewer looked through the Eyes of the Painter.

The Florentine architect Filippo Brunelleschi (1337-1446) studied Greek Geometry, developed a theory of perspective and undertook painting just to apply his geometry.

The first treatise, Della pittura (1435) by Leone Battista Alberti (1404-72) furnished most of the rules.

Alberti regarded mathematics as the common ground of Art and the Sciences. “To make clear my exposition in writing this brief commentary on painting,” Alberti began his treatise Della pittura, “I will take first from the mathematicians those things which my subject is concerned”.

Alberti stressed that “all steps of learning should be sought from nature“. The ultimate aim of an artist is to imitate nature.

Perspective Machine designed by Albrecht Durer

Alberti did not mean that artists should imitate nature objectively, as it is, but the artist should be especially attentive to beauty, “for in painting beauty is as pleasing as it is necessary“.

The work of art is according to Alberti so constructed that it is impossible to take anything away from it or add anything to it, without impairing the beauty of the whole.

Beauty was for Alberti “the harmony of all parts in relation to one another,” and subsequently “this concord is realized in a particular number, proportion, and arrangement demanded by harmony“.

Alberti’s thoughts on harmony were not new – they could be traced back to Pythagoras – but he set them in a fresh context, which well fit in with the contemporary Aesthetic Discourse.

IMAGE: Leonardo's perspectograph

The Perspectograph of Leonardo Da Vinci

One of the earliest Artists to produce a book on how to draw in perspective was Albrecht Dürer. As well as discussing geometric methods, he also illustrated his book with a set of woodcuts showing practical tools for accurate perspective drawing. Other Artists like Leonardo Da Vinci developed comparable tools.

About Projective Geometry

Projective Geometry formalizes one of the Central Principles of Perspective Drawing and of Human Perception: Parallel Lines Meet at Infinity.

In Euclidean geometry, constructions are made with Ruler (Line) and Compass (Circle). Projective Geometry only require a Ruler.

In Projective Geometry one Never Measures Any Thing, instead, one Relates one Set of Points to another by a Line.

Two projections of the same object.

Different Points of View

Alberti was the first to ask what two pictures have in common if two drawing screens are interposed between the viewer and the object, and the object is projected onto both resulting in two different pictures of the same scene.

The basic idea behind Linear Perspective is simple: in every painting an artist creates a “floor” or area of the painting where the figures and/or objects will be placed. The floor ends at a horizon line, and the horizon line has a Vanishing Point or Point of Convergence on it.

The artist then draws parallel lines radiating from the vanishing point outward. Images closest to the vanishing point should appear smaller and closer together, and images farthest from the vanishing point should appear larger and farther apart, giving the impression of depth and space in the painting.

Pappus of Alexandria ( 290 – 350), one of the last great Greek mathematicians of Antiquity, proved that that given one set of points A, B, C on a line, and another set of points a, b, c on another line, then the intersection points X, Y, Z of line pairs Ab and aB, Ac and aC, Bc and bC are also on a Line. This line originates at the Vanishing Point.

Pappus' Theorem

Later Desargues (1591-1661) proved Pappus Theorem for Triangels. He proved that the three vertices of one triangle a, b, and c, and those of the other A, B, and C meet in a third point, and that these three points all lie on a common line called the Axis of Perspectivity.

Desargues' theorem

Later Blaise Pascal (1623-1662) proved Pappus Theorem for Conics (Circles, Parabola, Hyperbola) in his  ”Essay on Conics” (1640) when he was 16 years of Age.

Pascals Theorem

About the Four Points of the Cross-Ratio

Finally 400 years later in 1803 Lazare Carnot found the answer to the Question of Leone Battista Alberti.

In his book “Géométrie de Position” he proved that the so called “Cross-Ratio” is always preserved in a Projection with One Point of View.

The Cross-Ratio

The Cross-Ratio is the Ratio of the Ratio of the Four Points A,B,C,D lying on a Line that intersects the Four Lines defined by a,b,c,d that orginate at the Vanishing Point O.  Carnot  proved that (AB)(CD)/(AC)(BD) = (A′B′)(C′D′)/(A′C′)(B′D′).

The Cross Ratio is not only the Cross-Ratio of the Four Points A,B,C,D. It is also the Cross-Ratio of the Four Lines  and the Three Angles that originate out of the Vanishing Point. In this case (AB)(CD)/(AC)(BD)=Sin(AB) x Sin(CD)/Sin (AC) x Sin (BD).

This principle is called Duality. In 2D-Projective Geometry Connected Points and Lines, called an Incidence, are interchangeable.

There is a corresponding Duality in three-dimensional Projective Geometry between Points and Planes. Here, the line is its own Duality, because it is determined by either two points or two planes.


The Cross-Ratio k is dependent on the Order of the Four Points. It converges to 0 and infinity when k=1 and to -1/2 and 2 when k= -1.

Two examples: 2D: Two distinct Points determine a unique Line and two distinct Lines determine a unique Point. 3-D:  Three distinct Points not all on the same Line determine a unique Plane and three distinct Planes not all containing the same Line determine (meet in) a unique Point.

The 24 Permutations of A,B,C and D produce 6 possible values of the Cross-Ratio, depending on the order in which the points are given. If k = 1, the other Cross-Ratio’s are 0 and infinity. This happens when point A = point D. In this case the Geometric Entity is an Equilateral Triangle.

If k = -1, the other Cross-Ratio’s are -1/2 and 2. This is called a Harmonic Cross-Ratio. This happens when the Internal Ratio of AC determinated by B is Equal to the External Ratio of AC determinated by D. When k=-1/2 and 2 the Geometric Entity is a Square.

If the Four Points of the Cross-Ratio are on a Line or a Circle, then the Cross Ratio is a Real Number, otherwise the Cross-Ratio is a Complex Number.

Ruler (Space) and Compass (Time): The Tools of the Geometer

About the Four Layers of Geometry and the Four Points of the Cross-Ratio

In 1872 Felix Klein, published a new Mathematical Research Program called the Erlangen Program under the title Vergleichende Betrachtungen über neuere geometrische Forschungen.

In this program Projective Geometry was emphasized as the Unifying Frame for all other Geometries.

Although lines in the Projective Plane meet in one point of Infinity Klein argued that there could be two points of Infinity if the Projective Plane was a Surface Closed in Itself.

When we look at the Origin of Projective Geometry, the Artist painting A Sphere, Earth, on a Flat Surface, it is not difficult to realize that this Closed Surface is a Sphere.


Geometry is now divided into Four  Layers. Each Layer adds a set of Assumptions that creates certain Invariants for that Layer.

An invariant is a property of a configuration of Geometric Entities that is not altered by any transformation belonging to the specific layer.

A transformation is an operation applied to a Geometric Entity. The most common transformations are Translation, Rotation and their Combinations (Reflection).

What we will see is that the Four Points of the Cross-Ratio are highly related to the Four Layers. In Every Higher Layer One Point of the Cross-Ratio is moved to the Internal Landscape, the Mind, of the Observer. This principle is called “As Within so Without“.

The First and most fundamental Layer is the Layer of Projective Geometry. This is the Layer of Human Perception and is invariant under the Cross-Ratio also called a Moebius Transformation.

The Second Layer is called Affine Geometry. In this layer Parallel Lines are preserved and the Assumption of a Plane at Infinity, the Horizon,  is created.  This Plane generates Parallel and Orthogonal Relationships between Geometric Entities by placing One of the Four Points of the Cross-Ratio in the Plane at Infinity.

Affine Geometry is Euclidean Geometry with congruence (something is the same when Shape and Size are the Same) and a metric (a definition of a Distance) left out. An affine transformation preserves straight lines and ratios of distances between points lying on a straight line.

This the layer of  the Emotions, “the harmony of all parts in affinity to one another” of  Leone Batista Alberti.  In Affine Geometry the Frame of Reference of the Painter, the Floor,  is created. On this Floor,  the Horizon, the Plane at Infinity is drawn.  From the Point of View of the Observer, it is not possible  to Judge Distance or the-Sameness because a given Visual Object may be Large and Far away or Small and Close.

In Eucludian Geometry A Ruler contains a Fixed Scale

The Third Layer, Metric Geometry, adds the concept of Distance (Metric, Scale) to the Affine Layer. A Distance is a relation between Two Points of the Cross-Ratio. This is the Layer of the Painter, Creator, Observer, who creates his own Distance to the Distances he is Painting in the External Frame he is looking at.

Since Projective Space is the Space of Actual Perception, the true function of Metric Space is the Coordination of Various Perspectives. This is illustrated in Perspective Drawing, in which there are always Two Perspectives being Coordinated—the Vanishing Point and a Point just behind the Eyes of the Observer.  Each of these is an instance of the One Point at Infinity.


The Expectation looks through a Small Hole.

The last, Fourth,  Layer is the layer of Euclidian Geometry. In Euclidean Geometry Distance is Fixed (not Relative) and Scaled to a Unity (Meters). This leaves us with just One Point of the Cross-Ratio, the Unity, the One.

Between  1926 and  his death in 1983 Alfred Tarski worked on the Axiomatization of Euclidean Geometry. In Tarski’s system there is only one type of Object: the One, The Point.

There are just two Geometrical notions between Points: the Ternary Relation of “in-Betweenness” and the Quaternary Relation of “Equidistance” or Congruence.  Betweenness captures the Affine aspect of Euclidean Geometry; Equidistance/Congruence, its Metric aspect.

This is the Layer of the Human Expectation who has not Distanced Itself and is Looking Outside Through a Small Hole at the Future. The Expectation considers the Future as an Extension of the Past (Memory).

In Euclidian Geometry we have to Move Outside to the Objects to Measure their Distance and the Sameness with a Pre-Defined Unity.

If we don’t move to the Object we will measure an Illusion.

About Space measured by Time and Space measured by Space

The Ancient Sumerians  knew that the Length of one side of a Hexagon is the same length as is the Radius of the Circle that circumscribes this Hexagon (See Pascals Theorem).

They also knew that the Stars of the Constellations of the Zodiac shift Counterclockwise, at the rate of 72 years/degree, because of the Precession of the Earth’s axis. One Wobble takes 25.920 years.

The length of one side of the Earth Hexagon is therefore the Distance traveled by the Constellations of the Zodiac along the horizon during 25.920/6=4,320 years.

They then subdivided this distance by 7,200  which produced the Royal Mile that was subdivided into 1,760 Royal Cubits.

Before 3.117 BC the complete Earth was covered with a uniform Geodesic System that was based on the Rotation and Precession of the Constellations of the Zodiac. This System was implemented in the Megaliths.

At that Time Space was measured by Time.

The Physical System of the Megaliths was destroyed by the Great Flood of 3.117 BC but the Metric System survived thousands of years until the French Revolution.

On the 8th of May, 1790, Charles Maurice de Talleyrand at the end of the French Revolution, proposed before the National Assembly in Paris a Change to a Decimal Measurement System.

The Academy of Science recommended that the new definition for a Meter be equal to 1/10,000,000 of the distance between the North Pole and the Equator, and this was accepted by the National Assembly in 1791.

From that Time on Space was measured by Space.

Why the Future contains Infinite Possibilities

A Painter or a Human always looks Forwards in Space. If there are Parallel Lines visible they all Converge to a Vanishing Point at The  Horizon. The Horizon is a Parallel Line at Infinity.

We all know that the Parallel Line of the Horizon is caused by the fact that the Earth is a Moving Sphere. This Moving Sphere moves around other Spheres that move around other Spheres.

The Rotation of the Spheres in Space is used as a Clock. Every time when the Cycle of the Spheres repeats itself we add one unit to a standard Time-Measure. One Sun Cycle is named a Year. One Cycle of the Precession takes 25,920 Years.

We Measure our Time by the Cyclic Movement of Objects in Space. The Cyclic Movements caused by the Rotations of Objects around Objects (around Objects) is really a Rotating Rotating Rotation, a Spiraling Spiral.

We don’t live in the Sphere but we live and Move on the Surface of a  Moving Sphere. That is why our Geometry is an Elliptic Geometry (or Projective Geometry).

Euclides and Pythagoras were aware of Projective Geometry (See also Pappus) but the Scientists of the Enlightenmentstarted to interpret their Theory with a Different Eye. They saw Numbers in a completely different way the Greek did.

The Scientist disconnected Number from Magnitude (Form) and created an Abstract Static Number Theory and an Abstract  Static Theory of Physics. The Movement of our Universe, the Ether, came to a stilstand.

The Theory of Perspective Drawing, based on our Real Perception of Reality, is the same theory that generated Projective Geometry. We are now back to Normal again.

In the blog about Geometric Algebra I wrote about a very Independent Thinker called Dewey B. Larson.

He reinvented Physics and Projective Geometry in his own way, Calculated all the well known Physical Constants and based his Theory on a simple well know Assumption that Space and Time are Reciprocal (A Ratio of Ratio’s , the Cross-Ratio) because Velocity= dS(pace)/dT(ime).

Moving Movement is the Essence of our Reality.

What Larson calls “Motion” is the Ether Wind (or the Higgs Field) the Velocity which was measured in the North-South (Z) direction at 208 km/s in 1933 by Dayton C. Miller.

Einstein believed the results of the Michelson-Morley Experiments in 1887 that “proved” that the Moving Ether was non-existent. Now we know that the experiments were wrong.  Einstein also did not believe that Space was Expanding. At this moment the Expanding Universe is confirmed by many observations.

When Space Expands,  Time Compresses and fills up the Space to Keep Balance. Time Scales Space.

Space moves to Infinity. Time Moves to the Inverse of Infinity, Zero. Space is measured by the Linear Visible Scalar Number-System. Time is Measured with the Rotational Invisible Imaginary Number System.

Expanding Space is Linear Motion. Time is the Spiraling Motion of the Vortex.

golden mean spiral2

The Spiraling Spiral of Time

Space is Yang and Time is Yin. Yin is feminine, Curved, Rotational, smooth or cold. Yang is masculine, Straight, Linear, rough or hot.

Space and Time are Complementary Duals that Move Around the Void.

If we look at the Human Perspective we now are able to understand what Time and Space Really are.

When we Look Forward we Experience Space. Time is always Behind our Back.

Human Senses and Conventional, Scientific Equipment can only Look Forward and therefore Measure Space (Distance) and the Change of Space (Velocity, Acceleration).

This is a Limitation of our Physical Sensory System, which evolved to measure Space, Scaled by Time, to produce what we Perceive as Causality–a Linear Ordering of Events.

Without the Cause-and-Effect System, the Sensory World of Space would just become Chaos.

Time, History, is Always Behind Us and Space, The Future, The Adjacent Possible, with Infinite Possibilities, is Always in Front of Us.

Let’s Move.


About Pythagoras and Heliopolis (Egypt)

About Pythagoras

Paul Dirac: About Physics and Projective Geometry

About the Middle Ages

About Expanding Space and Not-Euclidian Geometry

About the Renaissance

About Resistance and Mass

About the Mathematics of Perspective

About the Ether

About Clean Space

About Projective Geometry

Pictures of the Projective Plane

About Geometric Algebra

About As Within, So Without

About the Reciprocal Theory of Dewey B. Larson

A Video about Mobius Transformations

About Projective Geometry and our Senses

About Projective Geometry and Geometric Algebra

About the Cube of Space

About Time and Paranormal Experiences

About Geometry

A Textbook about Metric Geometry

About the Four Points of View

About the Void

Why the Future is Open Space

About Alchemy and the Klein Bottle

About the Human Sensory System

Stuart Kaufmann: About the Adjacent Possible

About Plato and Harmony

Monday, January 5th, 2009

Sri Yantra

The teachings of Ancient Civilizations are often Self-Referential.

The same knowledge is showed on many levels.

What we see with our Senses is an Illusion. Behind this Illusion lies a deeper structure.

The last and deepest level of the ancient teachings is always related to Numbers, Geometry and the Trinity.

This blog is about one of the most important geometric structures of the Trinity called the Sri Yantra.

In the ancient teachings a problem is defined and the teacher gives a clue how to solve the problem.

If the pupil has solved a problem he is able to move to a deeper level.

The whole idea is that real knowledge, wisdom, is only discovered, when the pupil has solved the puzzle of life him- or herself.

Let’s have a look at a Deeper Level.

A deep level is related to a number called Phi. Phi is called the Golden Ratio or the Divine Proportion. It is the real solution of the quadratic equation x**2-x-1.

It is also a solution of the proportion a:b=b:a+b, the sequence of Fibonacci x(n+2)= x(n+1) + x(n), the geometric structure of the Pentagram, the Fifth Element (the Quintessence, the Ether) and the Logarithmic (Golden)Spiral.

Phi is the pattern behind the Egyptian Pyramids, the Stock Market, Harmony in Music and Architecture and many other fields of science including Physics.

Let us first have a look at the way the old teachers have hidden the knowledge of the Divine Proportion in their teachings.



A beautiful example is Plato.

Plato was an initiate of the Mathematikoi, the Secret Society of Pythagoras. Pythagoras was initiated in the Secrets Societies of Egypt.

What do you think of this problem-statement:

What are the most perfect bodies that can be constructed, four in number, unlike one another, but such that some can be generated out of one another by resolution? … If we can hit upon the answer to this, we have the truth concerning the generation of earth and fire and of the bodies that stand as proportionals between them (Timaeus 53e)”


Two things cannot be rightly put together without a Third; there must be some bond of union between them. …and the fairest bond is that which makes the most complete fusion of itself and the things which it combines, and proportion (analogia) is best adapted to effect such a union”.


“For whenever in any three numbers, whether cube or square, there is a mean, which is to the last term what the first term is to it, and again, when the mean is to the first term as the last term is to the mean – then the mean becoming first and last, and the first and last both becoming means, they will all of them of necessity come to be the same, and having become the same with one another will be all one [Timaeus 31b-32a]“.

In the last citation Plato is formulating a mathematical problem related to the four bodys A,B,C,D with the three proportions A:B = C:D = (A+B) : (C+D) = (C+D) : (A+B+C+D). This problem is unsolvable if you don’t have a clue where to start.

This problem is solved when you realize that the Divine Proportion has many strange relationships that are very useful to solve the puzzle.

These relationships can be found if you know everything there is to know about Triangles and Triangles are again related to the Trinity (“Two things cannot be rightly put together without a Third“).

The Trinity comes back in the structure of the Dialogues of Plato. They are divided into Three Parts (and an introduction).

The structure of the dialogues relates to itself.

movmetatronThe knowledge of the self-reference of the Dialogues is also a clue to solve more complicated puzzles about the Dialogues themselves.

Just like the famous book of Hofstadter (Goedel, Escher, Bach) the dialogues show a new layer everytime they are read with a new aquired Insight.

The dialogues of Plato are organized according to the model he wants to teach. There are seven layers (-1,-2,-3,0,1,2,3) related to the Seven Mirror-Universes (or Hells and Heavens) of Our Universe (Eight, the Whole) in our Multi-Universe.

The Seven is a combination of Two Trinities with the Zero (The Void) in the middle. The Eight (2**3) State is the Dialog, The Whole, itself.

The Seven layers are divided into Three Sections (the Trinity) so the total amount of clues is 7×3= 21 + 1 (the Whole) = 22.

22 divided by 7 is an approximation of the number π (Pi).

Pi relates the Square to the Circle.

The Square represents the Playing Board of the Universe. On this Board we, the Humans, play our Game of Free Will.

Our Free Will is an Illusion. We are controlled by the Matrix.

The Circle represents the Wheel of Fortune, the Matrix, that Governs the Seven Universes in our Multi-Universe and the Game of Life.

What is Plato Trying to Explain?

golden ratio

The Golden Ratio

The Divine proportion is the basic concept behind Harmony.

The Divine Proportion is Not Symmetrical so Harmony is not related to Balance.

If everything would be balanced the Universe was never created.

Harmony is Balanced Unbalance.

An Architecture is beautiful when there is a slight unbalance in the Design.

This Unbalance shows the Sign of the Creator.

The Universe is created out of an Unbalance between Two Forces, the Positive and the Negative, the Good and the Bad.

The Two forces (-1,0,1) are divided into Four Forces (-2,-1,0,1,2) with the One in the Middle (Five) and are expanded into Seven Levels (-3,-2,-1,0,1,2,3). The Four Forces are “the most perfect bodies that can be constructed, four in number“.

The Seven Levels are related to the Circle. The Four Forces are related to the Square. The Universe oscillates between The Square and The Circle.

When the Square, the Game We Play with the Four Forces and the Circle (The Five Fold Cycle, Our Destiny) are in Balance the Human is in the Tao and Magic happens.

Every division is a split of the Trinity into Trinities until a state of Balance is reached. At that time the process reverses.

mt meru

Mount Meru

The unbalance of the Good (+1) and the Bad (-1) is an Illusion. They Cooperate to Create Harmony (0).

Behind the perceived Unbalance is a balancing principle, the Divine Proportion. This principle brings everything Back into the Balance of the One who is the Void (0).

What we don’t know is to be known if we understand the progression of the Divine Spiral.

The Future, the Third Step, is a Combination of Two Steps in the Past (The Fibonacci Sequence), nothing more.

Is there a Deeper Structure Behind the Divine Proportion?

golden mean spiral2

Golden Mean Spiral

The Four Forces (Control, Desire, Emotion(Compassion) and the Whole of the Trinity, Imagination) and the related sacred geometry were a guiding principle for the Imagination and the E-Motivation of many Western Scientists.

They tried to Control the Chaos of the Desires of the Senses by enforcing the Rules of Scientific Falsification.

The Proces of Falsification destroyed the Human Intuition.

The Western Scientists forgot to look at the Source of Intuition, the Center, the Quintessence (The Fifth, Consciousness).

The principle behind the Quintessence (Ether, Chi, Prana) is related to higher order symmetries and is a solution of a generalization of the generating function of the Divine proportion X**2 -X – 1

This generalization is X**2-pX-q or X(n+2) = pX(n+1) + qX(n). The solutions of this formula are called the Metallic Means.

When p=1 and q =1 the Divine proportion comes back again.

When the p=3 and q=1 a new sequence X**2-3X-1 or X(n+2) = 3*X(n+1) + X(n), the Bronze Mean appears.

The Bronze Mean generates the pattern: 1,1,4,13,43, the pattern of the Sri Yantra.

continued fraction golden meanIt shows a very beautiful pattern of “3″s when the Bronze Mean is evaluated in a Continued Fraction. The Golden Mean is a continued fraction of “1″s.

There are many more “Metallic Means” (other p’s and q’s). They are related to all kinds of symmetries and fractal patterns.

The Bronze Mean shows that behind the Trinity of the Golden Mean lies another Trinity (and another Trinity and …).


Penrose Tiling

The Bronze Mean is the generator of so called QuasiCrystals.

Quasy Crystals play a very important role in the Electro Magnetic Structures of our Body, the Collagens.  Collagens are the most abundant protein in mammals,making up about 25% to 35% of the whole-body protein content. The Collagens in our body explain the Ancient Chinese Science of Acupuncture.

Quasi Crystals are “normal” Crystals with a very complex symmetry.

They are ordered AND not-ordered.

One of the most beautiful examples of the patterns behind Quasi Crystals are the Penrose Tilings.

They were developed by the famous physicist Roger Penrose. He used the tilings to show his insights about consciousness.

Penrose believes that Our Universe is just like our Body a Quasi Crystal, a Hall of Mirrors. We the Souls travel all the Paths of this Magnificent Fluent Crystal.

Was the Bronze Mean Known by the Ancient Architects?



The most important implementation of the Bronze Mean can be seen in the Sri Yantra (“Sacred Device”).

The Sri Yantra is related to the Red Triple Goddess of Creation, Tripura also named Lalita (“She Who Plays“).

The Sri Yantra is generated out of the FiveFold Pattern or Creation and the Four Forces of Destruction.

It contains  9 interlocking isoceles triangles. 4 of them point upwards and represent the female energy Shakti, while the other 5 point downwards, representing the male energy Shiva.

The standard form of the Sri Yantra  constitutes a total of 43 triangles. The centre of the Yantra has a Bindu which represents the Void.

The FiveFold Pattern of Creation moves with the Clock. A pattern that moves with the clock is a  generating pattern.

It moves away from the void and generates space. The FiveFold Pattern is the pattern of the Universe. It creates Universes, Galaxies and Planets. The Pattern moves around the Cellestial Center of Creation,  the Black Hole.

The FourFold Pattern moves Against the Clock and is a destructing pattern. It dissolves space and moves back to the void.  The FourFold pattern is the pattern of the Human Being and Earth.

The combination of both patterns is a Moebius Ring (the symbol of infinity) with the celestial Centre in the Middle. The FiveFold/Four Fold pattern resembles the Ninefold Egypian Pesedjet and the Ninefold Chinese Lo Shu Magic Square.

From the fivefold Shakti comes creation and from the fourfold Fire dissolution. The sexual union of five Shaktis and four Fires causes the chakra to evolve” (Yogini Hridaya (Heart of the Yogini Tantra)).

In Pakistan the Mother Goddess (Sharika) is represented by a diagram that contains “one central basic point that represents the core of the whole cosmos; 3 circles around it and 4 gates to enter, with 43 triangles shaping the corners“.

The Penrose Tilings and many other quasi crystals can also be found in Ancient Roman, Islamic and Christian Architecture (Pompei, Alhambra, Taj Mahal, Chartres). The tilings are an expression of the Game of Life and were used to build Educational Buildings (Pyramids, Cathedrals,..) to teach and show the old teachings.


Keplers Model of the Solar System

Kepler (1570-1640), a German Mathematician and Astronomer (The Cosmographic Mystery) and Albrecht Durer (1471-1528), a German Painter, knew about the Penrose Tilings but until the discovery of the Penrose Tilings nobody knew that they knew.

The new scientists (re)discovered old patterns that were known by the old scientist

What is the Meaning of the Bronze Mean?

The Bronze Mean shows the effect of a continuous division of the Universe in Trinities.

It shows that the Universe (and other levels) is suddenly moving from an ordered state to a chaotic state.

This chaotic, not predictable, state is not chaotic at all when you understand the patterns behind chaos.

In our Universe chaos is always ordered. Chaos is an effect of something that is happening in a higher (not Sensible) Dimension or A Higher Consciousness.


The Two Brains of Paul Steinhardt

The writer of an important article about Penrose Tilings and Islamic Art, Paul Steinhardt is like Roger Penrose a well known physicist.

He has created a new theory about the Universe based on Four Forces AND the Quintessence.

In this theory the Universe is Cyclic. It is expanding and contracting.

The expansion of the Universe ends when the Two Major Structures (-1,0, 1) in the Universe, called Membranes or Branes, are in Balance with the Center (0, the Void).

The membranes are higher dimensional Squares that are in parallel.

The Braines at both sides split into many similar cell-like structures. We live in one of the Cells of the Universe.


Adam Kadmon

The Others, our Twins, live on the other membranes and are not aware of our existence until the Brains are getting into Balance.

At that moment the Twin Universes are Connected.

Scientists don’t know when this will happen but the Old Scientists who could travel the Multi-Universe with their United Brains knew.

It would happen at a very special Alignment of the Five Fold Center of Creation of the Milky Way with the FourFold Cross of the Destruction of Earth.

The Bronze mean is the Master-Pattern of our Multi-Universe.

The pattern 1,1,4,13,43 is in its 42nd enfolding and soon we will experience the 43th step, a Merge of the Left and the Right Brain of the Super Conscioussness, Adam Kadmon.


About the Divine Trinity Pattern

How to Raise the Djed

About the Nine-Fold Pattern of the Egyptian Pesedjed

Everything you want to know about the Divine Proportion

About The Indefinite Dyad and the Golden Section: Uncovering Plato’s Second Principle

About the Self-Referential Structure of the Dialogues of Plato

About the Law of Three of Gurdjieff

About Sharika, the Mother Goddess

About the Metallic Means

Paul Steinhardt, About Penrose Tilings and Ancient Islamic Art

About Penrose Tilings and the Alhambra

About the Geometric Patterns in Ancient Structures

An interview with Roger Penrose about the relationship between Conscioussness and Tilings

A lot of information (including simulations) about the Cyclic Universe of Paul Steinhardt

A simple model for the formation of a complex organism

How life emerged out of one Quasy Crystal

About Quasy Crystals and Sacred Geometry



Why God is a Topologist

Saturday, November 29th, 2008

god_geometry_bigSometimes I am getting very frustrated when I read spiritual books. I am getting frustrated because those books are a very complicated mixture of many other books that are also very complicated mixtures of other books.

The most complicated spiritual books are the books that use mathematical or physical theories to proof they are Right. The main reason is of course that mathematics and physics is complicated stuff to understand.

Mathematics contains the essence of Physics. You have to understand a little bit of mathematics to understand elementary Physics. The essence of Mathematics is Geometry. When you understand Geometry the rest of mathematics is just calculation (Algebra).

Geometry started as a very practical science concerned with navigation in space and the measurement of all kinds of forms. Soon the old scientists discovered interesting and unexplainable patterns. They discovered a hidden, sacred, structure behind reality and started to find ways to proof their intuiton was right.

It was not for nothing that Einstein believed God was a Geometer. Much earlier the Mystic School of Pythagoras tried to find the Sacred Geometry behind the Numbers to understand the Whole. At this moment Geometry has advanced a lot in relation to the old days of Pythagoras and even Einstein. Geometry is now called Topology, the Science of Spaces. In terms of Einstein, God was a Topologist.

To proof the theorems of Geometry the concept of congruency was used. Two figures are congruent if they have the same shape and size, but are in different positions or in more difficult language,  if they can be transformed by a combination of translation, rotation and reflection. When two figures are congruent they are “the same” and when things are “the same” you are able to prove theorems.

During the Renaissance to understand perspective drawing, two things are considered the same if they are both views of the same object. In the Renaissance the perspective, looking from a different angle, was added as a “the sameness”. Circles and ellipses became part of one class.

A “the sameness” has a lot to do with Identities and Wholes. When your view on “the sameness” changes you are able to identify a different whole. The new concept of the Perspective made is possible to “see” the Sun as a persistent object instead of an ever changing object.  

During the Renaissance the Sun became the Center of the Whole. The highly confusing worldview of the Middle Ages where something was the same when it really was the same object in reality slowly faded away. The external world became the world of the Eye, the microscope and the telescope.

Topology changed this view dramatically. In topology, any continuous change which can be continuously undone is allowed. So a circle is the same as a triangle or a square, because you just pull on parts of the circle to make corners and then straighten the sides, to change a circle into a square.

In the View of Topology the Sun is nothing but a small part of an ever expanding and contracting Universe. Topology transformed the external World of the Eye into the Internal World of Moving Water, Waves and the Emotions, the Felt Sense.  Topology is the Science that prepares the Way for the Water Bearer, Aquarius.

Topology is just like Geometry not only the science of space. It is also the science of transformation and transformation is also the essence of spirituality.

The major issue of Topology is the Contraction and Expansion of forms and again the essence of spiritual transformation is the Breath of God, the Holy Spirit. Topology has also a lot to do with Harmony or Symmetry and again Realizing Harmony is one of the major issues in Spirituality.

The interesting part of Topology is that you are able to do research on a huge scientific mathematical domain by exploring just one structure which is a representative of all the other structures.


The first object of interest are the Circle and The Line. It is not possible to transform a Circle into a Line without cutting the Cycle in one Point, Infinity.

In a circular, moving world, Infinity is non existent or every Point of the Circle corresponds with Infinity. 

This is an  interesting insight because  almost nobody doubts about the fact that the space we live is a Circular Rotating Space. In the World of the Circle  The very Small and the very Big are the Same.



According to the Physicists our Space is a much stranger Space than a Circular Space.

Our Universe is highly dimensional because the complicated symmetry of our Universe simply does not fit in a lower dimensional space.

The most symmetric object, strangely called the Monster, uses 196,884 dimensions.

We, the Humans, travel a small part of the Monster, because we are not able to see enough perspectives. A perspective is a dimension.

One of the most interesting subjects is Self-Reference. The most simple Self-Referential structure is a Circle.

Topology contains very special Self-Referencial Structures like the Moebius Ring and the Klein-Bottle. The Moebius Ring is a Space without an Outside. It is closed in Its Self. You always travel the same surface.

klein bottle

A Klein Bottle is even stranger. Its surface is Closed in Itself but it has no Inside and no Outside. It simply IS. 

A Moebius Ring exists in our 3-dimensional space.

A Klein Bottle needs 4-dimensional space. The Klein Bottle has a lot in common with a very old concept, the Ouroburos, the Snake who eats Himself. The Snake is a symbol for the Kundalini, the Force of Enlightment.

knotMore complicated topological structures are Knots and to give you a quick insight, the Universe is a Web that was never Woven, a beautiful Veil that is difficult to See when you are travelling a small part of it.

I know this small blog will not help to get an insight but I assure you that when you start to explore Topology You will encounter new Concepts (or Paradigms) that will surprise You.

Topology will  give You a still small but highly extended perspective on the Creation of the One that expanded in so many Harmonic structures.


The History of Topology

About our Limited Perspective and the Limits of Reasoning

About the Topology of Art, a Short Introduction to Bahktin

About Free Will, Time and the Monster

About the Moebius Ring and the Klein Bottle in Philosophy

About Self-Reference in Physics

About Knots in Philosophy

About the Klein Bottle

About Balfour and the End of Time.

Monday, July 21st, 2008

Gottfried Wilhelm Leibniz lived between 1646 and 1716. He was a universal scientist and made contributions to mathematics, philosophy, technology and social sciences. Leibniz did not believe Time and Space were real. Current developments in Physics prove that Leibniz was right. We are approaching the End of Time and Space.

The observation that time is a linear chain of events moving from the past to the future is wrong. Our believe-system makes a selection out of an infinite amount of (disconnected) Events.

The events are part of a very complex Framework, a Fluent Crystal, which is slightly out of balance. With every change of the Crystal new Shapes, or Configurations, are formed but the Crystal, the Structure, The Geometry, is not changed.

According to Leibniz Our world is the world which is at the same time the Simplest in hypotheses and the Richest in phenomena. There are many other possible worlds because there is an infinity of possible laws. Some of the laws are proper to one world, others proper to another. Each possible individual of a world includes the laws of its world in its notion.



The Universe of Leibniz is filled with Individual Monads (Souls) who are Observing. A Monad is pregnant with the future and laden with the past of his own World. Past and Future are folded up within the Monad.

A Monad is always in the Now. We are part of a Monad and the Monad is part of Us. We are One Mind that is fragmented by a Cosmic Accident. All the Minds contain the Sparkle of the Whole and are desperatly trying to Unite.

Leibniz does not believe in cause and effect (Time). They are a way to explain what we See. The Universe is What it Is. It contains a Pre-Established Harmony. We are a product of Our Senses and the Senses are creating a very Narrow View of the Universe. We Think the Universe is What We See and create Theories that prove that we are Right but all the Theories until now contain a fatal error.

They are proving that Time is Linear and Space is Distance. We are unable to travel Space because we are not able to exceed the limit of Light. The prove of all these theories is based on Infinite Regress and Infinite Regress is a logical mistake. Our Universe is not “Turtles on Turtles“, “Particles all the Way Down”.The Universe is a Fixed Structure and we (the Monads) are exploring this Stucture.

Every monad mirrors the Whole of the Universe in that it expresses every other monad, but no monad has a window through which it could actually receive or supply causal influences. A monad cannot be influenced, there is no way for a monad to be born or destroyed. All Monads are Eternal. They are always Watching the Others. The only thing that changes is the Way they Watch, Their Point of View. The Monads are Alone but they are also Together because Every Monad is an Expression of the Same Principle, Harmony, Beauty or Love, The Fluent Crystal, That IS.

When a Monad is Watching it is capable of having an infinite number and complexity of perceptions. We (our Brain, Our Senses) are not conscious of all these “little perceptions” (Events), as Leibniz calls them. We connect some of them, create a “stream of consciousness” and make up a convincing story. We are constantly filtering our perceptions. The Filter is our Believe System. A huge part of What we See is not Seen but Projected on the Outside World. We See what we want to See.

The main characteristic of Our Universe is Varity. We are constantly generating new Insights of the Whole. Our Universe is a Field that is creating New Exiting Combinations that are Creating New Exiting Combinations. It always Changes because we the Observers are Changing our Point of View.  Our Universe is a Creative Universe.

The independent physicist Julian Barbour used the philosophy of Leibniz to create a completely new vision on our Universe. His vision can be found in his book “the End of Time”.

In a blog I wrote about Seth. Seth is a Monad who uses channeling (an Exchange of Energy) to explain the Physical Universe. Seth shows how we are Creating our Own Reality and what we can do to create the Reality we really want. A few days ago I found Elias. Elias is also a channeling Monad. Elias uses the Concepts of Seth to explain what is Happening at this Moment.

A small citation:

You all notice a change in consciousness of your world. Even those who are unaware notice a changing shift in consciousness“.

“The action of your shift in consciousness encompasses the entirety of your globe. It is not limited to any group, any family, any selectivity of consciousness within this dimension. It is all-encompassing”.

You have chosen, within this dimension, a new experience in creativity. You have chosen, within what you term to be your history, certain actions and experiences for long time periods, in your terms. These have been purposeful for those experiences. You presently move away from your religious era, which has continued for quite some physical time period, into a new awareness in consciousness, to allow you an expanded creativity and allow you to utilize your abilities of essence within physical focus. You are expanding your reality to encompass more of essence and more of your own creative abilities

What Elias is explaining is what Leibniz (and Balbour) are explaining but he explains Much More. He explains Why we are moving into what the Old Scientists called The Golden Age. We are moving into the Golden Age because we are bored by the Way we are looking at the Fluent Crystal.

We have explored every part we are able to See. We are blocked by all the Hierarchical Systems (Religion, Science, Politics, Banking) that are not based on a Solid Foundation. The Foundation of the World is not based on Hierarchy but on Relationship. We want something New. Something that gives US, the Monad of this Possible Universe, the Opportunity to Explore and use OUR Creativity.

The Golden Age will be a time when the Financial System of the Earth will collapse, War, Aging and Sickness will disappear and traveling Time/Space will become possible. The Doors of Perception will open wide and many new parts of the Beautiful Crystal will become visible. The most important potential of the Golden Age will be Unlimited Creativity.

The huge change in Focus on a completely New Part of the Crystal Field will destroy all our current Believe-Systems. This will create an enormous amount of Chaos and Trauma but in the end we will live in something we now would consider Paradise.


An Interview with Julian Barbour about the End of Time

An Article of Julian Barbour about the Philosophy of Leibniz

The Philosophy of Leibniz

About the Shift that is happening at this moment, The Website contains all the material of Elias


How to Cure Diseases with the Power of the Mind

Tuesday, June 24th, 2008

Our universe contains an unseen fifth force called the Aether. Aether is the carrier of something that was called the Force of Live in old Civilizations. The concept of the Aether was part of Science until Albert Einstein introduced the General Relativity Theory. At that time the Aether was abandoned and Space became Empty.

In reality Space contains something that could be used to cure diseases and to generate an unlimited amount of Energy. The consequences of the new and old theory of the Aether are violating almost everything we believe in Western Society.

Albert Einstein and Niels Bohr (Quantum Mechanics) have been in conflict all their lifes. Bohr believed in Statistics and Coincedence. Einstein believed in Fundamental Laws and Geometry (“God is Geometer”, “God is not throwing dice“).

Einstein was a Jew and although he was not religious deep in his hart he believed in a Creating Power. Bohr was more inclined to the Chinese Philosophy of the Tao. Niels Bohr adopted the the yin-yang symbol as his family coat of arms after a trip to China in the 1930s as he felt it symbolized the concept of wave-particle complementarity.

Until now scientists are looking for the unifying Theory of Everything. One of the most interesting candidates is String Theory. Behind String Theory is the Beta Function representing a multidimensional string.

The String is producing the Music of the Spheres (Pythagoras, Egypt). Behind every Theory of Physics we can find an old Religious System.

The man and woman in the street are incapable of understanding their physical environment. All they know is that Science has proved that the Universe was created by a Big Bang. They have found a completely Mechanical Explanation of the Universe. The Scientists are trying to prove that we don’t need a Self Aware Consciousness to explain our Reality.

Everybody is Religious in some way. The main reason is that we all are going to die and almost nobody believes everything ends at that moment. Many people have experienced religious moments and they are looking for an explanation.

At this moment Science is destroying Religion but Science is also proving many things the Religions of the World were explaining a long time ago. It looks like there is a Shared Religion behind all the Religions of the World.

They centainly share the belief in a Self Aware Consciousness that created Every Thing. There are many Scientists (like Capra, The Tao of Physics) who are trying to unite Science and one of the Religions of the World. Their number is growing.

We are in a stage of the Cycle where Religion is becoming more important to many people. We have to find a Union between Science and Religion and the Union is really not difficult to find. If we don’t find a Union the man and woman in the street will be without a long term perspective. They will be litterrally lost in (empty) space.

The old Aether Theory suggested a very simple model of the Universe. Every Force is a Stage of the Aether and the Aether operates on many Levels.

The Universe started with a Consciousness that was Aware of itself. The Self-Aware Consciousness unfolded itself at lower levels. At every Level the same structure is visible. The Universe is a self-referential system, a Fractal. We are One and we are Different.

Experiments in Physics have shown a huge influence of the Observer of the Experiment. In the Medical Field this is called the Placebo Effect. The Consciousness of the Human has a strange influence on his physical environment including his material Body.

If the Universe is a Self-Reference it is not strange to believe that a Consciousness is involved on Every Level. It also implies that our Cells (a lower part of the unfolding) are Conscious.

Science has very big problems with the Role of the Conscioussness in the Universe. The Idea of something that could be called God is frightening because in the Western Culture God is a Strict Father. He is punishing his children when they are not obeying his Laws. We are Sinners. The idea of a Nurturing Mother taking care of her children has completely disappeared.

The believe that Everything in the Universe is conscious has many more implications. When we eat, Somebody has killed Something that has a lot in common with Us. We don’t want to become aware of this fact because when this is true we are bothered by our Empathy. We don’t want to be responsible for killing something that Looks like Us.

Soldiers are killing Human Beings but they are doing this because The Enemy is Bad and we are the Good Ones. We always find a very intelligent explanation to get rid of the thought that we are doing something the Strict Father called God is forbidding. We are not responsible. They are! But sadly enough the Strict Father is aware of everything. There is no place to hide.

The only thing we can do is to deny the Strict Father. We are not religious and we are able to explain everything without the need of a Strict Father. Science is helping us to Blind the Strict Father. Science is doing this to create a highly complex system, a Veil no one can penetrate.

Our Bodies are Chemical Factories and Electro-Magnetic Structures (Fields). They are also influenced by our Consciousness and the Consciousness of Others on Our Level and on a Higher Level.

At this moment we ignore the Field and the Mind completely. We are also ignoring the Force that is Aware of itself. We don’t believe in her Love and Care. We want to solve our own problems and we are capable of doing this because the Intelligent People that are Scientists just need a little more time and money.

Plasma Cosmology shows the big influence of the Electro-Magnetic Field in the Universe. Epigenetics shows the influence of the Mind and The Field on our Body. Our Believe Systems are managing our Body.

Electro-Magnetic Therapy (or Energy Therapy or Radionics or Orgone Therapy or Psionics or..) is according to the current state of Medical Science a fraud. It has a positive influence on some of the patients and it fails with many others.

If you look at the influence of the Mind on the Body and you know that many sick people are convinced they are sick and can only be cured by an intervention in the Chemical Factory of the Body you can easily understand why this is happening. They really don’t believe the Field is able to cure and what they believe will happen.

We are proving what we don’t want to prove and we don’t want to believe what we are proving because when we become aware of the impact of the prove our believe system falls apart.

We don’t want to believe that we are able to cure ourselves because we want to feel alone in the Universe. We are left alone by our Strict Father who promised so much and nothing came through of his promises. We really don’t like Him at all.

We are desperately looking for our Nurturing Mother who was unable to do what she wanted to do. She was restricted by her Strict Husband.

Our Nurturing Mother, the Force of Life, The Aether, is everywhere available but we are making so much noise that we don’t hear her voice.

She is able to cure and to give unlimited energy but we really don’t want that.

We want to be the Victims of The Strict Father.

We want to keep on suffering because suffering really feels good because it feels bad.

We love to punish ourselves so we can believe that the Strict Father is doing this to punish us for the Sins we are really committing.

We are very strange organisms.


About Epigenetics and Cancer

About Epigenetics and the effect of Electro-Magnetic Fields on the Body

About Epigenetics and Aging