## Posts Tagged ‘Arthur’

Monday, December 29th, 2008

The Computer of Fowler

The first fully programmable computer was Designed by Charles Babbage in 1837. Babbage failed to get enough money to Build his Analytical Engine. It was never build.

The failure of Charles Babbage delayed the creation of the current computer for about a 100 years.

Nobody knows that Thomas Fowler Designed and Implemented a completely different and simple wooden computer in 1840. The big difference between Babbage and Fowler was the Number System. Babbage used Base 10. Fowler used the Balanced Ternary Number System.

The balanced ternary number system is created by balancing Ternary (Base 3) Numbers around the Centre of the Number Line, 0. A balanced ternary number is a combination of negative and positive ternary numbers.

The balanced ternary number system is a very special Number System because all the basic mathematical operations, addition, subtracting, multiplication and division are accomplished by the application of very simple operations based on very special symmetries.

Symmetries are the foundation of Simplicity, Beauty and Elegance. The Engine of Fowler was a very simple and beautiful machine made out of wood.

In 1958 a Ternary Computer, the Setun, was build at the Moscow State University. It was never used.

When you want to represent a number you can start with base 1. The number 13 is represented by thirteen “1′s, “1111111111111″.

Of course you are free to use other symbols to represent the number “1″. When you want to represent 13 goats you could use 13 goat-like symbols. When you want to represent many goats the sequence of goat-like symbols becomes very long.

The next step is to group the goat-like numbers. You could group them in binary groups (11 11 11 11 11 11 1), ternary groups (111 111 111 111 1) or in every other group you want.

In every case you have to assign new symbols like “1″ → “-”, “11″→ “=” and “111″ → “≡”. The number 13 becomes “≡ ≡ ≡ ≡ -”.

When you have defined a grouping method you can repeat this method. The only thing you need is a new symbol “x” to represent repetition, a symbol that represents addition “+”, a rule how to read the sequence (left to right, right to left) and symbols (“(,”)”) that show what has to be combined. ≡ x (≡) + ≡ + – now means 3X3 + 3 + 1 = 13 (and not 3x(3+1 +1) = 21).

If you want to use a high base number you need many symbols to represent the numbers of the group. If you use a low base number you need many symbols to represent the repetition. An obvious strategy is to minimize the product of these two quantities. The result of this calculation is the number 3 (or better the number e)!

The number 3 is the most efficient way to represent numbers. There is much more to say about the properties of the number 3. One of these properties can be used in Databases and Storage systems.

A Balanced Ternary Storage system can be easily expanded because you can always add a new entrance in the middle. The Balanced Ternary Storage System (represented by the Arabic Mystical Lote Tree) is one of the simplest and efficient storing methods of data.

What is the reason behind this Blog?

The Universe is a highly complicated Knot

I am writing this blog because I have spent a lot of time to research the Scientific and Spiritual Trinity. The mathematical and the spiritual theory about the Trinity have a lot in common.

The Trinity or the Ternary Number System is the most efficient, most effective and most beautiful (in terms of symmetries) way to Represent, Calculate and Store Numbers. The Trinity is therefore the most effective Way to Represent the Fractal Expansion of the Dynamic Whole.

What happened?

The beginning of the Universe is a transformation of the Void (Ø) into the Nothing (0).

In the next step,  the Egg of the 0 became the One (1) that splitted into the Duality (2) to become Aware of Itself.

In this case the first sequence of creation becomes Ø,0,1,2.

When we rewrite this sentence in balanced ternary language we read something else. In this case the beginning of the Universe is an expansion of the Void (0) into a negative (-1) and a positive part (1). The first sequence of creation becomes Ø (zero members of the set), (-1,0,1)(3 members of the set).

In the ternary balanced language the next expansion of the Universe is created by expanding the negative and positive part of the Universe in the Middle. A new expansion is created by adding the same structure in the Middle of the Middle of the Middle.

 1 Ø 2 -1 0 1 -1 0 1 -1 0 1 3 -2 -1 -0 0 +0 1 2

This expansion moves on until the system has replicated itself. At that time the expansion moves faster and faster and faster. The Self-Referencing System of the Universe, the “Divine Fractal“, is unfolding itself at an ever increasing (logaritmic) speed in a spiraling spiral pattern creating many more (negative and positive) Numbers.

At a certain point the Negative and Positive numbers are Voided in the Zero and the Universe starts to expand again.

The unfolding creates many universes and one of these Universes is our own Universe. All the time the center, the 0, the Void, stayed at the middle.

At this moment the lowest level, our level, is almost finished and a new Evolution, a Jump to a new Level, has to start. This Jump will be a Jump out of the middle, the Heart Chakra.

Is this Explanation too Simple?

This explanation is much too simple because the whole creation process is now projected into one dimension, a Line,  and we are looking at the third step of the Fourty-Two (3×13 +4) Steps that have happened until now.

The basic structure of the Material Universe, the World Clock of Wolfgang Pauli, carried by the Demiurg, The Trickster.

Every split of the universe creates a new dimension. The splitted parts of the Universe, the balanced ternary trees, are Rotating Structures that contain Rotating Structures.

They look like the image of the rotating World Clock of Wolfgang Pauli that is carried by the Raven (the Trickster, the Demiurg), the Four Beasts in the Vision of Ezekiel and the Sri Yantra.

The other complication is that the Universe is creating its own Space and is therefore closed in itself. There is no Outside of the Universe. We are not living Inside an expanding Balloon but are travelling the Inside Surface.

When the Universe has expanded for a very long time the many dimensions are still there but they show themselves in very complicated Topological Structures like (Celtic) Knots, connected Moebius Rings, the Symbol of Infinity and the Klein Bottle, the Basic Structure behind Alchemy.

It is simply impossible to show and understand the current complexity. The only thing that is very helpful is to realize that the structure behind  the Universe is a Fractal.

The Balanced Ternary Tree of 43.

This means that that at every level the same structure repeats itself. When you know everything there is to know about One Level you know every thing there is to know about Every Level.

If You understand the Human Being, You understand the Universe.  This principle was called by the Ancient Scientists, “So Above, So Below” and “As Within, So Without”.

The Balanced Ternary Number System or the Trinity that contains the Trinity can be used to explain Your Self.

It can be used to explain the “strange” behavior of the Brain Trinity, a combination of a Whole, the Body, A Left and a Right Brain. The “Trinity Pattern” repeats itself in every part of your body.

The pattern of Seven (The Trinity in the Trinity) shows itself as the Seven Chakra’s. The next step, the Thirteen (3×4 +1 = 13),  shows itself in the Twelve Signs of the Zodiac (+ the Center, the Pole Star), the Twelve Apostles (+ Jesus) and the Twelve Knight of Arthur (+Arthur).

The Expansion of this pattern on a much deeper level also generates the  Acupuncture Points (Nadi’s) in Your Body.

Why is Science not Aware of this?

The main reason can be found in the story of Thomas Fowler. He invented a Very Simple computer system but he was beaten by the Complicated system of Charles Babbage.

Babbage used the 10 base to define his Engine and he needed lots of money to create this very complicated system. He never finished his analytical engine but many years later IBM almost copied his design when they developed the IBM 360. They were, like Microsoft, experts in Marketing. They sold what the Customer wanted to buy and never took time to think about the Essence.

The Klein Bottle, The Universe Closed in Itself, the Basic Structure behind Alchemy.

Thomas Fowler was a very simple man. He tried to do his best and was never aware of the power structures that controlled science and the market at that time. He wanted to help people but helping people is the stupidest thing you can do in a capitalistic system.

When an infrastructure is chosen it is almost impossible to change the infrastructure because everything that is build on top of this infrastructure becomes obsolete when the foundation is wrong. We will never be able to introduce a ternary computer infrastructure unless something happens that breaks the upper layer. Some people think this time is near.

Simplicity, Elegance, Beauty and Efficiency are not the main object of Capitalism. The main object of Capitalism is Making Profit.

What is the best Way to acquire Scientific Knowledge?

Thomas Fowler was not educated in the science of his time. He just invented the mathematics he needed. When he was educated in the science of his time he could have invented the same machine but it is much more plausible that he would have invented another Analytical Engine.

Thomas Fowler used his own judgment and his own talent to create something he thought was useful to support his own banking system (he also created a Bank!).

The Balanced Ternary Database of the Universe was called the Akasha. According to the Ancient Scientists of India every memory of the past and the future is stored in the Universe. They believed we are part of a Super Mind and this Mind knows everything that has happened or will happen.

The Vortex, a Painting of Walter Russell

Some people are suddenly connected to this Super Mind. They are Enlightened and find a solution for a very complicated problem in a Dream or a Trance State.

One of the most important scientists of our time, Wolfgang Pauli, found everything he wanted to know in the Akasha. There are many others like Walter Russell (The Secret of Light) and Malcolm McEwen (The Lesson of the Light).

Strangely enough all of them receive or have received the same information.

What is going to happen?

The expansion of our Universe is getting into a critical state. This state is visible in all the fractal levels of our Universe.

It is visible in the Weather System, The Ecological System, The Economic System and the Cultural System. All of them are changing.

It is also visible in many Human Beings who experience the intervention of the Super-Mind in their Lives.

The big transformation must be visible in the Seven, until now not-connected universes. The other universes are currently shielded behind a Veil but this veil is slowly lifting. The movement of the Veil could explain the huge increase of Strange Encounters with Extraterrestials.

Our universe has been expanding and but very soon it will or may appear to stop. Our Universe may even begin to appear to shrink but it is not because it is reversing, heading towards some kind of big crunch but because it is folding, connecting to Itself, the Super Mind.

In the first stages of the Universe the Light was created but now we are entering a new phase where the consciousness of the Super Mind, is opening up to all the inhabitants of all the Seven Universes.

The opening of the Super Mind to all the Souls of the Universe has been named with many names in many religions all over the World (Ascension, the Golden Age, Point Omega, The Last Judgment, the Fifth World, The End of Time).

It is not clear what the connection with the Super Mind will accomplish. Many inspired scientists and prophets have tried to describe and explain this state.

One thing is sure it will be very different from the current situation where we are all isolated souls existing in many disconnected time-lines in many disconnected universes.

Why the number e is the best base for a modular system

Many Properties of Ternary Numbers

Many Properties of the Balance Ternary Number

Why the Balanced Ternary Numbers are Special

A Visualization of the Trinity Pattern with the Platonic Solids

The 4 Videos of Malcolm McEwen below contain a Visualization of the Trinity Pattern

McEwen, Video, The Lesson of the Light, Nr 1

McEwen, The Lesson of the Light, Video, Nr 2

McEwen, The Lesson of the Light, Video, Nr 3

About Plato and the New Harmony

About the Expansion of the Whole

How to Divide the Whole

About the Hermetic Principle (“As Above, So Below”).

About the Book of Triangels of St. Germain

Tuesday, October 14th, 2008

The Ancient Greek in the person of the famous philosopher Aristotle viewed Women as Imperfect Men. Women were inferior in Strength and the Powers of the Mind. Last but not least women were Without Soul.

Therefore Women had to submit to the Rule of the Male Sex. The views of Aristotle became the basis of Western Science and were codified in the teachings of the Catholic Church.

To stop the destructive effect of female dominance the old myths were rewritten. The Positive qualities of Female Deities were simply transformed into a Negative quality.

The Female Goddess became a wicked, old female, a Witch or a Whore. She became a stealer of children and a seductress of men. She was so frightful that humans turned into Stone when they saw here.

The Wicked Witch and the Whore has many names. Examples are Lilith, Istahar, Isis, Hekate, Astarte, Medusa, Morgan Le Fay and of course the White Virgin Mary and Mary Magdelena, the Black Madonna also known as Isis or Ishtar (the Planet Venus).

One of the Oldest Version of the Destructive Wicked Whore is Lilith. Lilith first appears around 3000 B.C.E. as a class of spirits, the Lilitu or the Ardat Lili. The lilitu are associated with the owl, the eagle, the lion, water, violent sand storms (the South Wind), disease and the destructive powers of nature. The Ardat Lili, winged night spirits, female vampires, seduce men at night and steal their sperm to create demonic children.

The destructive South Wind was known as Ninlil (Nin Lil = Lady Wind) she was the wife of Enlil (En Lil= Lord Wind). Enlil is the sun of An(u) and Ki and holds possession of the Tablets of Destiny which gives him the power over the entire cosmos and the affairs of man.

He is sometimes friendly towards mankind, but can also be a stern and even cruel god who punishes man and sends forth disasters, such as the great Flood which wiped out humanity with the exception of Atrahasis (Noah). Enlil is portrayed wearing a Crown with Horns (the Devil), symbol of his power. When Enlil rapes Ninlil he has to leave Heaven and is send by Anu to the Underworld (Earth). Ninlil follows him to take revenge.

Enlil and Ninlil are the Babylonian origin of Adam and Eve and their banishment out of Heaven is comparative to Adam and Eve’s banishment from the Garden of Eden.

Eve is very different from Lilith. Lilith is a magically beautiful woman. She shares paradise with Adam. She is a female made by God in a manner similar to how the Lord made the first male.

After leaving both the first male and paradise she is replaced by a less independent and less equal Eve, a woman not made from the Earth but from a rib of the man Adam. Lilith is mentioned in the Death Sea Rolls, the Zohar and the Talmud.

If we look at the “original” story of Adam and Eve we can see that Eve (Lilith) had a good reason to leave the “first male”, Enlil. He raped her. Later we will see that Enlil (with different names) is playing the same game all the time.

Ishtar is the goddess of fertility, love, war and the planet Venus. Ishtar is like Lilith (and Isis) associated with sexuality and sexual mystic rituals (Invoking the Kundalini).The Kundalini (“The Serpent Power”) is a spiral pattern in the body. It connects the main energy-points (chakra’s).

When the energy points are connected to Mother Earth (Gaya, Sophia), spiritual awakening starts. The Kundalini is normally symbolized as a serpent coiled into three and a half circles, with its tail in its mouth, and spiraling around the central axis at the base of the spine.

In the Gnostic version of the Fall from Paradise, there is no sin on the part of our ancestral parents. The Serpent in Eden is Kundalini, a sublime ally to humanity, not a tempter.

In these texts, the Serpent Power is called “the instructor.” Eve (Lilith), the ancestral representative of the human species, acquires from the Serpent all the secret knowledge of the Mysteries.

One of the most famous myths about Ishtar describes her descent to the underworld. After Ishtar descends to the underworld, all sexual activity ceases on earth. She is begged to come back. She can only return from the underworld if she sends someone back in her place.

Each time when she runs into someone, she finds him to be a friend and lets him go free. When she finally reaches her home, she finds her husband (Enlil, Adam) seated on his throne, not mourning her at all. In anger, Ishtar has the demons take her husband back to the underworld as her replacement. When this happens sexual activity starts again.

You have to understand that Enlil lived in Heaven (or Paradise) and the Underworld is the next level below Paradise. This level is called Earth. So Ishtar (Lilith) sends her “husband”, The Devil, back to Earth.

The little stories in this blog are part of a much bigger story called the Gilgamesh Epos. This story is used by many comtemporary scientists to prove that Earth was visited by members of an old Civilization (The Anunaki, The Archons, The Serpents) that was situated in the Constellation Sirius.

The Annunaki engineered the Humans (called the Lu-lu) to work for them. They also interbred with their own creation (Demi-Gods). If this story is true Paradise could be Sirius.

Medusa means “sovereign female wisdom,” in Sanskrit Medha, Greek Metis, Egyptian Met or Ma’at . In Egypt she was the Goddess of Justice. Medusa/Ma’at destroys and purifies in order to recreate Balance.

In ancient history Medusa was symbolized by a female figure positioned in holy postures with the presence of animals, primarily birds and snakes whom she is intimately connected with. Medusas symbol of female wisdom is her ceremonial mask.

It has wide unblinking eyes that reflect her immense wisdom. The mask was used to guard and protect women and the secret knowledge of the Divine Feminine. It was erected in stone, corresponding to her look of stone, on caves and gateways at sacred sites dedicated to the Goddess.

The myths about the Female Goddesses are a very complicated mix of deliberated distortion by the “female haters” (Anunnaki, Archons), historical accounts, hermetic (secret, encryped) knowledge and fantasy. One thing is for sure, everybody wanted to hide the Power of and the Knowlegde about the Feminine Energy, the Kundalini.

If we look more closely we are able to detect Four Perspectives on the Female Goddess. Three of them are related to the Female Stages of Life, Maiden, Mother, and Crone (Grandmother). These stages are United in one Concept, the Triple Goddess, the Female Trinity.

The Triple Goddess, the Unity of the three stages of the Female is the Dark Goddess called Medusa or Kali. She is associated with Total Chaos and Rebirth, the Unconsciousness, Horror, Terror, Evil, the Dark Moon, Winter, Night, Darkness and Death itself. She is the Regent of the Underworld, seen in those times as a place where souls went to rest between incarnations, before coming back to the earthly plane.

The Ancient Underworld is now called Heaven. The Regent of the Underworld and Heaven is the Triple Goddess Itself, The Whole, the Creator, The One, The Goddess who has no Name, the Unknown. The three parts of the Triple Goddess Unite in Her. She is Three and One which makes Four.

The Maiden (The Fool, Seductress, Spring, Birth, Waxing Moon) represents enchantment, innocence, lack of worries, the joy of living, inception, youth, discovery and excitement.

The Mother (Warrior, The High Priestess, Dove, Dolphin, Summer, Life, Full Moon) represents ripeness, fertility, fulfilment, stability, and power.

The Grandmother (Autumn, Death (Old Age), Fate, Waning moon) represents wisdom, repose, and compassion.

The Concept of the Triple Goddess is probably of Celtic Origin. The Celts believed that all important things come in three phases. The Triple Goddess is represented by the triple spiral or triskele.

This symbol is found in the Newgrange site from the Bronze Age (3300 BC) in Ireland. The Triple Spiral has a lot in common with the triple spiral of the “Serpent Power”. With this Power the “Feminine Energy” (The Kundalini) is awakened.

The Triple Goddess in Celtic Mythology is represented by the Morrigan (Death), Cerridwen (Grandmother), Dana/Danu/Anu (Mother) and Brigid (Maiden).

The Morrigan (“Great Queen”, “Phantom Queen,”) appears as a beautiful woman, a crow, a raven or a wolf. She is associated with fate, war, strife and death. In one of the many stories Morrigan appears to the hero Cu Chulainn and offers him her love.

When he fails to recognize her and rejects her, she tells him that she will hinder him when he is in battle. When Cu Chulainn is eventually killed, she transforms in a crow and sits on his shoulder. The Morrigan in the person of Morgan Le Fay plays an important role in the Legends of King Arthur.

Cerridwen is the keeper of the Magic Cauldron. She is the mother of very ugly son, Afagdu. To give her sun the ultimate insight she uses a magical formula, known as the “greal”.

For a year and a day, she keeps six herbs simmering in her magical cauldron, known as “Amen”, under the constant care of a boy named Gwion. One day a few drops of the bubbling liquid spatter on his hand.

Unthinkingly Gwion, sucks his burned hand, and, suddenly, he is able to hear everything in the world, and understands all the secrets of the past and future. He runs away, but Cerridwen pursues him.

After a long chase she eats him and, nine months later, gives birth to an infant son, whom she, in disgust, throws into the water of a rushing stream. He is rescued by a Prince, and becomes the great Celtic bard, Taliesin.

This is a special version of a very old story where a Child is Born without the intervention of a Male. The origins of this story go back to the time of Zoroaster and the Magi.

The Magi are called the Druids in the Celtic Mythology. The Magic Caudron is the symbol of Life (something is Cooking) and the Magical Formula is of course the Grale. The Grale stands for the Heart. If You live out of the Heart a New Child (“The Inner Child”) will be born. This Inner Child is highly creative (a Bard) which relates it to the Holy Spirit also the symbol of (Divine) Creativity. When the Inner Child is born you will understand the secrets of past and future. You will be able to read the Tablets of Destiny of Enlil.

The Mother Goddess is represented by Danu, Don or Anu. The Name Dana means Wisdom or Teacher. She is the mother of the Tuatha De Danann, the Faery-People. Anu was the Father of Isthar.

The original territory of the Celts is close to the sources of the Danube. The Greeks referred to Danube as Ister. The link between the river Danube and Celtic culture is particularly intimate and the sacredness of rivers and lakes as an expression of the sacredness of life and death was built into the whole structure of Celtic culture.

The Maiden Goddess is named Brigid but has many other names like Bloudewedd, Blodewedd, Blodwin, and Blancheflor. Her name means flowerface or White Lily. The White Lily represents the Innocent White Soul. In the old story of Blancheflor and Flor, Flor, the Red Rose, symbolises  the Red Impulse of the Passions of the Ego to become Self-conscious.

Besides a Female Trinity Celtic Mythology also contains a Male Trinity (the Dagda (“The Good God”, Lugh (“Light”) and Herne (the handsome and playful young Satyr)).

It is now possible to map the much older Female Trinity back unto the Christian Male Trinity. If we do this it is easy to see that the Holy Spirit is the Feminine Energy, the Force of Creativity, Inspiration and Joy, the Maiden. The Father must be the Grandfather (“The Good God“). He (or She) restores the Balance and creates Harmony. This leaves us with the Sun as the Father (“The Light“).

The Druids believed in three worlds and in transmigration from one to the other: in a world above this one, in which happiness predominated; a world below, of misery; and this present state in which good and evil are so exactly balanced that man has the utmost freedom and is able to choose or reject either.

In This World we have to Unite into the Soul the Properties of All Beings, to Acquire a Knowledge of All Things, to get the Power to Conquer all Evil and to Face the Face behind the Mask of Death. To accomplish this we need the Open Mind of the Maiden, the Power of the Mother and the Wisdom of the Grandmother. In every step we take on Our Path from Birth to Death we will acquire more Light to See what is Wrong and what is Right until we Accept the Love of The Great Mother who is Three and One.

I end this blog with a poem of the Sufi mystic Ibn Arabi (1165-1240) about the Triple Goddess:

I follow the religion of Love,

Now I am sometimes called

A Shepherd of gazelles

And now a Christian monk,

And now a Persian sage.

My beloved is three-

Three yet only one;

Many things appear as three,

Which are no more than one.

Give Her no name,

As if to limit one

At sight of Whom

All limitation is confounded.

About the Life of Ibn Arabi

About the Gnostic Teachings and Kundalini

About the Divine Feminine in Sufism

Wednesday, May 7th, 2008

In every civilization there is a reference to the Seven (visible) Stars of The Pleiades.

The Seven Stars are connected with  the Female Principle, the Symbol of Peace and Love, The Heart, The Center of the Galaxy and the Precession of the Equinox.

The Pleiades are also related to water and the start of the rainy season, a theme associated with them around the world. Water is the essential of Aquirius (The Water Bearer). We are entering this Constellation.

The Pleiades are an important reference point in Calenders. The famous Mayan Calender the Tzolkin was based on the cycle of the Pleiades. The Pleiades were seen as the tail of a rattlesnake called, Tz’ab (the Milky Way).

The Mayas and other Civilizations are highly interested in a very special conjunction of the Cross of the Zodiac and the Center of our Creation, the Pleiades. They believed like many other ancient Civilizations that the Humans originated from the Pleiades.

The main cycle of the Pleiades was the Cycle of the Precession of the Equinoxes. The Pleiades were also associated with a 52 year cycle (The Kondratiev Cycle).

The Mayas believed that the world would end by a Flood at the end of a 52-year cycle in the beginning of November (All Saints Day). When this moment was passed they started the Fire Ceremoney.

On this evening, priests and a warrior chosen by the King began their 20 kilometer procession to the Hill of the Star. At the proper moment of alignment in the heavens, wood bundles representing the past 52 year cycle were lit, the heart sacrifice of the warrior was enacted and the new fire built on his chest.

Watching from afar, the citizens also cut and bled themselves and celebrated as the fire was brought back to the Great Temple. Priests and emissaries from outlying towns came to fetch the fire to bring back to their people, so that all could share in the marking of the time.

The Mayans and the Aztecs knew the world was already destroyed and re-created Four Times in the past and waited for the Fifth destruction.

The Heart, Fire and Blood are the Symbols of the Holy Spirit and the Resurrection.

The Temple of Hathor in the ancient city of Denderah was dedicated to the goddess of Love and the stars of Hathor: the Pleiades.

A star clock in the Temple celebrates the Pleiades, marking the greater center on which our solar system revolves, taking 25,827.5 years to complete one cycle.

In Egypt, in the year 2170 BC, on the first day of spring, at precisely midnight. the Pleiades were visible through the south passageway of The Great pyramid. Cheops contains fascinating mathematical correlations to the Pleiades including, the seven mystical chambers.

The Seven visible stars of the Pleiades have been referred to by many names, such as the Seven Sisters, Krittika, Kimah, Flock of Doves, Hens, Virgins of Spring, Sailor’s Stars and the seven Atlantic Sisters. The Seven Sisters are Alcyone (Queen who wards off evil), Asterope(Twinkling), Electra (Flowing), Maia (Grandmother), Merope (Bee-Eater), Taygeta (Long-necked) and Celaeno (Swarthy). Their father was Atlas, The Axis Mundi, The World Pole.

The Dove is the symbol of Sufism and other Gnostic Believe Systems. The Dove was also the symbol of early Christianity until it was taken over by the Cult of Mitrash (The Male Principle). The Dove is the Holy Spirit or the Shekinah in Hebrew. In India the Pleiades are related to Agni (The Holy Fire) and another magical bird, The Peacock, the Egyptian Benu Bird. The Benu Bird was the Bird of the Egg of Creation of a new Universe.

In the Bible the Pleiades are called the Seven Stars. They are mentioned Seven Times in the Old and the New Testament. In Hebrew the Pleiades are called Kimah which means Tablet, or Cup. The Sumerian name for the Pleiades is dimmena, which means Foundation or Faithful.

The Pleiades represent the Spirits of Seven Churches in Asia Minor, which existed when John wrote the Revelation. Interesting enough the pattern of the Seven Churches looks like the pattern of the Pleiades. The map of the Pleiades is painted in the first Churches of Christ.

The Pleaiades are also associated with the Seven Golden Lampstands. The original Jewish Lampstand, the Menorah, contains 7 branches.

The number 7 (-3,-2,-1, 0, 1,2,3) is the symbol of the Trinity that voids itself in the Center, The Foundation. 7X7=49 means 13 (=4, The Four Forces) in the counting system of the Bible that is based on 9.

Amos 5:8 is the key. It associates the Pleiades with the resurrection (turning the shadow of death into the morning). Orion is associated with the darkness (occultism) that darkens even the day. The last player in the Biblical Story of the Pleiades is the Bear. As we will see later the Bear is the Symbol of Control.

The Pleiades are now part of the constellation of the Bull. The Bull contains the Orion-System which is called Kesil, the Fool, In Hebrew. It is said that once the constellation may have referred to the Messiah, but that Nimrod (Orion, The Hunter, The Trickster, The Fool) took it to himself.

Nimrod, King Menes, created his own Religion after the Great Flood. In this Religion the God of Love was replaced by the God of Revenge.

It seems that the Pleiades are the Center of the Influence of Peace, Compassion, Love and Water. This influence was removed by a Fool who moved the Constellation of the Pleiades into the Bull.

Mitrash was the fighter of the Bull. He was related to the Sun and later to the Archangel Michael. The Cult of Mitrash took over Eearly Christianity. All the Symbols and procedures of Mitrash can be found in the Symbols and Procedures of the Church of Rome.

Mitrash was the Cult of the Soldiers of the Roman Empire. Its history goes back to the time of Zoroaster (Persia). Mitrash was the Governor of the Cycle of the Sun.

The theme of the Fool shows itself in many civilizations. In a myth of the Maori one of the Seven Sisters was raped by the fool Kidili. In the Myths of the Greek the same story is told.

One day the Great Hunter Orion saw one of the Pleiades (Merope) as they walked through the countryside. He pursued here for Seven Years, until Zeus (Anu) answered her prayers for delivery. He transformed Merope and her Sisters into Doves and placed them among the Stars. Later on, when Zeus killed Orion, he was placed in the Underworld.

Merope married a mortal man, Sisyphus, and hid her face in shame at being the only one not married to a god and from shame at the deed; she alone of the sisters hides herself in the sky (the star does not shine). Sisyphus founded the city of Ephyre (Corinth).

Merope (also called Melissa) is a Bee-Eater and is most likely to have been a little She-Bear, a representative of Artemis. The goddess was pictured primitively with a she-bear’s head herself, and the bear remained sacred to Artemis into classical times. At a festival called the Brauronia, pre-pubescent girls were dressed in honey-colored yellow robes and taught to perform a bear dance. Once they had briefly served Artemis in this way, they would be ready to be married.

Merope is a Young Female Bear (a Virgin) who is raped by the Big Bear. The Big Bear and the Little Bear relate to two Starsystems Ursa Major (The Big Dipper) and Ursa Minor (The Little Dipper).

The Little Dipper contains The Pole Star. The Pole Star was the “Old” center of the Galaxy until the scientists of the old civilizations discovered the Precession Cycle. At that time the Sun Cycle and the Cycle of the Axis Mundi were balanced.

In early Greek mythology, the seven stars of the Little Dipper were considered to be the Hesperides, also daughters of Atlas. They were Nymphs who were protecting the Seven Apples in Paradise. Someday a Fool (Heracles) stole the Apples and the World got into big trouble because Atlas could not hold it anymore.

The Old Center of the Universe, the Pole Star, was Moved into the Bull by a Fool.

The central star of the System is called Alcyone. Many ancient traditions state that Alcyone was the Central Spiritual Sun, the Mother Sun that emits creative Light, that which births great teachers of Light into the world.

The early Arabs called her Al Jauz, the Walnut; Al Jauzah or Al Wasat, the Central One; and Al Na’ir, the Bright One; In Babylonia she was called Temennu, the Foundation Stone. The Mayas call her the Goddess. She is related with Compassion and the Womb (Rebirth).

Alcyone was a Greek goddess who was changed into a kingfisher by the gods after she threw herself into the sea upon finding the body of her drowned husband Ceyx washed up on the shore. Ceyx was also transformed into a kingfisher.

Cherokee myth describes the kingfisher as a wannabe water bird without webbed feet or a good fishing bill; the animals held a council and decided to give the bird a long sharp spear with which to fish. They fastened the spear onto the front of the bird’s mouth, and the kingfisher used it to dive from the trees and catch fish, becoming the best fisher of all.

A myth from the Andaman Islands off the coast of Thailand has the kingfisher stealing Fire (The Holy Ghost) from the gods and bringing it to the people.

Another legend claims the kingfisher was the second bird Noah sent to scout for land (the first was a dove), but she flew too high and scorched her breast, thus accounting for her blue back and rust-colored breast feathers.

Noah, exhibiting his wrath in the grand tradition of his Old Testament god, punishes her by making her catch her food from the water: thus the bird’s beauty and skill become a bad thing. Note that in this particular legend the bird is specifically female: kingfisher males do not have rust-colored breast feathers.

In Arthurian myth, the Holy Grail is held in a remote castle by a custodian known as the Fisher King. The Fisher King is wounded through the groin. He cannot be healed until the Grail (the Cup, The Pleiades) is brought back into the world.

The Symbol of the Bear returns into the figure of King Arthur (the Bear) and his Twelve Knights. The magician Merlyn is forced to play the role of Thoth but he refuses. Merlyn is a White Magician who did not wanted to use the Black Magic of Morgan Le Fey.

The seven days preceding the Winter Solstice and the seven days after it are know as the Halcyon Days, named after Alcyone.

It was during this time, according to ancient Greek mythology, that Alcyone kept the Waters Peaceful and calm so that she could build her nest upon the surface of the sea and sit on it until her Eggs hatched.

The last link I want to make is the link to Mary Magdalena. Mary is of the town Magdela or Migdal which was known as the Village of the Doves, a place where Sacred Doves were bred for the Goddess Temple of Isis.

Isis has many names like : The Brilliant One in the Sky, The Star of the Sea and She Who Knows How To Make Right Use of the Heart. Her dance of the Seven veils corresponds with the seven stars of the Pleiades.

The worship of Isis was merged into the Church of Rome by the worship of Mary and Mary Magdalena, the Black Madonna. In contrast with the male dominance of the Cult of Mitrash the cult of Isis was open to the “lower classes (the poor)” and females.

Again we see a relationship between the number Seven, Water, Fish (Christianity), The lost Female principle and an Evil force that has killed the Fisherman. The Fisher King is a symbol of Christ.

A very important event is the Great Flood, the moment when the Anunaki’s tried to destroy mankind. Christ, The Force of Love, is waiting until somebody finds the lost Cup, The Grail, The Pleiades.

This Force will return when the three cycles of the Sun (Mitrash, Church of Rome), the Pole Star (The Star of the Shaman in Siberia) and the Pleiades (The Mother Goddess) are balanced. According to the Mayas this will happen in 2012.

There is much more to say about the other (five) sisters of the Pleiades. The stories of all of them weave a complicated web of hidden codes. At this moment I don’t want to explain all of them. I want to “jump to a conclusion“.

What happened???

To find out what happened we have to move to a brilliant Cabbalist called Luria.

Rabbi Isaac Luria (1534-1572) was a Jewish Mystic in Safed.

At the moment of creation the Ein Sof (Without Ending) concentrated (Tzimtzum) Himself. From this concentration proceeded the Infinite Light. This Light enfolded itself into ten circles or vessels (kelim) called the Sefirot, (Circled Numbers).

The Three outermost circles were able to bear the light, the inner six were unable to do so, and burst.

As a result of this cosmic catastrophe, the Sefirot, are shattered and out of place, and the world within which we reside, is composed of the shards of the broken values. Six of the Ten Sefirot were fully shattered. Malchut (Earth), the 7th vessel was broken partially.

Humans are on this Earth to repair the Universe. We are here to raise the sparks of the Light (our Souls) to repair the broken vessels.

We raise the sparks when we act out of Love, our Heart. The Sparks are a symbol for our relationship with the Infinite Light.

The Sparks are also represented by the Flames of a Menorah.

The Sparks are helped by the Holy Spirit (In-Spiration).

The First Triangle is in balance but the next step in the Tree of Life, The Square is out of balance.

The Square is a symbol of the Four Forces and represents The Infinite Game of Creation.

The four Forces act on all the Levels. I want to move to the level of the Human to give you a “complete” picture.

The Four Forces are moving around the Centre. The Centre of the Human is the Heart. The Seven Sisters are implemented in the Seven Chakra’s. The Heart Chakra is in the Middle.

The Center of Control is situated in the “Head”.

When we want to Control we want to manage our Expectation (Hope) and be sure that everything happens according to our plans.

We are without any Faith about the Future. We are Thinking all the Time. The Head and the Governor can be found in the Star System The Great Bear or Ursa Major.

The Chinese astrologers named Ursa Minor “Prime Minister“, “Big Sun Governor“, “Minister of State“, “the 3 Dukes“, “Factory Chief“, along with many other ministers, chiefs, generals and people of high rank within the Imperial Court. The Bear is the symbol of Control.

When the vessels were broken the link between two forces called Control (The Sun, Mitrash, Apollo, Artemis, The Great Bear (Ursa Major)) and Desire (Ego, The Bull, Orion, Black Magic) became unstable. Mitrash is always Fighting the Bull. The Bull Fights in Spain are a simulation of this Fight. Humans are afraid to lose Control and when this feeling of Fear increases they become Paranoid.

In the myth of Mitrash the Bull was finally killed. Control took over Control.  Many of the Religions that emerged out of Mitrash forced their members (all male!) to do many rituals to get rid of Desire.

The Roman Church invented the concept of Sin and Penetance to force the believers to fight their Impulses. The force of Desire is related to the Impulses and the lower chakras. It is about Sex without Love, Violence and all kinds of Addictions.

The Force of Control defines Rules and the force of Desire (the Ego) fights the Rules. Both of them are Extremes. They are Male/Male and Female/Female.

The two other forces are Male/Female. They are bisexual and related to Spirit (The Force of Creation) and Soul (The Force of Love, The Pleiades). They are not aggressive and unable to fight because they are non-violent.

The Star System of the Pleiades is sending the Force of Love and this Force is not a Strong Force. It Knocks at the Door of Your Soul and it Whispers in your Ear. It asks you to take care of Your Self and the Other. It asks you to become Conscious and to look at the World. It only asks you to act in you’re own context and to give unconditional love.

I end with a Piece of Poetry send by Paul to the City of Merope, Corinth; It will Help her to find Rest and to forget the acts of the Big Bear of Control who lost his temper when he was taken by the Bull of Desire. She and her six Sisters have to lead us back to Paradise.

If I speak in the tongues of men and of angels, but have not love, I am only a resounding gong or a clanging cymbal.

If I have the gift of prophecy and can fathom all mysteries and all knowledge, and if I have a faith that can move mountains, but have not love, I am nothing.

If I give all I possess to the poor and surrender my body to the flames, but have not love, I gain nothing.

Love is patient, love is kind. It does not envy, it does not boast, it is not proud.

It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs.

Love does not delight in evil but rejoices with the truth.

It always protects, always trusts, always hopes, always perseveres.

Love never fails.

But where there are prophecies, they will cease; where there are tongues, they will be stilled; where there is knowledge, it will pass away.

For we know in part and we prophesy in part, but when perfection comes, the imperfect disappears.

When I was a child, I talked like a child, I thought like a child, I reasoned like a child.

When I became a man, I put childish ways behind me.

Now we see but a poor reflection as in a mirror; then we shall see face to face.

Now I know in part; then I shall know fully, even as I am fully known.

And now these three remain: faith, hope and love.

But the greatest of these is love.

(1 Corinthians 13:1-13)

About the Mayan Calender and the Great Flood

### The Wordwide Carnival: A Short Introduction into the World of Mikhail Bakhtin

Sunday, September 2nd, 2007

The work of Bakhtin was disclosed to me by Will McWhinney. He used Bahktin in one of the many versions of his never published book Grammars of Engagement.

The discovery of Bahktin started with a book about Bahktin by Saul Morson & Caryl Emerson. Later I also read many other books and articles like “The dialogical imagination”, “Towards a philosophy of the act”, “Discourse in the Novel”, “Rabelais and His World”, “Problems of Dostoevsky’s Poetics” and “Speech Genres and Other Late Essays”.

Bahktin invented the term Chronotope, “The place where the knots of narrative are tied” or “the intrinsic connectedness of temporal and spatial relationships that are artistically expressed in literature“. Currently we use the term Content or Media for Literature.

A Chronotope is a Topological Concept

Space (Place, Location) and Time (the narrative) are connected by a Knot. A knot is a complicated twist in a rope. The twist is needed when you want to close a system in itself. The simplest topological structure that visualizes twisted space/time is the Moebius Ring.

The Chronotope is the Centre out of which every narrative that we are able to tell is enfolding and unfolding. It produces narratives and absorbs narratives. Bahktin places Folk-Lore, Myth, the Language of the People, in the Centre.

Every narrative contains a twist, a moment where the expansion of the beginning turns to the contraction of the end. It is the moment where the narrative is balanced. The reader holds his breath. It is also the moment where the narrative is aware of itself. It observes the whole.

Sometimes the twist is in the end. You know “who done it”. Sometimes the narrative starts with the twist. There are even narratives without a twist. You know all the time what will happen.

Scientists don’t realize that a scientific article is also a narrative. They use citation to prove they are telling a true story. Funny enough scientific citation has created the Internet. A hypertext is nothing but a citation-structure.

Old narratives produce new narratives. This is always accomplished by Citation. “The word in language is half someone else’s. It becomes “one’s own” only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language. . . but rather it exists in other people’s mouths, in other people’s contexts, serving other people’s intentions: it is from there that one must take the word, and make it one’s own“”. The cursive sentence between brackets is a citation of Bahktin.

New narratives also oppose old narratives. They are Dialogic. “The entire life of language, in any area of its use . . . is permeated with dialogic relationships“.

Dialogues are converging (Socratic dialogue), diverging and conflicting (Menippian Dialogue) or one sided (the Magisterial Monologue). “Thus at any given moment of its historical existence, language is heteroglot from top to bottom: it represents the co-existence of socio-ideological contradictions between the present and the past, between differing epochs of the past, between different socio-ideological groups in the present, between tendencies, schools, circles and so forth

The Centre generates new narratives all the time. They are a mix of the old and the new. The centre is the Centrifugal Force and this force is powered by Contradiction.

The Institutions, the Ruling Power, are constantly trying to standardize (the Centripetal force). They formulate rules and try to transform the dialogue into a monologue.

The centripetal and the centrifugal force create a huge tension. This tension moves the Wheel of Creation. The wheel always moves through the stages of Order and Chaos. In the middle of the Tornado of Creation is the Centre, the Chronotope. In the centre you will always find rest and inspiration.

The monologue (the magisterial dialogue) is the dialogue of the Magister, the scientist, the manager, the judge, the physician and the teacher. They use science, the law, books or other Magisters to enforce their power. By formulating rules they try to destroy the creative centre (the context).

A context is potentially unfinalized; a code must be finalized. A code is only a technical means of transmitting information; it does not have cognitive, creative significance. Code is deliberately killed context“.

At this moment the Centripetal force is implemented in the Search Engine. Narratives are found by typing codes. This makes it very difficult to find a context. Companies like Google are manipulating the coding. They are paid by the Centripetal Force of the Commercial Companies.

The centrifugal force is never at rest. It always generates new alternatives. The creation of new literature is not bounded by rules. Every time a new structure is defined the Centre starts to play with the rules and generates a new combination. The Centre is not only combining rules it even invents new rules. The Centre is the inventor of new Games to Play.

Producing literature is a process of spiralling out. It follows a cycle but at a certain point in time a new Centre appears and the Cycle starts a new process of Folk-lore. The new centre is always connected to the old Centre. New myths and new fairy tales are created that are a representation of the Spirit of the Time.

Every cycle is governed by a Clock. The periodicity of the Clocks is determinated by the number five. It runs at a frequency of 1250, 250, 50, 10 or 2 years. There are frequencies that are moving faster (the Atom) and much slower (the Universe).

Bahktin has developed a very interesting theory about the development of the Chronotopes in history.

I will tell the Tale of the Chronotopes of Bahktin on the level of the Cycle of Culture (1250 years, 250 years per stage).

Between 450 and 700 the Roman Empire is destroyed by the Huns. It is the time of the Great Deportations. People out of Asia move to the West. They are the ancestors of the Ostrogotes, the Visigotes, the Franks, the Gauls, the Germans and the Celts. 1250 years later they are integrated in what we now call Europe. Between 700 and 2000 the Europeans explore and conquer the World.

Around 1200 the new powers have created many Kingdoms and have organized the Crusades to conquer the Holy Land. To show their power they build the Cathedrals. The Cathedrals are the instrument of the Education of the Masses. The old folk-lore is transformed to the new of the Christian Faith. The old-folklore is not destroyed. Many symbols and important events are preserved. They are cited. The transition of the Sun in Winter is transformed in Christmas. The new apostles are connected to the old animals of the old Wheel of Fortune.

Between 1200 and 1450 the Chronotope of the Greek Romance (Tristan and Isolde, Arthur and The Grail) appears. It is the Chronotope of Being and Destiny. “There are a lot of suddenly’s”. Everything happens. The actor in this Chronotope is without identity. He is tested by destiny. When he has passed the test he is not changed. There is no time and space. Time (“adventure-time”) is reversible. The actors are public figures and space is public space. In the narratives we are able to see and hear everything.

We are in the Middle Ages. In the outside world destiny is also playing its evil game. Western Civilization is almost destroyed by the plague, feminine and wars between the Kingdoms. Even the Christian Empire of Rome is divided by a schism (Byzantium). At the end only a few Kingdoms survive. These Kings become Emperors. They represent God on Earth.

This (1450-1700) is the time of the Chronotope of the Adventure. It is the Chronotope of Becoming. The identity of the actor is transforming. He is responsible for his own actions. Life is full of turning points (twists). The actor wants to take control of the outside world. Space becomes “private space”.

To give the reader insight in what is happening the Observer is introduced. He is a voyeur, a prostitute, a rambler, a rover, a tramp, a spy, a servant or an animal. The observer is not influencing the story at all. He is just watching. Objectivity is also introduced in space (court).

In the outside world we are in the Time of Renaissance (the Era of Discovery). It is the time of new inventions in Science (Copernicus), Art (Leonard Da Vinci) and Religion (Reformation, Luther, Calvin). The Bible is translated in the language of the people. It is also the time of the Great Explorations (Columbus) of the world outside the West. Western Culture starts his quest to control Nature and eventually the World.

The next Chronotope is the Biography (1700-1950), the praise of a public figure who has accomplished something in life. We are moving from the outside world to the inside world of the actor.

Inner space is closed. “This offers a new relationship to one’s own self, one’s own particular “I”- with no witnesses, without any concessions to the voice of a “third person“.

Outside events affect the inner world. The actor is not showing this. In the outside world the actor is judged by his actions and not by his inner space (his essence). “The essence of man is realized not by his condition but by his activity“.

To give the reader a view on the inner space the outsider is introduced. His outside actions are governed by a distorted inner space. The outsider (the fool, the eccentric) acts as a reference.

The actor is a pretender. He is constantly in doubt, grumbling, cynical and sarcastic. He is also passive. He is watching from a distance. Everything is Relative (Bahktin was a fan of Einstein). The only time when the actor is able to show himself is at the carnival. During this short period he is allowed to choose his own mask.

This is the time of the Industrial Revolution. It is the era of mechanization. It starts with the invention of the Mill and the Factory. It ends with the mechanized Consumer watching Television.

Starting in 1950 we are again in the phase of Folk-lore. Western Civilization is moving to a new Centre, Earth.

New myths and legends will be created. They have to be based on all the tales, myths and legends that are available on Earth. Some of them will be a citation. Others will be an opposition.

All kinds of dialogues will take and have to take place. We will experience many conflicts (Mennipian Dialogue). We will also have to listen and ask questions to understand the other cultures (Socratic Dialogue). We have to stop our Western Magisterial Monologue.

In the beginning it will be a Heteroglossia (a many voicedness), a very complicated Knot we have to untie. When we have found the tread we will be able to weave a new web of narratives that will start the phase of the Greek Romance again.

Between now and 2100 “We must make the new by our own effort”.“We have to face problems of reality and human potential, problems of freedom and necessity, and the problem of creative initiative“. We have to become persons “who emerge along with the world and reflect the historical emergence of the world itself”.

In order to understand, it is immensely important for the person who understands to be located outside the object of his or her creative understanding — in time, in space, in culture. . . . Our real exterior can be seen and understood only by other people, because they are located outside us in space and because they are others

We have to write our own Novel. “There is no causality in novels, no genesis, no explanations based on the past, on the influences of the environment or of upbringing and so forth. Every act a character commits is in the present, and in this sense is not predetermined”.

We have to act without hesitation and leave history behind. There is no experience we can reuse. The future is unfinalized (open).

The Magisters are not able to tell us what to do. They are out of tricks. We have to put off our own masks and take responsibility for what we are doing. “There is no alibi for being”. We have to stop pretending and use citations of others to prove we are right.

We are now part of the Worldwide Carnival of Fools. Choose your mask out of the many masks that are available all over the world. Listen to the stories of other cultures and be surprised about the beauty and the experience they are containing. Give the Fools and the Eccentrics, the Outsiders, a chance to help you.

Laugh.

It will be fun.

I want to close with a citation of Paul Feyerabend (Killing Time (1995)): “People, intellectuals especially, seem unable to be content with a little more freedom, a little more happiness, a little more light. Perceiving a small advantage, they seize it, circumscribe it, nail it down, and in this way prepare a New Age of ignorance, darkness and slavery. It is rather surprising that there are still people who want to help others for personal reasons, because they are kindhearted and because they have not been intimidated by principles. It is even more surprising that some of the people can work in institutions despite the greed, the incompetence, the power struggles that seem to surround the noblest cause.”

Do you want to know more about Feyerabend read The Act of Creation: About Fusion and Con-fusion