Posts Tagged ‘music’

About Music as a Utility, The Vision of Ger Leonard

Tuesday, April 15th, 2008

The Utility as a concept is hot. Many visionaries predict “something” will be sold and consumed like “Water, Gas or Electricity”. It will flow through the Internet directly into our User-Interface (Mobile Phone, Television, ..) and we will pay a “flat fee” for every thing.

Like all “hot issues”, hypes and trends there is something wrong and something right. Finding out “what’s wrong” gives us an idea about the reality of the vision.

I want to concentrate this blog on the future of Music or Music 2.0, a free downloadable book of visionair Gerd Leonard. In his book he has formulated eight trends.

1. Music Like Water: Music is no longer a product but a service. Music became a product with the advent of recording (records, tapes, CDs) and the formation of an industry that quickly fig­ured out that selling the bottle can make a lot more money than only selling the wine. For the future, think of a “record label” as a “music utility company.”

2. A Bigger Pie, but Cheaper Slices: Today’s music pricing schemes will be completely eroded by digital music services (legal and, mostly, otherwise) and by stiff competition from other entertainment products. A “liquid” pricing system will emerge, involving subscriptions, bundles of various content types, multi-channel/multi-access charges, and countless add­ed-value services.

3. Diverse and Ubiquitous: A wide range of music will be eve­rywhere, and music will be part of everything that used to be “images only”: from rich media advertising to interactive slide­shows to car software to MMS and digital cameras, to advertis­ing in magazines (!), the audiovisual use of music will soar, and the licensing revenues will explode along with it.

4. Access to Music will Replace Ownership: Soon, consumers will have access to “their” music anytime, anywhere, and the physical possession of it will in fact be more of a handicap, or a knack of collectors. Music will feel (and act) like water.

5. Multi-point Access to Music will be the Default Environ­ment, allowing consumers to fill up their music devices at air­ports, train stations, and in coffee shops and bars, using all kinds of wireless connections as well as other on-demand and ad-hoc networking technologies.

6. Go Direct: Major artists will increasingly rely on their own “brandability” and – via their managers – go direct to the con­sumers, using their own in-house marketing, branding, and promotion teams.

7. The Software Pro: The (performing) rights organizations (PROs) as we know them will likely fade away. Complete tech­nology solutions comprised of watermarking and fingerprint­ing, so-called DRM and (better) CRM components, monitor­ing, admin/accounting, and instant payment solutions will do the job quicker, cheaper, and, of course, with complete trans­parency.

8. Mobile Mania: Cell phones and other wireless devices will eventually utilize and suck up more “content” than any Inter­net service or P2P client ever has. Real-music ringtone offer­ings, Multi-Media SMS (MMS), Java-based games, wireless streaming audio and video, i-Mode type applications, and other cell-phone based offerings will proliferate very quickly, at first in Europe and Asia, followed by the U.S.

What wrong with his predictions?

His vision is based on the fact that we are able to digitize something (music) and transport this something through a pipeline (a broadband network) and re-digitize it with a specialized device.

The first thing that is special in his vision is that there is really nothing that relates to Music.

It is applicable to Anything that is Digitizable. Let’s call them Dthings. Dthings are the Inputs for our Senses. The Dthing-model is a highly used model. It supposes that the Human Being is a Computer (or perhaps better a Robot).

What everybody forgets are aspects of Human Beings like Emotions, Imagination and Context. These aspects have to be balanced. Emotions (or Mood, Taste) play a special role in Music. Music triggers the Emotional part of the Human. The emotions are highly context-dependent. Classical Music in a Beat Environment doesn’t fit.

Music is not confined to the Ears. The whole body is capable of listening. An Ear-plug gives only a part of the sensation music can give you.

Does an extended model of the Human Being prohibit something in the Vision of Gerd Leonard?

Yes and No.

It must be possible to expand the Devices into a complete Music-environment (A Digital Theatre). Digital Theatres are already on the market. It will only block his 8th part of his vision, Mobile Mania.

Digital Theatres are unable to replace a Real Performance of an Artist. In a real performance not only the music, the musicians and the environment but also the public plays an important role. The right combination of all of them generates Spirit (Enthusiasm). The need to experience the “real thing” will rise when “Music as Water” will be available.

The next thing that will cause a lot of trouble is Indexing. It will be impossible to categorize all the Dthings in the Musical Jukebox Leonard will create. Even worse, indexing will start the “Google-effect”. Artist (or their representing companies) will have to pay to get attention.

Is there something “on the market” that will replace “Music like Water”?

Yes.

Let’s call it “Instant Mood”.

Many people take drugs (Alcohol, Pills) to enhance the Experience of Music.

The connection between the device and the body will be improved. In the end there will be a direct connection between the brain and the outside. People will take a simple neural plug-in that will connect them to a Mood-Simulator.

If people want to Get into a Mood why will they need Music if the connector is able to generate every mood they want?

This development is called Mind Control and Mind Control is “On Its Way”. It is already used in the Army and it will find its way into business soon.

Many problems I have mentioned are gone. We don’t need Artists anymore. The Amount of Choice will reduce dramatically so a Classification System is not needed.

Instant Mood will really Flow like the Waves of Emotion.

There is only one little problem.

Mind Control can be used to manipulate Every Body into Every State. So if Instant Mood is operational we have to Prevent this to Happen.

Imagine.

Every body will be Happy all the Time.

We are finally in Paradise.

About Color and Music

Saturday, November 10th, 2007

kandinskyIn 1999 John Gage wrote the book Color and Culture, Practice and Meaning from Antiquity to Abstraction. The book explains the way people “think/sense” about Color in History.

I use the word think/sense because I believe there are many ways to look and a one of them is “to Look by Thinking“.

The Science that is trying to explain this phenomenon is called Phenomenology.

I know this sounds strange to you but there are many examples to prove that people don’t see something because their theory about the world is not able to explain what they are seeing.

anatomical lessonA very remarkable researcher who has discovered many phenomena is the Dutch Psychiatrist Jan Hendrik van den Berg .

I read his books when I was a student at the University.

One of his books called the Opened Body (Het geopende Lichaam 1959) is about the History of Anatomy.

In this book he shows that it took a very long time before it was accepted that the Heart was divided into two Chambers. Until that time The Heart was a Whole.

Long after the discovery of the two independent circulatory systems by William Harvey the heart was pierced (!) to show the interconnection between the chambers that was not there.

The Old Scientists simply adjusted reality to their theory and nobody complained about that.

John Cage shows the same things again and again. He shows that the experience of Colors changed because artists started to use pigments.

A Color became a mix of Basic colors. Colors changed into Parts that could be Combined.

At this moment almost nobody understands that Colors change by the influence of other Colors in their environment.

sunset2Before that time Color was a Field. Colors (and Images) were created by adding Layers.

When you see Colors as a Field you understand why Colors are influenced by other Colors. They look like Music and produce Overtones.

The strange thing is that when you start to experiment with Colors by doing a course in Painting (I did) you recognize immediately that there is something wrong with you’re Think/Sensing-system.

When you Paint with your Mind you will never create what you See. You have to Look without Thinking.

Imagine John Cage, Jan Van Den Berg, Husserl and Heidegger and many others are Right. There are many simple experiments to prove their point.

goethe color theoryWhen you want to do a very simple experiment just do what Goethe did. He wrote a book called Color Theory that contains all his experiments. Goethe used the German word “Schauen” to explain the difference between Seeing with the Mind and Seeing with the Intuition or the Consciousness. You could translate “Schauen”  in “Carefull Observation“.

If they are Right you could try to remove your Thinking (your theory about the outside world) when you Observe with Care.

If you do this you’re world will change. You will see Colors and Overtones in your Environment you have never seen before. The World will look much brighter.

Have a Try.

About Third Order Cybernetics

Friday, November 2nd, 2007

escher-heaven-hell-1The Cybernetics Movement has gathered a spectacular amount of Knowledge and Wisdom. The most important Scientists in the World came out of Cybernetics. The basic theory behind Cybernetics is very easy to understand. Every System is controlled by a Feed-Back Cycle.

Cybernetics was defined by Norbert Wiener as the study of control and communication in the animal and the machine.

When the control engineering and computer science disciplines had become fully independent, the remaining cyberneticists focused on Autonomy, Self-organization and the Role of the Observer in modeling a system.

This movement became known as Second-Order Cybernetics.

At this moment Cybernetics has moved to the Third Order. To define the third order the Cybernetic Movement had to find out what a new order was about. It was easy to see that the Observer of the Observer was still an Observer. This path ended soon.

One solution is to analyze observers and systems co-evolve across different social systems but many other perspectives are possible.

When I read this website I found one Perspective that related to my own research. It states that the higher orders of self-reflexivity may be related to Beauty. I cite “The organism is a self-song“, “Gaia (Earth) is not a big compound individual, nor a song sung by an individual, but a song sung by a chorus or choir of all sentient beings. That choral song, alas, is being sung off key, it is out of harmony, due to one species singing off-key loudly“.

The path of Beauty refers to another article (Cultivating the Songlines of the Noosphere: from presentations by representatives to embodying presence in transformation, 1996).

I cite again “”Language grounded in music is grounded thereby on context dependency; any tone can have any possible relation to other tones, and the shift from one tone to another, which alone makes melody possible, is a shift in perspective which the singer himself embodies. Any perspective (tone) must be “sacrificed” for a new one to come into being; the song is a radical activity which requires innovation while maintaining continuity and the “world” is the creation of the singer, who shares its dimensions with the song.”

My advice:

When you want to Control everything use First Order Cybernetics. It is focused on Software and Machines. Building Software is an Art. If you don’t have aquired this Talent do something else that is related to Your Talent.

If you want to move into Flow start to use Second Order Cybernetics. It teaches you how to Observe and accept Self-Organization.

If you want to find Rest move to the Third Level. This is the Level of Harmony.

Start to sing in a Choir. You will learn a lot about your Voice, your Body, Resonance and Cooperation. Singing helps you to Relax and have FUN.

If you have learned enough start to sing with Eight Different Voices. This teaches you How to Listen to the Other and to Start and Maintain a Dialogue.

The last step is Chanting or Toning.

Find out how people that are not controlled by a Director and a Script are able to produce Beautiful Patterns by becoming ONE VOICE.

LINKS

About Beauty and Harmony

About Third Order Cybernetics

About Resonance

About Synchronization of Crowds

About The Rose

Sunday, October 21st, 2007

What is defensive driving and how it helps fleet managers

Defensive driving is the key mindset that will keep your fleet safe, vehicles in order and drivers in check. And it will save you and all fleet drivers the embarrassment of a typical dressing down by the interstate and highway police.

Being a mindset, defensive driving incorporates a set of driving behaviors that enables drivers achieve a daily routine that is as uneventful as possible. And that is preponderantly important in the life of a fleet manager.

 

What is defensive driving?

Defensive driving is a mindset that enables a motorist to identify and anticipate driving hazards. That said, it requires certain driving skills that enable the motorist to control their speed, expect the unexpected and always remain alert. It also requires respecting all drivers, as well as weather and road conditions, leveraging adjustability.

According to Wikipedia, there is a standardized way to look at it. To that end, the “Safe Practices for Motor Vehicle Operations” standard, defines it as a set of defensive driving skills, where you —the driver — are aiming to “save lives, time, and money, in spite of the conditions around you and the actions of others”.

The basic principles of defensive driving

In 1937, Mark Everard Pepys introduced the roadcraft system of car or motorcycle control. Interestingly, it’s purpose was to educate motorists on how to operate their vehicles safely. A lot has changed since this first attempt at safe driving; all for the better. Especially since the number of vehicles increased from a few thousand in the 1900s to around 1.32 billion in 2016. Without a doubt, driving safely is all the more important in 2020. To that end, certain principles were developed, to describe and support the efforts in fostering defensive driving. Get the most professional assistance from the best ny defensive driving course.

  • Always respecting the minimum and maximum speed limits
  • Being alert and distraction free at all times, so that if faced with a difficult situation you can anticipate an odd predicament and avoid the danger
  • Being respectful and pay attention to other drivers
  • Maintaining a safe distance from the preceding vehicle
  • Looking ahead, expecting the unexpected, as other motorists might not behave as you ordinarily would. This includes both motorists and pedestrians.
  • Always keeping weather and road conditions in mind, adjusting driving behavior accordingly
  • Adjusting speed before entering a bend, avoiding the need to hit the brakes in the middle of a bend.
  • Observing all driving regulations

Defensive driving: Pros and Cons

The obvious advantage of defensive driving is, of course, road safety. Today, modern fleets tend to incorporate defensive driving programs as one of the core aspects of their business. Not only is it beneficial on the road, but it brings a few business advantages, as well.

Pros

  • It’s easy to learn and adopt
  • It’s a very good way to prevent accidents
  • Leverages fuel economy and savings
  • Keeps maintenance costs as low as possible
  • Keeps insurance costs as low as possible

We have covered this subject more extensively, with 5 key defensive driving behaviors your fleet drivers need to adopt.

And, of course, there is always a flip side to the coin. Sure enough, there are a couple of cons in trying to adopt the defensive driving mindset. Undoubtedly, they’re hard to countermand, as they’re mostly related to some kind of involuntary behavior. But, it’s certainly worth the effort.

Why Music gives Soul to the Universe and Wings to the Mind

Thursday, October 18th, 2007

I have been a lover of Music since I was born. It was a big surprise to my parents when I wanted to buy gramophone records of Opera’s when I was thirteen. My parents where not educated in music but they loved it. Everybody in my family was singing, most of them in a choir.

I was given a beautiful soprano voice when I was a young boy. It was so special that I was more or less forced to sing in theatres. I was a very shy person and the first time I was on stage I almost fainted. Later my voiced changed into a Counter Tenor.

Later, when I was about 35, Singing took me like a hurricane. I started to take singing lessons and joint many choirs. I even created my own octet. I never learnt to read notes but this was not a problem. My memory for music works perfect.

Plato framed the essence of Music in this sentence: “Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety and life to everything. It is the essence of order, and leads to all that is good, just, and beautiful, of which it is the invisible, but nevertheless dazzling, passionate and eternal form“.

In the old mystery schools the use of sounds were considered a very sacred science. They knew that the right sequence of sounds could change behaviour patterns and accelerate the healing process. The right toning could perform miracles.

Sound is processed by the cochlea. The word Cochlea comes from kokhlias “snail, screw and kokhlos “spiral shell“. People who have read a few of my blogs will understand that the “spiral of the ear” transforms sound into a very special spiral pattern.

This pattern travels first trough the limbic system. It is here that emotional and physical reactions are produced. The pattern than moves to the auditory cortex of the brain where we become conscious of the sound and can recognize what we are hearing.

The limbic system connects the higher and lower functions of our brains, it is called both the “Emotional Center” and the “Conscious System” of the brain. If we, as Humans, had to consider one part of our brains to be the core of our personal consciousness, it would be the Limbic System and, especially, the interaction between the limbic system and the cortex.If anything resembles the actions of a ‘soul’ in the Human brain machine, it is the interaction between the Cortex and the Limbic system.

So Music (Tones) are a direct connection between the Outside World and our Consciousness, The Emotions.

If you read this blog you will understand that Sound makes a connection to another physical space, Our Twin or Mirror Space (“Dark Matter or Mirror Matter“).  .

Out if this space we are fed by the Force of Life (Qi, Prana). With Sound we are able to connect to every Whole by something called “quantum superposition”. It is a term used in Quantum Mechanics and it defines a state of “Harmony”, “Coupling” or “Entrainment” . If we produce the right sound waves we are able to “entrain” the Body to a Whole (A higher level in the Universe) that is able to heal the body (Qi).

If you read the last blog You will also discover that not only our Ears but our whole body through the connective tissues of our body (skin, bones) is able to resonate.

When people are producing sounds in a group they start to resonate and become a whole. An example is a soccer-match. When the sounds and the movements of the body (the Wave) become entangled the people in the Stadion become a Whole.

Not only the people but also the Architectual Structure of the Stadion plays a very important role. That is why some of the new developed Stadions and Concert Halls are not able to generate the “Right Atmosphere”. They are not able to give the right Feed-Back between Limbic system and the Cortex.

The same applies to Offices. When people are working they need to “hear” the “Humm” of the Others. When the “Humm” is a positive sound they start to feel good and productivity rises. They are connected to the Whole of the Company they are working for. When the “Humm” is a negative sound productivity goes down. When this happens they become sick. The “Acoustical” Structure of a Building is able to transform a positive “Humm” into a negative “Humm” (The Sick Building Syndrome).

If you want to know more I advice you to read the beautifull books of Christopher Alexander about Architecture.